Editing Casa Batlló (section)

==Design==
[[File:Casa Batlló fireplace seat.JPG|thumb|Casa Batlló [[inglenook|fireplace seat]]]]

===Overview===
The local name for the building is ''Casa dels ossos'' (House of Bones), as it has a [[viscera]]l, [[skeleton|skeletal]] organic quality. The building looks very remarkable &mdash; like everything Gaudí designed, only identifiable as [[Modernisme]] or [[Art Nouveau]] in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.

It seems that the goal of the designer was to avoid straight lines completely. Much of the [[façade]] is decorated with a [[mosaic]] made of broken ceramic tiles ([[trencadís]]) that starts in shades of golden orange moving into greenish blues. The roof is [[arch]]ed and was likened to the back of a [[European dragon|dragon]] or [[dinosaur]]. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the lance of [[Saint George]] (patron saint of [[Catalonia]], Gaudí's home), which has been plunged into the back of the dragon.<ref>{{Cite web |title=Casa Batllo |url=https://architectuul.com/architecture/casa-batllo |access-date=2024-02-27 |website=Architectuul}}</ref>

===Loft===
[[File:Casa Batlló Parabolic Arches.jpg|thumb|right|150px|The loft, originally a service area, has sixty [[catenary arches]]]]

The loft is considered to be one of the most unusual spaces. It was formerly a service area for the tenants of the different apartments in the building which contained laundry rooms and storage areas. It is known for its simplicity of shapes and its Mediterranean influence through the use of white on the walls. It contains a series of sixty [[catenary arch]]es that creates a space which represents the ribcage of an animal.  Some people believe that the “ribcage” design of the arches is a ribcage for the dragon's spine that is represented in the roof.

=== The Atrium (light well) ===
[[File:Light well - Casa Batlló - Barcelona 2014.jpg|thumb|Atrium (light well)]]
The Atrium or the light well is in the central part of the house and delivers air and lighting to all corners of the house. Gaudí had an obsession with light and how it reflected off certain surfaces. The wall of the atrium has different tones of blue as well as a diamond textile pattern all around the walls. The blue tiles allow an equal distribution of light to all the floors. The well has windows with wooden splits to allow them to be open and closed for ventilation.<ref>{{Cite web |title=The interior |url=https://www.casabatllo.es/en/antoni-gaudi/casa-batllo/inside/ |access-date=2023-12-02 |website=Casa Batlló |language=en}}</ref>  Gaudí wanted to make the bottom of the well feel like the bottom of the sea. The skylight allows light to come in and reflect off the ceramic tiles into the windows to naturally illuminate the house.<ref>{{Cite journal |last=Hinojosa |first=Sebastián |date=June 2018 |title=The light well as element of luminous control inside the architectural spaces, case of study: Batlló House |url=https://www.researchgate.net/publication/327143572 |journal=ESTOA |pages=9}}</ref> The blue tiles are more intensely colored at the top and get opaquer towards the bottom. The diamond textiles match the rest of the house's use of different, functional shapes.<ref>{{Cite web |url=https://unesdoc.unesco.org/ark:/48223/pf0000183745.locale=en | title=Casa Batlló: a dialogue with light, colour and freedom | work=[[UNESCO]] | year=2009}}</ref>

===Noble floor and museum===
[[File:Casa Batlló (Antoni Gaudi) (interior), 43, Passeig de Gràcia, Eixample, Barcelona, Catalonia, Spain.jpg|thumb|left|Interior of the Noble Floor, which currently houses a museum open to the public]]
The noble floor is larger than seven-hundred square meters. It is the main floor of the building. The noble floor is accessed through a private entrance hall that uses skylights resembling tortoise shells and vaulted walls in curving shapes. On the noble floor there is a spacious landing with direct views of the blue tiling of the building well. On the Passeig de Gracia side is Batlló's study, a dining room, and a secluded spot for courting couples, decorated with a mushroom-shaped fireplace. The elaborate and animal-like décor continues throughout the whole noble floor.

In 2002, as part of the celebration of the International Year of Gaudí, the house opened its doors to the public and people were allowed to visit the noble floor. Casa Batlló met with great unanticipated success, and visitors became eager to see the rest of the house. Two years later, in celebration of the one hundredth anniversary of the beginning of work on Casa Batlló, the fifth floor was restored and the house extended its visit to the loft and the well. In 2005, Casa Batlló became a [[World Heritage Site|UNESCO World Heritage Site]].<ref>{{Cite web |url=https://www.worldsiteguides.com/europe/spain/barcelona/casa-batllo/ |title=Casa Batlló, Barcelona |work=worldsiteguides.com |access-date=2022-02-11 |archive-date=2018-08-01 |archive-url=https://web.archive.org/web/20180801094225/https://www.worldsiteguides.com/europe/spain/barcelona/casa-batllo/ |url-status=dead }}</ref>

