Editing Pop art (section)

==Spain==
In Spain, the study of pop art is associated with the "new figurative", which arose from the roots of the crisis of [[informalism]]. [[Eduardo Arroyo]] could be said to fit within the pop art trend, on account of his interest in the environment, his critique of our media culture which incorporates icons of both [[mass media]] communication and the history of painting, and his scorn for nearly all established artistic styles. However, the Spanish artist who could be considered most authentically part of "pop" art is Alfredo Alcaín, because of the use he makes of popular images and empty spaces in his compositions.{{citation needed|date=March 2024}}

Also in the category of Spanish pop art is the "Chronicle Team" (''El Equipo Crónica''), which existed in [[Valencia (city in Spain)|Valencia]] between 1964 and 1981, formed by the artists [[Manolo Valdés]] and Rafael Solbes. Their movement can be characterized as "pop" because of its use of comics and publicity images and its simplification of images and photographic compositions. [[Film]]maker [[Pedro Almodóvar]] emerged from Madrid's "La Movida" subculture of the 1970s making low budget [[Super 8 mm film|super 8]] pop art movies, and he was subsequently called the Andy Warhol of Spain by the media at the time. In the book ''Almodovar on Almodovar'', he is quoted as saying that the 1950s film "Funny Face" was a central inspiration for his work. One pop trademark in Almodovar's films is that he always produces a fake commercial to be inserted into a scene.{{citation needed|date=March 2024}}