Editing Music of Spain (section)

==Popular music in Spain==
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[[File:Rocio_Durcal_1962.jpg|thumb|right|175px|[[Rocío Dúrcal]] is one of the best-selling Spanish-speaking women in the industry.]]

Spanish pop music's journey through the tumultuous years of [[Francisco Franco]]'s regime was marked by resilience and adaptation. Despite strict censorship and limited outlets for contemporary music, the [[Benidorm International Song Festival]] emerged as a beacon of opportunity for Spanish musicians. Inspired by Italy's [[Festival della canzone italiana|San Remo Music Festival]], Benidorm provided a crucial platform for artists to showcase new musical styles to eager audiences. This festival not only introduced international influences but also nurtured local talent, laying the groundwork for future developments in Spanish pop. An injured [[Real Madrid]] football player-turned-singer, for example, became the world-famous [[Julio Iglesias]]. During the 1960s and early 1970s, tourism boomed, bringing yet more musical styles from the rest of the continent and abroad. During Franco's rule, which heavily restricted women's rights and roles in public life, female artists faced additional barriers in expressing themselves through music. However, some managed to break through these constraints, contributing to the vibrant underground music scene that emerged despite censorship. Artists like [[Marisol (actress)|Marisol]], who started as a child star in the 1960s, and [[Rocío Dúrcal]], who became a prominent figure in Spanish music and film, navigated these challenges to become beloved icons of their time.

[[File:Julio_Iglesias09.jpg|thumb|left|175px|[[Julio Iglesias]] is the Latin artist who has sold the most albums in history.]]
The 1980s ushered in a transformative era with ''[[La Movida Madrileña]]'', a countercultural movement centered in Madrid. This period was pivotal for Spain's pop music scene, fostering a spirit of experimentation and creativity across diverse genres such as electronica, Euro disco, rock, punk, and hip-hop. Spanish pop music began to carve out its own distinctive identity, moving beyond emulation of Anglo-American trends to embrace originality and diversity. La Movida not only revitalized artistic expression but also catalyzed the industry's growth, setting the stage for Spain's emergence as a powerhouse in global music. Female artists such as Alaska (of [[Alaska y los Pegamoides]] and later [[Fangoria (band)|Fangoria]]) and [[Martirio]] emerged as influential figures, challenging traditional gender roles and exploring new sounds and styles. 

[[File:Mónica_Naranjo_en_la_presentación_de_la_8ª_edición_de_la_Gala_Sida_2.jpg|thumb|150px|[[Mónica Naranjo]] rose to fame in the 1990s with hits like "Sola" and "Sobreviviré"]]

Julio Iglesias, [[Enrique Iglesias]], and [[Alejandro Sanz]] stand as icons of Spanish pop music's international success. These artists not only captivated audiences within Spain but also resonated globally, showcasing the universal appeal of Spanish-language music. Julio Iglesias, in particular, achieved unprecedented success as the best-selling male Latin artist of all time, illustrating the enduring impact of Spanish pop on the global music landscape.<ref>{{cite web|url=http://www.guinnessworldrecords.com/news/2013/4/julio-iglesias-receives-world-record-certificate-in-beijing-47865/|title=Julio Iglesias receives world record certificate in Beijing|publisher=Guinness World Record|date=2 April 2013|access-date=24 December 2013}}</ref> In Spain itself, the 1990s were characterized by a vibrant underground music scene that thrived in major cities like Madrid and Barcelona. Alternative rock bands such as [[Los Planetas]] and [[Dover (band)|Dover]] gained prominence, bringing a fresh energy to Spanish pop with their indie rock influences and experimental sounds. This period also saw the emergence of electronic music and dance clubs, further diversifying the musical landscape and fostering a new generation of DJs and producers. The integration of Spanish and Latin American music markets further amplified this influence, fostering a dynamic cultural exchange that continues to shape trends and innovation in the industry. [[Mónica Naranjo]], known for her powerful vocals and dramatic performances, and [[Ana Belén]], whose sophisticated style and versatile voice made her a prominent figure. These artists contributed to a diverse and vibrant era in Spanish music, each leaving a lasting impact with their distinctive contributions to the genre.

[[File:GIBRALTAR MUSIC FESTIVAL 2013 - LA OREJA DE VAN GOGH (9699918237) (5).jpg|thumb|left|Since their debut [[La Oreja de Van Gogh]], they have sold more than 8 million albums worldwide.]]

Artists like [[Enrique Iglesias]] and [[Alejandro Sanz]] have become successful internationally winning major music awards such as the [[Grammy Award]]. As Spanish is commonly spoken in Spain and most of Latin America, music from both regions have been able to crossover with each other.<ref>{{cite magazine|last1=Llewellyn|first1=Howell|title=The Billboard Interview: Teddy Bautista|magazine=[[Billboard (magazine)|Billboard]]|date=26 June 1999|volume=111|issue=26|page=60|url=https://books.google.com/books?id=CQ0EAAAAMBAJ&pg=RA1-PA60|access-date=4 September 2015|issn=0006-2510}}</ref> According to the [[Sociedad General de Autores y Editores]] (SGAE), Spain is the largest Latino music market in the world.<ref>{{cite magazine|last1=Llewellyn|first1=Howell|title=The Spanish Market Looks To Export Artists|magazine=Billboard|date=11 November 2000|volume=112|issue=46|page=78|url=https://books.google.com/books?id=5RAEAAAAMBAJ&q=intitle%3Abillboard%20latin%20%20&pg=PA78|access-date=9 April 2015}}</ref> As a result, the [[Latin music (genre)|Latin music]] industry encompasses Spanish-language music from Spain.<ref>{{cite book|url=https://books.google.com/books?id=i3a1qVqHoJAC&q=latin%20music%20spanish%20portuguese&pg=PA50|title=A Companion to Latina/o Studies|last1=Flores|first1=Juan|last2=Rosaldo|first2=Renato|page=50|year=2009|publisher=John Wiley & Sons|isbn=9780470766026}}</ref><ref>{{cite magazine|last1=Llewellyn|first1=Howell|title=ShowMarket To Focus On Development of Latin Music|magazine=Billboard|date=25 November 1995|volume=107|issue=47|page=72|url=https://books.google.com/books?id=Pw0EAAAAMBAJ&pg=PA72|access-date=30 July 2015|issn=0006-2510}}</ref> The [[Latin Academy of Recording Arts & Sciences]], the organization responsible for the [[Latin Grammy Award]]s, includes music from Spain including a category for [[Latin Grammy Award for Best Flamenco Album|Best Flamenco Album]] with voting members living in the country.<ref>{{cite magazine|title=Billboard Spotlights Spain & Portugal|magazine=[[Billboard (magazine)|Billboard]]|date=20 November 1999|volume=111|issue=47|page=91|url=https://books.google.com/books?id=fwgEAAAAMBAJ&pg=PA91|access-date=3 September 2015|publisher=Nielsen N.V.|issn=0006-2510}}</ref><ref>{{cite news|url=https://www.latimes.com/archives/la-xpm-2002-may-18-et-gurza18-story.html|title=Latin Grammys Struggle With Loss of Momentum|last=Garza|first=Agustin|work=Los Angeles Times|date=18 May 2002|access-date=25 December 2013}}</ref>