Editing Masaccio (section)

==''Pisa Altarpiece''==
On February 19, 1426, Masaccio was commissioned by Giuliano di Colino degli Scarsi da San Giusto, for the sum of 80 florins, to paint a major altarpiece, the ''[[Pisa Altarpiece]]'', for his chapel in the church of [[Santa Maria del Carmine, Pisa|Santa Maria del Carmine]] in [[Pisa]]. The work was dismantled and dispersed in the 18th century, and only eleven of about twenty original panels have been rediscovered in various collections around the world.<ref>Jill Dunkerton and Dillian Gordon, "The Pisa Altarpiece",  in ''The Panel Paintings of Masolino and Masaccio:  The Role of Technique,'' ed. Carl Brandon Strehlke, Milan, 2002, 89–109.</ref> The central panel of the altarpiece (''[[The Madonna and Child (Masaccio)|The Madonna and Child]]'') is now in the [[National Gallery]], London. Although it is very damaged, the work features a sculptural and human Madonna as well as a convincing perspectival depiction of her throne. Masaccio probably worked on it entirely in Pisa, shuttling back and forth to Florence, where he was still working on the Brancacci Chapel. In these years, [[Donatello]] was also working in Pisa at a monument for Cardinal Rinaldo Brancacci, to be sent to [[Naples]]. It is suggested that Masaccio's first ventures in plasticity and perspective were based on Donatello's sculpture, before he could study [[Brunelleschi]]'s more scientific approach to perspective.