Editing Gothic rock (section)

==Impact==
In the 1990s, several acts such as [[PJ Harvey]],<ref name="RS500-PJ-Harvey">{{cite magazine |url=https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/pj-harvey-rid-of-me-20120525 |title=500 Greatest Albums of All Time: PJ Harvey, ''Rid of Me''|magazine=[[Rolling Stone|rollingstone.com]] |date=31 May 2009|access-date=11 March 2013}}</ref> [[Marilyn Manson (band)|Marilyn Manson]],<ref>{{cite web |url=https://www.nme.com/blog/index.php?blog=10&p=5890&more=1&c=1 |title=Release the Bats – It's the 20 Greatest Goth Tracks |last=Lewis |first=Luke |date=5 March 2009 |work=[[NME|nme.com]] |access-date=11 March 2013 |archive-url=https://web.archive.org/web/20121019064247/http://www.nme.com/blog/index.php?blog=10&p=5890&more=1&c=1 |archive-date=19 October 2012 |url-status=dead}}</ref> [[Manic Street Preachers]],<ref>{{cite book |last=Price |first=Simon |year=1999 |title=Everything (A Book About Manic Street Preachers) |publisher=Virgin Books |chapter=7. ''The Holy Bible'' |page=143 |quote=In mood as much as message, ''[[The Holy Bible (album)|The Holy Bible]]'' was an intensely sombre record, overcast by the same stormy skies which darkened Van Gogh's last works. It was gothic and, quite often, literally ''goth'': more than one song could easily have been early Cure, Sisters of Mercy or Bauhaus.}}</ref> and [[Nine Inch Nails]]<ref>{{cite magazine |author= Sheffield, Rob |title=Nine Inch Nails The Fragile |magazine=[[Rolling Stone]] |url=https://www.rollingstone.com/music/albumreviews/the-fragile-19991014
|date= 14 October 1999 |access-date=18 February 2014 |quote=Nine Inch Nails auteur dropped the Downward Spiral, crunching punk and goth and Depeche Mode}}</ref> included gothic characteristics in their music. According to ''[[Rolling Stone]]'', PJ Harvey's album ''[[Rid of Me]]'' "careens from [[blues]] to goth to [[grunge]], often in the space of a single song"<ref name="RS500-PJ-Harvey" /> whereas American artists such as Marilyn Manson combined "atmosphere from goth and disco"<ref>{{cite magazine |url=https://www.rollingstone.com/music/lists/100-best-albums-of-the-nineties-20110427/marilyn-manson-antichrist-superstar-20110516 |title=100 Best Albums of the Nineties: Marilyn Manson, ''Antichrist Superstar'' |magazine=[[Rolling Stone|rollingstone.com]] |access-date=11 March 2013}}</ref> with "[[industrial music|industrial]] sound".<ref>{{cite magazine |url=https://www.rollingstone.com/music/artists/marilyn-manson/biography |archive-url=https://web.archive.org/web/20120123041131/http://www.rollingstone.com/music/artists/marilyn-manson/biography |url-status=dead |archive-date=23 January 2012 |title=Marilyn Manson Bio|magazine=[[Rolling Stone|rollingstone.com]] |access-date=11 March 2013}}</ref> In 1997, ''[[Spin (magazine)|Spin]]'' qualified [[Portishead (band)|Portishead]]'s [[Portishead (album)|second album]] as "gothic", "deadly" and "trippy". Critic Barry Walters observed that the group got "darker, deeper and more disturbing" in comparison to their debut album ''[[Dummy (album)|Dummy]]''.<ref>{{citation |last=Walters |first=Barry |title=Portishead [album review] |work=Spin|issue=November 1997 |page=142}}</ref> In the late 2010s, [[the Twilight Sad]] included gothic elements in their music.<ref>{{Cite web|title=Music review: The Twilight Sad, Usher Hall, Edinburgh|url=https://www.scotsman.com/whats-on/arts-and-entertainment/music-review-twilight-sad-usher-hall-edinburgh-1400933|access-date=13 September 2020|website=scotsman.com|date=2 December 2019 |language=en}}</ref>