Editing Marlene Dietrich (section)

=== Later film career ===
While Dietrich never fully regained her former screen profile, she continued performing in motion pictures, including appearances for directors such as [[Mitchell Leisen]] in ''[[Golden Earrings]]'' (1947), [[Billy Wilder]] in ''[[A Foreign Affair]]'' (1948) and [[Alfred Hitchcock]] in ''[[Stage Fright (1950 film)|Stage Fright]]'' (1950). Her appearances in the 1950s included films such as [[Fritz Lang]]'s ''[[Rancho Notorious]]'', (1952) and Wilder's ''[[Witness for the Prosecution (1957 film)|Witness for the Prosecution]]'' (1957). She appeared in [[Orson Welles]]'s ''[[Touch of Evil]]'' (1958). Dietrich had a kind of platonic love for Welles, whom she considered a genius.{{sfn|Bach|1992|p=462}} Her last substantial film role was in ''[[Judgment at Nuremberg]]'' (1961) directed by [[Stanley Kramer]]; she also presented the narrative for the documentary ''[[Black Fox: The Rise and Fall of Adolf Hitler]]'', which won the [[Academy Award for Best Documentary Feature]] in 1962.<ref name="NY Times">{{cite web |url=https://movies.nytimes.com/movie/5865/The-Black-Fox/details |title=NY Times: Black Fox: The Rise and Fall of Adolf Hitler |access-date=8 November 2008 |archive-url=https://web.archive.org/web/20110521081152/http://movies.nytimes.com/movie/5865/The-Black-Fox/details |archive-date=21 May 2011 |department=Movies & TV Dept. |work=[[The New York Times]] |date=2011 |url-status=dead }}</ref> She cut the ceremonial ribbon to celebrate the grand opening of the [[Paris Theater (Manhattan)|Paris Theater]] in New York City in 1948.<ref>{{Cite web|url=https://www.hollywoodreporter.com/news/netflix-keep-new-yorks-paris-theater-open-1257882|title=Netflix to Keep New York's Paris Theatre Open|website=The Hollywood Reporter|date=25 November 2019|language=en|access-date=23 December 2019}}</ref>