Editing Psychedelic rock (section)

====International variants====
{{See also|Psychedelic rock in Australia and New Zealand|Psychedelic rock in Latin America}}

The US and UK were the major centres of psychedelic music, but in the late 1960s scenes developed across the world, including continental Europe, Australasia, Asia and south and Central America.<ref>S. Borthwick and R. Moy, ''Popular Music Genres: an Introduction'' (Edinburgh: Edinburgh University Press, 2004), {{ISBN|0-7486-1745-0}}, p. 44.</ref> In the later 1960s psychedelic scenes developed in a large number of countries in continental Europe, including the Netherlands with bands like [[The Outsiders (Dutch band)|The Outsiders]],<ref>R. Unterberger, ''Unknown Legends of Rock 'n' Roll: Psychedelic Unknowns, Mad Geniuses, Punk Pioneers, Lo-fi Mavericks & More'' (Miller Freeman, 1998), {{ISBN|0-87930-534-7}}, p. 411.</ref> Denmark, where it was pioneered by [[Steppeulvene]],<ref>P. Houe and S. H. Rossel, ''Images of America in Scandinavia'' (Amsterdam: Rodopi, 1998), {{ISBN|90-420-0611-0}}, p. 77.</ref> Yugoslavia, with bands like [[Kameleoni]],<ref name="istorija236">{{cite book|last1=Fajfrić|first1=Željko|last2=Nenad|first2=Milan|title= Istorija YU rock muzike od početaka do 1970.|year=2009|publisher=Tabernakl|location=Sremska Mitrovica|page=236}}</ref> [[Dogovor iz 1804.]],<ref name=PJ>{{cite book|last=Janjatović|first=Petar|title=Ex YU rock enciklopedija 1960–2023|year=2024|publisher=self-released / Makart|location=Belgrade}}</ref>{{rp|89}} [[Pop Mašina]]<ref name=PJ />{{rp|238}} and [[Igra Staklenih Perli]],<ref name=PJ />{{rp|136}} and Germany, where musicians fused music of psychedelia and the electronic avant-garde. 1968 saw the first major [[German rock]] [[music festival|festival]], the {{ill|Internationale Essener Songtage|de}} in [[Essen]],<ref>P. Buckley, ''The Rough Guide to Rock'', (Rough Guides, 1999), {{ISBN|1-85828-457-0}}, p. 26</ref> and the foundation of the [[Zodiak Free Arts Lab]] in [[Berlin]] by [[Hans-Joachim Roedelius]], and [[Conrad Schnitzler]], which helped bands like [[Tangerine Dream]] and [[Amon Düül]] achieve cult status.<ref>P. Stump, ''Digital Gothic: a Critical Discography of Tangerine Dream'' (Wembley, Middlesex: SAF, 1997), {{ISBN|0-946719-18-7}}, p. 33.</ref>

A thriving psychedelic music scene in [[Cambodia]], influenced by psychedelic rock and soul broadcast by US forces radio in Vietnam,<ref>M. Wood, [https://books.google.com/books?id=YMDVIT4pNlwC&dq=cambodian+rock+psychedelic&pg=PA46 "Dengue Fever: Multiclti Angelanos craft border-bluring grooves"] ''Spin'', January 2008, p. 46.</ref> was pioneered by artists such as [[Sinn Sisamouth]] and [[Ros Serey Sothea]].<ref>R. Unterberger, [https://www.allmusic.com/album/cambodian-rocks-vol-1-r729214/review "Various Artists: Cambodian Rocks Vol. 1: review"], ''AllMusic'' retrieved 1 April 2012.</ref> In South Korea, [[Shin Jung-hyeon|Shin Jung-Hyeon]], often considered the godfather of Korean rock, played psychedelic-influenced music for the American soldiers stationed in the country.  Following Shin Jung-Hyeon, the band [[Sanulrim|San Ul Lim]] (Mountain Echo) often combined psychedelic rock with a more folk sound.<ref>{{cite web|url=http://progressive.homestead.com/korea.html |title=KOREAN PSYCH & ACID FOLK, part 1 |publisher=Progressive.homestead.com |access-date=2013-02-03}}</ref> In Turkey, [[Anatolian rock]] artist [[Erkin Koray]] blended classic Turkish music and Middle Eastern themes into his psychedelic-driven rock, helping to found the Turkish rock scene with artists such as [[Cem Karaca]], [[Mogollar]], [[Barış Manço]] and Erkin Koray. In Brazil, the [[Tropicalia]] movement merged [[Music of Brazil|Brazilian]] and [[Music of Africa|African rhythms]] with psychedelic rock. Musicians who were part of the movement include [[Caetano Veloso]], [[Gilberto Gil]], [[Os Mutantes]], [[Gal Costa]], [[Tom Zé]], and the poet/lyricist [[Torquato Neto]], all of whom participated in the 1968 album ''[[Tropicália: ou Panis et Circencis]]'', which served as a musical manifesto.