Editing Sam Peckinpah (section)

===''Ride the High Country''===
{{main|Ride the High Country}}
His second film, ''[[Ride the High Country]]'' (1962), was based on the screenplay ''Guns in the Afternoon'' written by N.B. Stone, Jr. Producer Richard Lyons admired Peckinpah's work on ''The Westerner'' and offered him the directing job. Peckinpah did an extensive rewrite of the screenplay, including personal references from his own childhood growing up on Denver Church's ranch, and even naming one of the mining towns "Coarsegold." He based the character of Steve Judd, a once-famous lawman fallen on hard times, on his own father David Peckinpah. In the screenplay, Judd and old friend Gil Westrum are hired to transport gold from a mining community through dangerous territory. Westrum hopes to talk Judd into taking the gold for themselves. Along the way, following Judd's example, Westrum slowly realizes his own self-respect is far more important than profit. During the final shootout, when Judd and Westrum stand up to a trio of men, Judd is fatally wounded but his death serves as Westrum's salvation, a [[Divine grace|Catholic]] tragedy woven from the cloth of the Western genre. This sort of salvation became a major theme in many Peckinpah's later films. Starring aging Western stars [[Joel McCrea]] and [[Randolph Scott]] in their final major screen roles, the film initially went unnoticed in the United States but was an enormous success in Europe. Beating [[Federico Fellini]]'s ''[[8½]]'' for first prize at the Belgium Film Festival, the film was hailed by foreign critics as a brilliant reworking of the Western genre. New York critics also discovered Peckinpah's unusual Western, with ''[[Newsweek]]'' naming ''Ride the High Country'' the best film of the year and ''[[Time (magazine)|Time]]'' placing it on its ten-best list. By some critics, the film is admired as one of Peckinpah's greatest works.{{sfn|Weddle|pp=198–219}}{{sfn|Simmons|pp=41–54}}