===Roof===
[[File:Jfader batto roof.jpg|right|thumb|Four chimney stacks on the roof, with the dragon's spine roof arch behind]]
The roof terrace is one of the most popular features of the entire house due to its famous dragon back design. Gaudí represents an animal's spine by using tiles of different colors on one side. The roof is decorated with four chimney stacks designed to prevent backdraughts.<ref>{{Cite web|url=https://www.casabatllo.es/en/antoni-gaudi/casa-batllo/history/|title=The history of Casa Batlló|website=Casa Batlló}}</ref>

===Exterior façade===
[[File:CasaBatllo 0170.JPG|thumb|left|150px|The façade has three distinct sections.]]
The façade has three distinct sections which are harmoniously integrated. The lower ground floor with the main floor and two first-floor galleries are contained in a structure of [[Montjuïc]] sandstone with undulating lines. The central part, which reaches the last floor, is a multicolored section with protruding balconies. The top of the building is a crown, like a huge gable, which is at the same level as the roof and helps to conceal the room where there used to be water tanks. This room is currently empty. The top displays a [[Molding (decorative)|trim]] with ceramic pieces that has attracted multiple interpretations.

====Roof tile====
[[File:casa batllo roof.jpg|thumb|150px|Roof architecture and ceramic tiles, with tower and bulb in the background]]
The roof's arched profile recalls the spine of a dragon with ceramic tiles for scales, and a small triangular window towards the right of the structure simulates the eye. Legend has it that it was once possible to see the [[Sagrada Família]] through this window, which was being built simultaneously. As of 2022, the partial view of the Sagrada Família is available from this vantage point, with its spires visible over newer buildings. The tiles were given a metallic sheen to simulate the varying scales of the monster, with the color grading from green on the right side, where the head begins, to deep blue and violet in the center, to red and pink on the left side of the building.

====Tower and bulb====
One of the highlights of the façade is a tower topped with a cross of four arms oriented to the cardinal directions. It is a bulbous, root-like structure that evokes plant life. There is a second bulb-shaped structure similarly reminiscent of a thalamus flower, which is represented by a cross with arms that are actually buds announcing the next flowering. The tower is decorated with monograms of Jesus (JHS), Maria (M with the ducal crown) and Joseph (JHP), made of ceramic pieces that stand out golden on the green background that covers the façade. These symbols show the deep religiosity of Gaudí, who was inspired by the contemporaneous construction of his basilica{{sfn|Bassegoda Nonell|1981}} to choose the theme of the holy family.

The bulb was broken when it was delivered, perhaps during transportation. Although the manufacturer committed to re-do the broken parts, Gaudí liked the aesthetic of the broken masonry and asked that the pieces be stuck to the main structure with lime mortar and held in with a brass ring.{{sfn|Bassegoda i Nonell|2001b|p=10}}

====Central section====
[[File:Casa Batllo.jpg|thumb|left|150px|The central part of the façade evokes the surface of a lake with water lilies.]]
The central part of the façade evokes the surface of a lake with water lilies, reminiscent of [[Claude Monet|Monet]]'s ''[[Water Lilies (Monet series)|Nymphéas]]'', with gentle ripples and reflections caused by the glass and ceramic mosaic.{{sfn|Bassegoda i Nonell|2001|p=75}} It is a great undulating surface covered with plaster fragments of colored glass discs combined with 330 rounds of polychrome pottery. The discs were designed by Gaudí and Jujol between tests during their stay in Majorca, while working on the restoration of the Cathedral of Palma.{{sfn|Bassegoda Nonell|1971}}

====Balcony====
Finally, above the central part of the façade is a smaller balcony, also iron, with a different exterior aesthetic, closer to a local type of lily. Two iron arms were installed here to support a pulley to raise and lower furniture.{{sfn|Lahuerta|2001|p=31}}

====Main floor====
The façade of the main floor, made entirely in sandstone, and is supported by two columns. The design is complemented by joinery windows set with multicolored stained glass.{{sfn|Bassegoda i Nonell|2001b|p=4}} In front of the large windows, as if they were pillars that support the complex stone structure, there are six fine columns that seem to simulate the bones of a limb, with an apparent central articulation; in fact, this is a floral decoration. The rounded shapes of the gaps and the lip-like edges carved into the stone surrounding them create a semblance of a fully open mouth, for which the Casa Batlló has been nicknamed the "house of yawns". The structure repeats on the first floor and in the design of two windows at the ends forming galleries, but on the large central window there are two balconies as described above.{{sfn|Bassegoda i Nonell|2001b|p=12}}