Editing Jean-Pierre Rampal (section)

== Achievement ==
Of the primal appeal of the flute, Rampal once told the ''Chicago Tribune'': "For me, the flute is really the sound of humanity, the sound of man flowing, completely free from his body almost without an intermediary[...] Playing the flute is not as direct as singing, but it's nearly the same."<ref>{{cite news|url=https://www.chicagotribune.com/1988/01/24/jean-pierre-rampal-still-is-proving-the-flute-is-no-fluke/|title=Jean-pierre Rampal still is proving the flute is no fluke|work=Chicago Tribune|date=24 January 1988|access-date=13 March 2014|first=Howard|last=Reich}}</ref>

Calling Rampal "an indisputably major artist", ''The New York Times'' said "Rampal's popularity was grounded in qualities that won him consistent praise from critics and musicians in the first decades of his career: solid musicianship, technical command, uncanny breath control, and a distinctive tone that eschewed Romantic richness and warm vibrato in favor of clarity, radiance, focus and a wide palette of colorings. Younger flutists assiduously studied and tried to copy his approaches to tonguing, fingering, embouchure (the position of the lips on the mouthpiece) and breathing."<ref name="nytobit"/>

Throughout the busiest years of his concert career, Rampal continued to find time to teach others, encouraging his students to listen not only to other flute players, but also to take inspiration from other great musical interpreters—be they pianists, violinists, or singers. He maintained a clear opinion about the right balance between "virtuosity" and aspiring to real musical expressiveness. "Of course," he said, "you have to master all the problems of technique to be free to express yourself through your instrument. You can have a big imagination and a big heart but you cannot express it without technique. But the first quality you must have to be good, to be inspiring, is the sound. Without the sound you cannot achieve anything. The tone, the sound, the sonorité is most important. Otherwise, with the fingers alone it is not enough... everyone these days has the fingers, the virtuosity... but the sound, the tone, that's not so easy."<ref name="bbc"/>

Following the foundation of the Nice Summer Academy in 1959, Rampal held classes there annually until 1977. In 1969, he succeeded Gaston Crunelle as flute professor at the Paris Conservatoire, a position he held until 1981. [[William Bennett (flautist)|William Bennett]], too, has commented on Rampal's infectious enthusiasm for music-making: "his repute came more from his musical sparkle and the happy personality which radiated to the audience".<ref name="bennett-dufrene">{{cite web | url=http://www.williambennettflute.com/rampal_dufrene.htm | title=Rampal and Dufrene | work=William Bennett | date=15 July 2000 | last=Bennett | first=William | location=London | archive-url=https://web.archive.org/web/20070223073811/http://www.williambennettflute.com/rampal_dufrene.htm | archive-date=23 February 2007 | url-status=dead}}</ref> Bennett had also sought Rampal out for lessons in Paris and was "instantly delighted with him—his humour, and his generosity—especially for his sharing my enthusiasm for other great players such as Moyse, Dufrene & Crunelle".<ref name="bennett-dufrene"/>

Rampal's principal American students include concert and recording artist [[Robert Stallman]] and [[Ransom Wilson]],<ref>{{cite web | url=http://www.ransomwilson.com | title=The Home of Ransom Wilson | publisher=Ransom Wilson | work=RansomWilson.com}}</ref> who has followed in his mentor's footsteps as conductor as well as flautist.{{Citation needed|date=March 2022}}