Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Picnic at Hanging Rock (novel)
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Critical analysis== Much of the critical and scholarly interest in the novel has centred on its mysterious conclusion, as well as its depiction of Australia's natural environment in contrast with the [[Victoria (Australia)#Colonial Victoria|Victorian]] population of the British colony established in 1851.{{efn|Both Donald Bartlett and Kathleen Steele are significantly interested in the role of the Australian Bush as it is depicted in ''Picnic at Hanging Rock'', specifically the interaction between the "untamed" natural environment and the colony of Victoria. Steele specifically addresses the notion of Australia as a "haunted site ... full of unseen presences."{{Sfn|Steele|2010|p=37}}}} In 1987, literary scholar Donald Bartlett drew comparisons between Lindsay's treatment of the rock and that of the fictitious [[Marabar Caves]] in [[E. M. Forster]]'s ''[[A Passage to India]]'', which has been interpreted as a metaphor for [[Pan (god)|Pan]], the Greek god of the wild: "There is more, of course, to ''A Passage to India'' than Pan motifs, for example symbols such as the snake, the wasp and the undying worm, not to mention the vast panorama of India's religions. But I believe it probable that Joan Lindsay consciously borrowed the elements [from ''A Passage to India'']."{{Sfn|Barrett|1987|pages=83-84}} Literary scholar Kathleen Steele argues in her essay "Fear and Loathing in the Australian Bush: Gothic Landscapes in ''Bush Studies'' and ''Picnic at Hanging Rock''" that the novel's treatment of landscape and its missing characters is reflective of Australia's national history and the relationship between the rock and the Aboriginal population: "The silence surrounding Aborigines, and the manner in which Europeans foregrounded 'geographical, historical and cultural difference and discontinuity,' yet denied Aborigines either presence or history, created a [[Gothic literature|gothic]] consciousness of 'something deeply unknowable and terrifying in the Australian landscape.'" ... "Lindsay provokes a reflection on the understanding of Australia as an un-peopled land where nothing of consequence occurred until the British gave it a history."{{Sfn|Steele|2010|p=37+44}}
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Picnic at Hanging Rock (novel)
(section)
Add topic