Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Scottish country dance
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Progression=== Most Scottish country dances are "progressive", i.e., after one repetition of the figure sequence the couples end up in a different place in the set. This serves to let every couple have a go as "top couple" (normally the active couple), and the number of repetitions is adjusted accordingly. For example, in a four-couple dance the order of couples at the beginning of each turn could be 1234, 2341, 3412, 4123, 1234 at which point the dance would stop. The most common arrangements are dances involving two or three couples dancing in four-couple sets for eight repetitions β this means that during some times through couples may be "standing out" to watch and have a rest. For example, the order of couples in a three-couple dance would be 1234 (top three couples dancing), 2134 (bottom three couples dancing), 2341 (top three couples dancing) etc. eight times through. There are also "set dances" which go through only once that often consist of a sequence of non-repeating figures that last much longer than normal times through (e.g. Bonnie Anne (96 bars), MacDonald of Sleat (128 bars)). In fact, the figures and arrangement of modern Scottish country dances, while derived from a 300-year tradition, make it difficult to generalise. Many newer dances feature new ideas such as partner changes (you dance with a new partner on each new time through the dance, as in "Nighean Donn" (by Peter Hastings) or "Caddam Wood" (by John Mitchell)), palindromic structure (the sequence of figures is similar seen from the end to the beginning as it is seen from the beginning to the end, as in "The White Heather Jig" by Cosh), fugues (the sequence of figures for each couple is intricately intertwined to resemble the structure of a musical [[fugue]]), canons (a new couple begins their time through even though the couple before have not finished theirs yet) and others, such as John Drewry's "Crossing the Line", where the bottom of the set becomes the top for the next time through. Dance devisers seem to enjoy blending new ideas with the traditional though the results vary in popularity.
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Scottish country dance
(section)
Add topic