Editing War and Peace (section)

==Plot summary==

===Book One===
[[File:Maria Fedorovna by Vigee-Lebrun.jpg|thumb|The Empress Dowager [[Maria Feodorovna (Sophie Dorothea of Württemberg)|Maria Feodorovna]], mother of reigning Tsar [[Alexander I of Russia|Alexander I]], is the most powerful woman in the Russian royal court.]]

The novel begins in July 1805 in [[Saint Petersburg]], at a [[soirée]] given by Anna Pavlovna Scherer, the [[maid of honour]] and confidante to the [[Empress dowager|dowager empress]] [[Maria Feodorovna (Sophie Dorothea of Württemberg)|Maria Feodorovna]]. Many of the main characters are introduced as they enter the salon. [[Pierre Bezukhov|Pierre (Pyotr Kirilovich) Bezukhov]] is the illegitimate son of a wealthy [[count]]. He is about to become embroiled in a struggle for his inheritance, since the count is dying after a series of strokes. Educated abroad at his father's expense following his mother's death, Pierre is kindhearted but socially awkward, and finds it difficult to integrate into Petersburg society. It is known to everyone at the soirée that Pierre is his father's favorite of all the old count's illegitimate progeny. They respect Pierre during the soirée because his father, Count Bezukhov, is a very rich man, and as Pierre is his favorite, most aristocrats think that the fortune of his father will be given to him even though he is illegitimate.

Also attending the soirée is Pierre's friend, Prince Andrei Nikolayevich Bolkonsky, husband of Lise, a charming society favourite. He is disillusioned with Petersburg society and with married life, feeling that his wife is empty and superficial. Pierre does not quite know what to do with this and is made uncomfortable witnessing the marital discord. Pierre was sent to Petersburg by his father to choose a career but is uncomfortable because he cannot find one and people frequently ask about it. Andrei tells Pierre he has decided to become {{lang|fr|[[aide-de-camp]]}} to Prince [[Mikhail Ilarionovich Kutuzov]] in the [[war of the Third Coalition|coming war]] (the Battle of Austerlitz) against [[Napoleon I|Napoleon]] in order to escape a life he cannot stand.

The plot moves to [[Moscow]], Russia's former capital, contrasting its provincial, more Russian ways to the more European society of Saint Petersburg. The Rostov family is introduced. Count Ilya Andreyevich Rostov and Countess Natalya Rostova are an affectionate couple but worried about their disordered finances. They have four children. Thirteen-year-old Natasha (Natalia Ilyinichna) believes herself in love with Boris Drubetskoy, a young man who is about to join the army as an officer. Boris's mother is Anna Mikhaylovna Drubetskaya, a childhood friend of the countess Natalya Rostova. Boris is also the godson of Pierre's father, Count Bezukhov. Twenty-year-old Nikolai Ilyich pledges his love to Sonya (Sofia Alexandrovna), his fifteen-year-old cousin, an orphan who has been brought up by the Rostovs. The eldest child, Vera Ilyinichna, is cold and somewhat haughty but has a good prospective marriage to a Russian-German officer, Adolf Karlovich Berg. Petya (Pyotr Ilyich) at nine is the youngest; like his brother, he is impetuous and eager to join the army when of age.

At Bald Hills, the Bolkonskys' country estate, Prince Andrei departs for war and leaves his terrified, pregnant wife Lise with his eccentric father Prince Nikolai Andreyevich and devoutly religious sister Maria Nikolayevna Bolkonskaya, who refuses to marry the son of a wealthy aristocrat on account of her devotion to her father and suspicion that the young man would be unfaithful to her.

