Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
The Two Towers
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
== Interwoven narratives == {{further|Interlacing in The Lord of the Rings}} The narrative in the volume is [[Interlacing in The Lord of the Rings|interlaced]], unlike [[Narrative structure of The Lord of the Rings#The Fellowship of the Ring|the largely linear narrative]] in ''[[The Fellowship of the Ring]]'', as the Fellowship is broken and the different groups pursue their own quests. The [[Quests in Middle-earth|main quest]], to destroy the [[One Ring]], does not progress at all in book 3; conversely, the other quests do not make progress in book 4 as Frodo and Sam continue their dangerous journey towards Mordor. The timeline is more complex than this would suggest, as many smaller-scale interlacings occur as the characters travel through Middle-earth.{{sfn|West|1975|pp=81-83}}{{sfn|Shippey|2005|pp=181β190}} Interlacing allowed Tolkien to weave an elaborately intricate story, presented through the eyes of the Hobbit protagonists, "underscoring [their] frequent bewilderment and disorientation". Most directly, this is achieved by letting the reader know only what one character sees as he struggles forwards, not knowing what lies ahead, where his friends are, or whether the quest has already failed.{{sfn|Sturgis|2013|p=389}}{{sfn|Shippey|2005|pp=181β190}} The bewilderment of the reader is minimized by the use of synchronizing 'narrative landmarks', such as the brooch dropped by Pippin and discovered by Aragorn.{{sfn|Holmes|2014|p=137}} Equally, interlacing enables Tolkien to create [[suspense]] and "[[cliffhanger]]" section endings, as when the Ents and [[Huorns]] appear suddenly and decisively in the [[eucatastrophe]] on the battlefield of Helm's Deep.{{sfn|Shippey|2005|pp=181β190}} The Tolkien scholar [[Richard C. West]] writes that every reader must notice to some degree "the apparently meandering manner of the plot", where things [[Luck and fate in Middle-earth|happen apparently casually, as if by chance]], as in real life. West illustrates this by examining Merry and Pippin's meeting with the Ents. This causes the Ents to overthrow their enemy Saruman, who was also the enemy of the kingdom of Rohan. This frees up Rohan to go to the aid of Gondor in their war with Sauron. The two Hobbits would never have met the Ents unless Saruman's Orcs had captured them. The Hobbits would not have escaped the Orcs unless Γomer's band of Riders of Rohan, disobeying orders from the King, had hunted the Orc intruders down. West states that each group and character has their own motivation, but their stories interact. It feels natural, and may appear "loose", but "everything is interconnected."{{sfn|West|1975|pp=83-84}} The interlacing allows Tolkien to make hidden connections that can only be grasped retrospectively, as the reader realizes on reflection that certain events happened at the same time.{{sfn|Shippey|2005|pp=181β190}} Interlace, West notes, can "show purpose or pattern behind change".{{sfn|West|1975|p=89}} This can appear, Shippey writes, as luck, where in daily life it is uncertain whether this is "something completely humdrum and practical or something mysterious and supernatural".{{sfn|Shippey|2005|pp=170β174}}
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
The Two Towers
(section)
Add topic