Editing Dada (section)

===Netherlands===
In the Netherlands, the Dada movement centered mainly around [[Theo van Doesburg]], best known for establishing the ''[[De Stijl]]'' movement and magazine of the same name. Van Doesburg mainly focused on poetry, and included poems from many well-known Dada writers in ''De Stijl'' such as [[Hugo Ball]], [[Hans Arp]] and [[Kurt Schwitters]]. Van Doesburg and {{Interlanguage link|Thijs Rinsema|nl}} (a [[cordwainer]] and artist in [[Drachten]]) became friends of Schwitters, and together they organized the so-called ''Dutch Dada campaign'' in 1923, where van Doesburg promoted a leaflet about Dada (entitled ''What is Dada?''), Schwitters read his poems, [[Vilmos Huszár]] demonstrated a mechanical dancing doll and Nelly van Doesburg (Theo's wife), played [[avant-garde]] compositions on piano.

[[File:I.K. Bonset Voorbijtrekkende troep 2.jpg|thumb|A Bonset sound-poem, "Passing troop", 1916]]
Van Doesburg wrote Dada poetry himself in ''De Stijl'', although under a pseudonym, I.K.&nbsp;Bonset, which was only revealed after his death in 1931. 'Together' with I.K.&nbsp;Bonset, he also published a short-lived [[Dutch literature|Dutch]] Dada magazine called ''Mécano'' (1922–23). Another Dutchman identified by [[K. Schippers]] in his study of the movement in the Netherlands<ref>{{cite book|last=Schippers |first=K. |title=Holland Dada |location=Amsterdam |publisher=Querido |date=1974}}{{pages needed|date=April 2022}}</ref> was the [[Groningen]] typographer [[H. N. Werkman]], who was in touch with van Doesburg and Schwitters while editing his own magazine, ''The Next Call'' (1923–6). Two more artists mentioned by Schippers were German-born and eventually settled in the Netherlands. These were Otto van Rees, who had taken part in the liminal exhibitions at the Café Voltaire in Zürich, and [[Paul Citroen]].