The second part opens with descriptions of the impending Russian-French war preparations. At the [[Battle of Schöngrabern|Schöngrabern engagement]], Nikolai Rostov, now an [[Ensign (rank)|ensign]] in the [[Russian hussars|hussars]], has his first taste of battle. Boris Drubetskoy introduces him to Prince Andrei, whom Rostov insults in a fit of impetuousness. He is deeply attracted by [[Tsar Alexander I|Tsar Alexander]]'s charisma. Nikolai gambles and socializes with his officer, Vasily Dmitrich Denisov, and befriends the ruthless Fyodor Ivanovich Dolokhov. Bolkonsky, Rostov, and Denisov are involved in the disastrous [[Battle of Austerlitz]], in which Prince Andrei is badly wounded as he attempts to rescue a Russian standard.

The Battle of Austerlitz is a major event in the book. As the battle is about to start, Prince Andrei thinks the approaching "day [will] be his [[Siege of Toulon|Toulon]], or his [[Battle of Arcole|Arcola]]",<ref name="day">Leo Tolstoy, ''War and Peace.'' p. 317</ref> references to Napoleon's early victories. Later in the battle, however, Andrei falls into enemy hands and even meets his hero, Napoleon. But his previous enthusiasm has been shattered; he no longer thinks much of Napoleon, "so petty did his hero with his paltry vanity and delight in victory appear, compared to that lofty, righteous and kindly sky which he had seen and comprehended".<ref name="sky">Tolstoy p. 340</ref> Tolstoy portrays Austerlitz as an early test for Russia, one which ended badly because the soldiers fought for irrelevant things like glory or renown rather than the higher virtues which would produce, according to Tolstoy, a victory at [[Battle of Borodino|Borodino]] during the [[Napoleon's invasion of Russia|1812 invasion]].

===Book Two===
Book Two begins with Nikolai Rostov returning on leave to Moscow accompanied by his friend Denisov, his officer from his [[Pavlograd Hussar Regiment|Pavlograd Regiment]]. He spends an eventful winter at home. Natasha has blossomed into a beautiful young woman. Denisov falls in love with her and proposes marriage but is rejected. Nikolai meets Dolokhov, and they grow closer as friends. Dolokhov falls in love with Sonya, Nikolai's cousin, but as she is in love with Nikolai, she rejects Dolokhov's proposal. Nikolai meets Dolokhov sometime later. The resentful Dolokhov challenges Nikolai at cards, and Nikolai loses every hand until he sinks into a 43,000-ruble debt. Although his mother pleads with Nikolai to marry a wealthy heiress to rescue the family from its dire financial straits, he refuses. Instead, he promises to marry his childhood crush and orphaned cousin, the dowry-less Sonya.

Pierre Bezukhov, upon finally receiving his massive inheritance, is suddenly transformed from a bumbling young man into the most eligible bachelor in Russian society. Despite knowing that it is wrong, he is convinced into marriage with Prince Kuragin's beautiful and immoral daughter Hélène (Elena Vasilyevna Kuragina). Hélène, who is rumored to be involved in an incestuous affair with her brother Anatole, tells Pierre that she will never have children with him. Hélène is also rumored to be having an affair with Dolokhov, who mocks Pierre in public. Pierre loses his temper and challenges Dolokhov to a duel. Unexpectedly (because Dolokhov is a seasoned dueller), Pierre wounds Dolokhov. Hélène denies her affair, but Pierre is convinced of her guilt and leaves her. In his moral and spiritual confusion, Pierre joins the [[History of Freemasonry in Russia|Freemasons]]. Much of Book Two concerns his struggles with his passions and his spiritual conflicts. He abandons his former carefree behavior and enters upon a philosophical quest particular to Tolstoy: how should one live a moral life in an ethically imperfect world? The question continually baffles Pierre. He attempts to liberate his [[serfdom in Russia|serfs]], but ultimately achieves nothing of note.

Pierre is contrasted with Prince Andrei Bolkonsky. Andrei recovers from his near-fatal wound in a military hospital and returns home, only to find Lise dying in childbirth. He is stricken by his guilty conscience for not treating her better. His child, Nikolai, survives.

