Editing Raymond Pettibon (section)

=== Group exhibitions ===
Pettibon began exhibiting his work in group shows in galleries in the 1980s. In 1992, Pettibon was invited to participate in ''[[Helter Skelter: L.A. Art in the 1990s]]'', curated by Paul Schimmel at the [[Museum of Contemporary Art, Los Angeles]] (MOCA).

In 1993, Pettibon was included in the [[Whitney Biennial]] along with Noni Grevillea. By the mid-90s, Pettibon had exhibited extensively, including exhibitions at the [[Museum of Modern Art]], New York; the [[Museum of Contemporary Art, Los Angeles]] (MOCA); [[Kunsthaus Zurich]]; [[White Columns]], New York. In the late 90s, Pettibon to exhibited internationally including shows at the [[Tramway (arts centre)]] in Glasgow, Scotland, the [[Hammer Museum]], Los Angeles and the 1997 [[Whitney Biennial]].

In 2002, Pettibon participated in [[documenta]] XI in Kassel, Germany, curated by [[Okwui Enwezor]]. In 2004, Pettibon participated in the ''[[Site Santa Fe]] Fifth International Biennial exhibition: Disparities and Deformations: Our Grotesque'', curated by [[Robert Storr (art academic)|Robert Storr]]. For this exhibition, he created his first animation using his own drawings.  That same year, Pettibon participated in the [[Whitney Biennial]] for the third time and was awarded the prestigious [[Bucksbaum Award]] for his installation of drawings.

In 2007, Dominic Molon of the [[Museum of Contemporary Art, Chicago]] organized an exhibition titled, ''Sympathy for the Devil: Art and Rock and Roll since 1967'', and included a selection of Pettibon's original drawings from [[Black Flag (band)|Black Flag]] concert flyers and album covers.

In 2008, Pettibon participated in the California Biennial, organized by Lauri Firstenberg, which featured one of his works as a large billboard on the [[Sunset Strip]] in Los Angeles. In 2010, Pettibon participated in the [[Liverpool Biennial]] curated by Lorenzo Fusi. In 2011, [[RCS MediaGroup|Rizzoli]] released a comprehensive monograph, edited by [[Ralph Rugoff]], the most comprehensive publication of Pettibon's works to date.

Since 2018 his work ''No title (if you can)'' and has been part of the permanent collection of [[Colección SOLO]] at its museum in Madrid (Spain). Temporary exhibitions also show his paintings ''Broken at Last,'' and [[Sonic Youth]] cover signed by the artists and [[Kim Gordon]].