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===Criticism=== Reynolds{{sfn|Reynolds|2013|p=50}} posited in 2013 that "the truly progressive edge in electronic music involves doing things that can't be physically achieved by human beings manipulating instruments in real-time".{{sfn|Reynolds|2013|p=50}} He criticized terms like "progressive" and "intelligent", arguing that "it's usually a sign that it's gearing up the media game as a prequel to buying into traditional music industry structure of auteur-stars, concept albums, and long-term careers. Above all, it's a sign of impending musical debility, creeping self-importance, and the hemorrhaging away of fun."{{sfn|Reynolds|2013|pp=6β7}} Reynolds also identifies links between progressive rock and other electronic music genres, and that "many post-[[rave]] genres bear an uncanny resemblance to progressive rock: conceptualism, [[music auteur|auteur-geniuses]], producers making music to impress other producers, [and] showboating virtuosity reborn as the 'science' of programming finesse".{{sfn|Reynolds|2013|p=386}}{{Clear}}
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