Burdened with [[nihilism|nihilistic]] disillusionment, Prince Andrei does not return to the army but remains on his estate, working on a project that would codify military behavior to solve problems of disorganization responsible for the loss of life on the Russian side. Pierre visits him and brings new questions: where is God in this amoral world? Pierre is interested in [[panentheism]] and the possibility of an afterlife.[[File: Red Square in Moscow (1801) by Fedor Alekseev.jpg|thumb|Scene in [[Red Square]], Moscow, 1801. Oil on canvas by [[Fyodor Alekseyev|Fedor Yakovlevich Alekseev]].]]

Pierre's wife, Hélène, begs him to take her back, and trying to abide by the Freemason laws of forgiveness, he agrees. Hélène establishes herself as an influential hostess in Petersburg society.

Prince Andrei feels impelled to take his newly written military notions to Saint Petersburg, naively expecting to influence either the Emperor himself or those close to him. Young Natasha, also in Saint Petersburg, is caught up in the excitement of her first grand ball, where she meets Prince Andrei and briefly reinvigorates him with her vivacious charm. Andrei believes he has found purpose in life again and, after paying the Rostovs several visits, proposes marriage to Natasha. However, Andrei's father dislikes the Rostovs and opposes the marriage, insisting that the couple wait a year before marrying. Prince Andrei leaves to recuperate from his wounds abroad, leaving Natasha distraught. Count Rostov takes her and Sonya to Moscow in order to raise funds for her trousseau.

Natasha visits the Moscow opera, where she meets Hélène and her brother Anatole. Anatole has since married a Polish woman whom he abandoned in Poland. He is very attracted to Natasha and determined to seduce her and conspires with his sister to do so. Anatole succeeds in making Natasha believe he loves her, eventually establishing plans to elope. Natasha writes to Princess Maria, Andrei's sister, breaking off her engagement. At the last moment, Sonya discovers her plans to elope and foils them. Natasha learns from Pierre of Anatole's marriage. Devastated, Natasha makes a suicide attempt and is left seriously ill.

Pierre is initially horrified by Natasha's behavior but realizes he has fallen in love with her. As the [[C/1811 F1|Great Comet of 1811–12]] streaks across the sky, life appears to begin anew for Pierre. Prince Andrei coldly accepts Natasha's breaking of the engagement. He tells Pierre that his pride will not allow him to renew his proposal.

===Book Three===
[[File:Battle of Borodino 1812.png|thumb|The [[Battle of Borodino]], fought on September 7, 1812, and involving more than a quarter of a million troops and seventy thousand casualties was a turning point in Napoleon's failed campaign to defeat Russia. It is vividly depicted through the plot and characters of ''War and Peace''.<br/>Painting by [[Louis-François Lejeune]], 1822.]]

With the help of her family, and the stirrings of religious faith, Natasha manages to persevere in Moscow through this dark period. Meanwhile, the whole of Russia is affected by the coming confrontation between Napoleon's army and the Russian army. Pierre convinces himself through [[gematria]] that Napoleon is the [[Antichrist]] of the ''[[Book of Revelation]]'' and that Pierre himself has an [[eschatology|eschatological]] role. Old Prince Bolkonsky dies of a stroke knowing that French marauders are coming for his estate. No organized help from any Russian army seems available to the Bolkonskys, but Nikolai Rostov turns up at their estate in time to help put down an incipient peasant revolt. He finds himself attracted to the distraught Princess Maria.

Back in Moscow, the patriotic Petya joins a crowd in audience of [[Alexander I of Russia|Tzar Alexander]] and manages to snatch a biscuit thrown from the balcony window of the [[Dormition Cathedral, Moscow|Cathedral of the Assumption]] by the Tzar. He is nearly crushed by the throngs in his effort. Under the influence of the same patriotism, his father finally allows him to enlist.

