Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Mel Brooks
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===1970–1979: Career stardom=== With the moderate financial success of the film ''The Producers'', Glazier financed Brooks's next film, ''[[The Twelve Chairs (1970 film)|The Twelve Chairs]]'' (1970). Loosely based on [[Ilf and Petrov]]'s 1928 [[The Twelve Chairs|Russian novel of the same name]] about greedy materialism in post-revolutionary Russia, it stars [[Ron Moody]], [[Frank Langella]], and [[Dom DeLuise]] as three men individually searching for a fortune in diamonds hidden in a set of 12 antique chairs. Brooks makes a cameo appearance as an alcoholic ex-serf who "yearns for the regular beatings of yesteryear". The film was shot in Yugoslavia with a budget of $1.5 million. It received poor reviews and was not financially successful.<ref name="Wakeman, John 19882"/> [[File:Gene Wilder 1970.JPG|thumb|right|190px|Brooks collaborated with [[Gene Wilder]] on several films including ''Young Frankenstein'' and ''Blazing Saddles'' (both 1974)]] Brooks then wrote an adaptation of [[Oliver Goldsmith]]'s ''[[She Stoops to Conquer]]'', but was unable to sell the idea to any studio and believed that his career was over. In 1972, he met agent [[David Begelman]], who helped him set up a deal with [[Warner Bros.]] to hire Brooks (as well as [[Richard Pryor]], [[Andrew Bergman]], [[Norman Steinberg]], and [[Alan Uger]]) as a script doctor for an unproduced script called ''Tex-X''. Eventually, Brooks was hired as director for what became ''[[Blazing Saddles]]'' (1974), his third film.<ref name="Wakeman, John 19882"/> ''Blazing Saddles'' starred [[Cleavon Little]], [[Gene Wilder]], [[Harvey Korman]], [[Slim Pickens]], [[Madeline Kahn]], [[Alex Karras]], and Brooks himself, with cameos by [[Dom DeLuise]] and [[Count Basie]]. It had music by Brooks and John Morris, and a modest budget of $2.6 million. A satire on the [[Western film]] genre, it references older films such as ''[[Destry Rides Again]]'' (1939), ''[[The Treasure of the Sierra Madre (film)|The Treasure of the Sierra Madre]]'' (1948), ''[[High Noon]]'' (1952) and ''[[Once Upon a Time in the West]]'' (1968). In a surreal sequence towards the end, it references the extravagant musicals of [[Busby Berkeley]]. Despite mixed reviews, ''Blazing Saddles'' was a success with younger audiences. It became the second-highest US grossing film of 1974, grossing $119.5 million in the United States and Canada. It was nominated for three [[Academy Awards]]: [[Academy Award for Best Supporting Actress|Best Supporting Actress]] (for Madeline Kahn), [[Academy Award for Film Editing|Best Film Editing]], and [[Academy Award for Best Original Song|Best Original Song]]. It won the [[Writers Guild of America Award]] for [[Writers Guild of America Award for Best Original Screenplay|Best Comedy – Written Directly for the Screen]]; and in 2006 it was deemed "culturally, historically or aesthetically significant" by the [[Library of Congress]] and selected for preservation in the [[National Film Registry]]. Brooks has said that the film "has to do with love more than anything else. I mean when that black guy rides into that Old Western town and even a little old lady says 'Up yours, nigger!', you know that his heart is broken. So it's really the story of that heart being mended."<ref name="Wakeman, John 19882"/> Brooks described the film as "a Jewish western with a black hero".<ref>{{Cite magazine |last=Tynan |first=Kenneth |date=October 22, 1978 |title=Frolics and Detours of a Short Hebrew Man |url=https://www.newyorker.com/magazine/1978/10/30/mel-brooks-frolics-and-detours-of-a-short-hebrew-man |magazine=[[The New Yorker]]}}</ref> When Gene Wilder replaced [[Gig Young]] as the Waco Kid, he did so only when Brooks agreed that his next film would be a script<ref name="vulture/funny-man-highlights">{{cite web |last1=Boone |first1=Brian |title=Highlights From Mel Brooks Biography 'Funny Man' |url=https://www.vulture.com/2019/03/mel-brooks-biography-funny-man-book-highlights.html |website=[[Vulture.com]] |publisher=[[New York (magazine)|New York]] |access-date=September 29, 2022 |language=en-us |date=March 19, 2019}}</ref> that Wilder had been working on: a spoof of the [[Universal Pictures|Universal]] series of ''[[Frankenstein (1931 film)|Frankenstein]]'' films from several decades earlier. After the filming of ''Blazing