Editing Wild Strawberries (film) (section)

===Casting===
The director's immediate choice for the leading role of the old professor was [[Victor Sjöström]], Bergman's [[silent film]] idol and early counselor at [[AB Svensk Filmindustri|Svensk Filmindustri]], whom he had directed in ''[[To Joy (film)|To Joy]]'' eight years earlier. "Victor," Bergman remarked, "was feeling wretched and didn't want to [do it];... he must have been seventy eight. He was misanthropic and tired and felt old. I had to use all my powers of persuasion to get him to play the part."<ref>{{cite book|last1=Björkman|first1=Stig|title=Bergman on Bergman|date=1973|publisher=Simon and Schuster|page=133}}</ref>

In ''Bergman on Bergman,'' he has stated that he only thought of Sjöström when the screenplay was complete, and that he asked Dymling to contact the famous actor and film director.<ref>Björkman, pg. 131</ref> Yet in ''Images: My Life in Film,'' he claims, "It is probably worth noting that I never for a moment thought of Sjöström when I was writing the screenplay. The suggestion came from the film's producer, Carl Anders Dymling. As I recall, I thought long and hard before I agreed to let him have the part."<ref name=Images/>{{rp|p24}}

During the shooting, the health of the 78-year-old Sjöström gave cause for concern. Dymling had persuaded him to take on the role with the words: "All you have to do is lie under a tree, eat wild strawberries and think about your past, so it's nothing too arduous." This was inaccurate and the burden of the film was completely on Sjöström who is in all but one scene of the film. Initially, Sjöström had problems with his lines which made him frustrated and angry. He would go off into a corner and beat his head against the wall in frustration, even to the point of drawing blood and producing bruises. He sometimes quibbled over details in the script. To unburden his revered mentor, Bergman made a pact with [[Ingrid Thulin]] that if anything went wrong during a scene, she would take the blame on herself. Things improved when they changed filming times so that Sjöström could get home in time for his customary late afternoon whisky at 5:00. Sjöström got along particularly well with [[Bibi Andersson]].<ref name=ingbergf2f/>

As usual, Bergman chose his collaborators from a team of actors and technicians with whom he had worked before in the cinema and the theater. As Sara, Bibi Andersson plays both Borg's childhood sweetheart who left him to marry his brother and a charming, energetic young woman who reminds him of that lost love. Andersson, then twenty one years old, was a member in Bergman's famed repertory company. He gave her a small part in his films ''Smiles of a Summer Night'' (1955) and as the jester's wife in ''[[The Seventh Seal]]'' (1957). She would continue to work for him in many more films, most notably in ''[[Persona (1966 film)|Persona]]'' (1966). [[Ingrid Thulin]] plays Marianne, the sad, gentle and warm daughter-in-law of Borg. She appeared in other Bergman films as the mistress in ''[[Winter Light]]'' (1963) and as one of three sisters in ''[[Cries and Whispers]]'' (1972).