Editing Miguel de Unamuno (section)

===Fiction===
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* ''[[Peace in War|Paz en la guerra]]'' (''Peace in War'') (1897)&nbsp;– a novel that explores the relationship of self and world through familiarity with death. It is based on his experiences as a child during the Carlist siege of Bilbao in the [[Third Carlist War]].
* ''Amor y pedagogía'' (''Love and Pedagogy'') (1902)&nbsp;– a novel uniting comedy and tragedy in an absurd parody of [[positivism|positivist]] [[sociology]].
* ''El espejo de la muerte'' (''The Mirror of Death'') (1913)&nbsp;– a collection of stories.

[[File:Unamunoartenara.JPG|thumb|Balcón de Unamuno, [[Artenara]], Spain]]
* ''[[Niebla (novel)|Niebla]]'' (''Mist'') (1914)&nbsp;– one of Unamuno's key works, which he called a ''[[nivola]]'' to distinguish it from the supposedly fixed form of the novel (''novela'' in Spanish).
* ''Vida de Don Quijote y Sancho'' (usually translated into English as ''Our Lord Don Quixote'') (1914)&nbsp;– another key work of Unamuno, often perceived as one of the earliest works applying existential elements to ''[[Don Quixote]]''. The book, on Unamuno's own admission, is of mixed genre with elements of personal essay, philosophy, and fiction. Unamuno felt that [[Miguel de Cervantes]] had not told the story of Don Quijote very well, cluttering it with unrelated tales. Unamuno intended this work to present Cervantes' story the way it should have been written. He felt that as a ''quijotista'' (a fan or student of Don Quixote) he was superior to Cervantes. The work is primarily of interest to those studying Unamuno, not Cervantes.
* ''[[Abel Sánchez: The History of a Passion|Abel Sánchez]]'' (1917)&nbsp;– a novel that uses the story of [[Cain]] and [[Abel]] to explore envy.
* ''Tulio Montalbán'' (1920)&nbsp;– a short novel on the threat of a man's public image undoing his true personality, a problem familiar to the famous Unamuno.
* ''Tres novelas ejemplares y un prólogo'' (''Three Exemplary Novels and a Prologue'') (1920)&nbsp;– a much-studied work with a famous prologue. The title deliberately recalls the famous ''Novelas ejemplares'' of [[Miguel de Cervantes]].
* ''La tía Tula'' (''Aunt Tula'') (1921)&nbsp;– his final large-scale novel, a work about maternity, a theme that he had already examined in ''Amor y pedagogía'' and ''Dos madres''.
* ''Teresa'' (1924)&nbsp;– a narrative work that contains romantic poetry, achieving an ideal through the re-creation of the beloved.
* ''Cómo se hace una novela'' (''How to Make a Novel'') (1927)&nbsp;– the autopsy of an Unamuno novel.
* ''Don Sandalio, jugador de ajedrez'' (''Don Sandalio, Chess Player'') (1930).
* ''[[San Manuel Bueno, mártir]]'' (''Saint Emmanuel the Good, Martyr'') (1930)&nbsp;– a brief novella that synthesizes virtually all of Unamuno's thought. The novella centres on a heroic priest who has lost his faith in immortality, yet says nothing of his doubts to his parishioners, not wanting to disturb their faith, which he recognizes is a necessary support for their lives.