Saddles'' was completed, Wilder and Brooks began writing the script for ''[[Young Frankenstein]]'' and shot it in the spring of 1974. It starred Wilder, [[Marty Feldman]], [[Peter Boyle]], [[Teri Garr]], [[Madeline Kahn]], [[Cloris Leachman]] and [[Kenneth Mars]], with [[Gene Hackman]] in a cameo role. Brooks' voice can be heard three times: as the wolf howl when the characters are on their way to the castle; as the voice of Victor Frankenstein, when the characters discover the laboratory; and as the sound of a cat when Gene Wilder accidentally throws a dart out of the window in a scene with Kenneth Mars. Composer [[John Morris (composer)|John Morris]] again provided the score, and [[Universal monsters]] special effects veteran [[Kenneth Strickfaden]] worked on the film. [[File:Mel Brooks High Anxiety still.jpg|thumb|left|Brooks in ''[[High Anxiety]]'' (1977)]] ''Young Frankenstein'' was the third-highest-grossing film domestically of 1974, just behind ''Blazing Saddles'' with a gross of $86 million. It also received two Academy Award nominations for [[Academy Award for Writing Adapted Screenplay|Best Adapted Screenplay]] and [[Academy Award for Best Sound|Best Sound]]. It received some of the best reviews of Brooks's career. Even notoriously hard-to-please critic [[Pauline Kael]] liked it, saying: "Brooks makes a leap up as a director because, although the comedy doesn't build, he carries the story through ... [He] even has a satisfying windup, which makes this just about the only comedy of recent years that doesn't collapse."<ref name="Wakeman, John 19882"/> In 1975, at the height of his movie career, Brooks tried TV again with ''[[When Things Were Rotten]]'', a [[Robin Hood]] parody that lasted only 13 episodes. Nearly 20 years later, in response to the 1991 hit film ''[[Robin Hood: Prince of Thieves]]'', Brooks mounted another Robin Hood parody, ''[[Robin Hood: Men in Tights]]'' (1993). It resurrected several pieces of dialogue from his TV series, and from earlier Brooks films. After his two hit films Brooks got a call from [[Ron Clark (writer)|Ron Clark]] who had an audacious idea: the first feature-length silent comedy in four decades.<ref>[https://www.nytimes.com/1976/07/18/archives/mel-brooks-talks-up-silent-movie-brooks-talks-up-silent-movie.html Mel Brooks Talks Up ‘Silent Movie’]</ref> ''[[Silent Movie]]'' (1976) was written by Brooks and Clark, and starred Brooks in his first leading role, with Dom DeLuise, Marty Feldman, [[Sid Caesar]], [[Bernadette Peters]], and in cameo roles playing themselves: [[Paul Newman]], [[Burt Reynolds]], [[James Caan]], [[Liza Minnelli]], [[Anne Bancroft]], and the [[mime]] [[Marcel Marceau]], who uttered the film's only word of audible dialogue: "Non!" It is an homage to silent comedians [[Charlie Chaplin]] and [[Buster Keaton]], among others. It was not as successful as Brooks's previous two films but did gross $36 million. Later that year, he was named fifth on the [[Top Ten Money Making Stars Poll]].<ref name="Wakeman, John 19882"/> Reviews were generally favorable; [[Roger Ebert]] praised it as "not only funny, but fun. It's clear at almost every moment that the filmmakers had a ball making it." Regarding the film's inside jokes, Ebert wrote that "the thing about Brooks's inside jokes is that their outsides are funny, too."<ref>{{Cite news |last=Ebert |first=Roger |date=January 1, 1976 |title=Silent Movie |work=[[Chicago Sun-Times]] |url=https://www.rogerebert.com/reviews/silent-movie-1976}}</ref> ''[[High Anxiety]]'' (1977), Brooks's parody of [[Freudian psychoanalysis]], as well as the films of [[Alfred Hitchcock]], was written by Brooks, Ron Clark, [[Rudy De Luca]], and [[Barry Levinson]], and was the first movie Brooks produced himself. Starring Brooks, Madeline Kahn, [[Cloris Leachman]], Harvey Korman, [[Ron Carey (actor)|Ron Carey]], [[Howard Morris]], and [[Dick Van Patten]], it satirizes such Hitchcock films as ''[[Vertigo (film)|Vertigo]]'', ''[[Spellbound (1945 film)|Spellbound]]'', ''[[Psycho (1960 film)|Psycho]]'', ''[[The Birds (film)|The Birds]]'', ''[[North by Northwest]]'', ''[[Dial M for Murder]]'' and ''[[Suspicion (1941 film)|Suspicion]]''. Brooks plays Professor Richard H. (Harpo) Thorndyke, a Nobel Prize–winning psychologist who suffers from "[[acrophobia|high anxiety]]".<ref name="Wakeman, John 19882"/>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Mel Brooks
(section)
Add topic