Napoleon himself is the main character in this section, and the novel presents him in vivid detail, both personally and as both a thinker and would-be strategist. Also described are the well-organized force of over four hundred thousand troops of the French {{lang|fr|[[Grande Armée]]}} (only one hundred and forty thousand of them actually French-speaking) that marches through the Russian countryside in the late summer and reaches the outskirts of the city of [[Smolensk]]. Pierre decides to leave Moscow and go to watch the [[Battle of Borodino]] from a vantage point next to a Russian artillery crew. After watching for a time, he begins to join in carrying ammunition. In the midst of the turmoil, he experiences first-hand the death and destruction of war; Eugène's artillery continues to pound Russian support columns, while Marshals Ney and Davout set up a crossfire with artillery positioned on the Semyonovskaya heights. The battle becomes a hideous slaughter for both armies and ends in a standoff. The Russians, however, have won a moral victory by standing up to Napoleon's reputedly invincible army. The Russian army withdraws the next day, allowing Napoleon to march on to Moscow. Among the casualties are Anatole Kuragin and Prince Andrei. Anatole loses a leg, and Andrei suffers a grenade wound in the abdomen. Both are reported dead, but their families are in such disarray that no one can be notified.

The Rostovs have waited until the last minute to abandon Moscow, even after it became clear that Kutuzov had retreated past Moscow. The Muscovites are being given contradictory instructions on how to either flee or fight. [[Fyodor Rostopchin|Count Fyodor Rostopchin]], the commander in chief of Moscow, is publishing posters, rousing the citizens to put their faith in religious [[icon]]s, while at the same time urging them to fight with pitchforks if necessary. Before fleeing himself, he gives orders to burn the city. However, Tolstoy states that the burning of an abandoned city mostly built of wood was inevitable, and while the French blame the Russians, these blame the French. The Rostovs have a difficult time deciding what to take with them, but in the end, Natasha convinces them to load their carts with the wounded and dying from the Battle of Borodino. Unknown to Natasha, Prince Andrei is among the wounded.

When Napoleon's army finally occupies an abandoned and [[Fire of Moscow (1812)|burning Moscow]], Pierre takes off on a naïve mission to assassinate Napoleon. He becomes anonymous in all the chaos, shedding his responsibilities by wearing peasant clothes and shunning his duties and lifestyle. The only people he sees are Natasha and some of her family, as they depart Moscow. Natasha recognizes and smiles at him, and he in turn realizes the full scope of his love for her.

Pierre saves the life of a French officer who, seeking shelter, enters the home of a dead friend of Pierre's, in which Pierre has been living since departing his own home. The two have a long, amicable conversation. The next day Pierre goes into the street to resume his assassination plan. He rescues a young girl from a burning house and then comes across two French soldiers robbing an Armenian family. When one of the soldiers tries to rip the necklace off the young Armenian woman's neck, Pierre intervenes by attacking the soldiers, and is taken prisoner by the French army.

===Book Four===
[[File:Napoleons retreat from moscow.jpg|thumb|[[Napoleon Bonaparte|Napoleon]]'s retreat from Moscow. Painting by [[Adolph Northen]] (1828–1876).]]
After his capture, Pierre believes he will be executed. In the end he is spared, but witnesses the execution of other prisoners with horror. Pierre becomes friends with a fellow prisoner, Platon Karataev, a Russian peasant with a saintly demeanor. In Karataev, Pierre finally finds what he has been seeking: an honest person of integrity, who is utterly without pretense. Pierre discovers meaning in life simply by interacting with him. After witnessing French soldiers sacking Moscow and shooting Russian civilians arbitrarily, Pierre is forced to march with the Grand Army during its disastrous retreat from Moscow in the harsh [[Russian Winter|Russian winter]]. After months of tribulation—during which the fever-plagued Karataev is shot by the French—Pierre is finally freed by a Russian raiding party led by Dolokhov and Denisov, after a small skirmish with the French that sees the young Petya Rostov killed in action.

