Editing King Lear (section)

==Sources==
[[File:1577 printing of Holinshed's Chronicles.jpg|thumb|The first edition of [[Raphael Holinshed]]'s ''Chronicles of England, Scotlande, and Irelande'', printed in 1577]]
Shakespeare's play is based on various accounts of the semi-legendary [[Britons (Celtic people)|Brythonic]] figure [[Leir of Britain]], whose name has been linked by some scholars{{who|date=July 2020}} to the Brythonic god [[Lir]]/[[Llŷr]], though in actuality the names are not etymologically related.{{sfn|Jackson|1953|p=459}}{{sfn|Ekwall|1928|p=xlii}}{{sfn|Stevenson|1918}} Shakespeare's most important source is probably the second edition of ''[[Holinshed's Chronicles|The Chronicles of England, Scotlande, and Irelande]]'' by [[Raphael Holinshed]], published in 1587. Holinshed himself found the story in the earlier {{Lang|la|[[Historia Regum Britanniae]]}} by [[Geoffrey of Monmouth]], which was written in the 12th century. [[Edmund Spenser]]'s ''[[The Faerie Queene]]'', published 1590, also contains a character named Cordelia, who also dies from hanging, as in ''King Lear''.{{sfn|Foakes|1997|pp=94–96}}

Other possible sources are the anonymous play ''[[King Leir]]'' (published in 1605); ''[[The Mirror for Magistrates]]'' (1574), by John Higgins; ''[[The Malcontent]]'' (1604), by [[John Marston (playwright)|John Marston]]; ''[[The London Prodigal]]'' (1605); [[Montaigne]]'s ''[[Essays (Montaigne)|Essays]]'', which were translated into English by [[John Florio]] in 1603; ''A Description of Elizabethan England'' (1577), by [[William Harrison (priest)|William Harrison]]; ''Remains Concerning Britain'' (1606), by [[William Camden]]; ''[[Albion's England]]'' (1589), by [[William Warner (poet)|William Warner]]; and ''A Declaration of egregious Popish Impostures'' (1603), by [[Samuel Harsnett]], which provided some of the language used by Edgar while he feigns madness.{{sfn|Hadfield|2007|p=208}} ''King Lear'' is also a literary variant of a common [[Fable|folk tale]], "[[Water and Salt|Love Like Salt]]", [[Aarne–Thompson]] type 923, in which a father rejects his youngest daughter for a statement of her love that does not please him.{{efn|1="In other literary forms of the Middle Ages there occasionally appear oral tales. Geoffrey of Monmouth, in telling the story of King Lear, includes the incident of Love Like Salt (Type 923) ...". [[Stith Thompson|Thompson, Stith]] (1977). ''The Folktale''. University of California Press. p. 181. {{ISBN|0-520-03537-2}}.}}{{sfn|Mitakidou|Manna|2002|p=100}}{{sfn|Ashliman|2013}}

The source of the subplot involving Gloucester, Edgar, and Edmund is a tale in [[Philip Sidney]]'s ''[[Countess of Pembroke's Arcadia]]'' (1580–90), with a blind [[Paphlagonia]]n king and his two sons, Leonatus and Plexitrus.{{sfn|McNeir|1968}}

===Changes from source material===
[[File:Cordelia, King Lear, Alexander Johnston (artist).jpg|thumb|left|''Cordelia'', [[Alexander Johnston (artist)|Alexander Johnston]] (c.1894)]]
Besides the subplot involving the Earl of Gloucester and his sons, the principal innovation Shakespeare made to this story was the death of Cordelia and Lear at the end; in the account by Geoffrey of Monmouth, Cordelia restores Lear to the throne, and succeeds him as ruler after his death. During the 17th century, Shakespeare's tragic ending was much criticised and alternative versions were written by [[Nahum Tate]], in which the leading characters survived and Edgar and Cordelia were married (despite the fact that Cordelia was previously betrothed to the King of France). As [[Harold Bloom]] states: "Tate's version held the stage for almost 150 years, until [[Edmund Kean]] reinstated the play's tragic ending in 1823."{{sfn|Bloom|2008|p=53}}

Holinshed states that the story is set when [[Jehoash of Judah|Joash]] was [[King of Judah]] ({{Circa|800 BC}}), while Shakespeare avoids dating the setting, only suggesting that it is sometime in the pre-Christian era (with numerous anachronisms, such as Anglo-Saxon names and titles like Duke and Earl).

The characters of Earl "Caius" of Kent and The Fool were created wholly by Shakespeare in order to engage in character-driven conversations with Lear. Oswald the steward, the confidant of Goneril, was created as a similar expository device.

Shakespeare's Lear and other characters make oaths to [[Jupiter (mythology)|Jupiter]], [[Juno (mythology)|Juno]], and [[Apollo]]. While the presence of Roman religion in Britain is technically an anachronism, nothing was known about any religion that existed in Britain at the time of Lear's alleged life.

Holinshed identifies the personal names of the Duke of Albany (Maglanus), the Duke of Cornwall (Henninus), and the Gallic/French leader (Aganippus). Shakespeare refers to these characters by their titles only, and also changes the nature of Albany from a villain to a hero, by reassigning Albany's wicked deeds to Cornwall. Maglanus and Henninus are killed in the final battle, but are survived by their sons Margan and Cunedag. In Shakespeare's version, Cornwall is killed by a servant who objects to the torture of the Earl of Gloucester, while Albany is one of the few surviving main characters. [[Isaac Asimov]] surmised that this alteration was due to the title [[Duke of Albany]] being held in 1606 by [[charles I of England|Prince Charles]], the younger son of Shakespeare's benefactor [[James I of England|King James]].<ref>''[[Asimov's Guide to Shakespeare]]'', Volume II, section "King Lear".</ref> However, this explanation is faulty, because James' older son, [[Henry Frederick, Prince of Wales|Prince Henry]], held the title [[Duke of Cornwall]] at the same time.