Meanwhile, Andrei has been taken in and cared for by the Rostovs, fleeing from Moscow to [[Yaroslavl]]. He is reunited with Natasha and his sister Maria before the end of the war. In an internal transformation, he loses the fear of death and forgives Natasha in a last act before dying.

As the novel draws to a close, Pierre's wife Hélène dies from an overdose of an [[abortifacient]] (Tolstoy does not state it explicitly but the euphemism he uses is unambiguous). Pierre is reunited with Natasha, while the victorious Russians rebuild Moscow. Natasha speaks of Prince Andrei's death and Pierre of Karataev's. Both are aware of a growing bond between them in their bereavement.

===Epilogue in two parts===

====First part====
[[File:Kolman decembrists.jpg|thumb|Karl Kollmann depicting the Decembrist uprising in St. Petersburg, 1825.]]
The first part of the epilogue begins with the wedding of Pierre and Natasha in 1813. Nikolai becomes worried about his family's finances and leaves the army after hearing of Petya's death. There is little hope for recovery. Given the Rostovs' ruin, he does not feel comfortable with the prospect of marrying the wealthy Marya Bolkonskaya, but when they meet again, they both still feel love for each other. Count Rostov dies soon after, leaving Nikolai to take charge of the debt-ridden estate. Nikolai finds himself with the task of maintaining the family on the verge of bankruptcy. Although he finds marrying women for money repugnant, he gives in to his love for Princess Maria and marries her.

Nikolai and Maria then move to her inherited estate of Bald Hills with his mother and Sonya, whom he supports for the rest of their lives. Nikolai and Maria have children together, and also raise Prince Andrei's orphaned son, Nikolai Andreyevich (Nikolenka) Bolkonsky.

As in all good marriages, there are misunderstandings, but the couples – Pierre and Natasha, Nikolai and Maria – remain devoted. Pierre and Natasha visit Bald Hills in 1820. There is a hint in the closing chapters that the idealistic, boyish Nikolenka and Pierre would both become part of the [[Decembrist revolt|Decembrist Uprising]]. The first epilogue concludes with Nikolenka promising he would do something with which even his late father "would be satisfied" (presumably as a [[revolutionary]] in the Decembrist revolt).

====Second part====
The second part of the epilogue contains Tolstoy's critique of all existing forms of mainstream history. The 19th-century [[Great man theory|Great Man Theory]] claims that historical events are the result of the actions of "heroes" and other great individuals; Tolstoy argues that this is impossible because of how rarely these actions result in great historical events. Rather, he argues, great historical events are the result of many smaller events driven by the thousands of individuals involved (a summation which he earlier, in Part III chapter 1, compared to [[calculus]], and the sum of [[infinitesimal]]s). He then goes on to argue that these smaller events are the result of an inverse relationship between necessity and free will, necessity being based on reason and therefore explicable through historical analysis, and free will being based on [[consciousness]] and therefore inherently unpredictable. Tolstoy also ridicules newly emerging Darwinism as overly simplistic, comparing it to plasterers covering over the windows, [[Russian icons|icons]], and scaffolding with plaster, impressed with the smooth result. He wrestles with the tension between our consciousness of freedom and the apparent need for necessity to develop laws of science and history, saying at times that the first is as real as the second, and yet that its reality would destroy the second. He concludes that just as astronomy had to adopt the Copernican hypothesis of the earth's movement, not because it fits our immediate perceptions, but to avoid absurdities, so too must historical science accept some conception of necessary laws of human action, even though we feel free in our ordinary lives. In an appendix, he tries to further resolve the tension with the suggestion that we are most free, or feel most free, in arbitrary acts affecting us alone, but less free in acts affecting other people, where moral or other principles force or forbid certain responses.

===Philosophical chapters===
''War and Peace'' is Tolstoy's longest work, consisting of 361 chapters. Of those, 24 are philosophical chapters with the author's comments and views, rather than narrative. These chapters discuss historical events but do not touch on the fictional plot of the novel.