Editing Gabriel Fauré (section)

===Last years and legacy===
In 1920, at the age of 75, Fauré retired from the Conservatoire because of his increasing deafness and frailty.<ref name=grove/> In that year he received the Grand-Croix of the [[Légion d'honneur]], an honour rare for a musician. In 1922 the president of the republic, [[Alexandre Millerand]], led a public tribute to Fauré, a national ''hommage'', described in ''[[The Musical Times]]'' as "a splendid celebration at the [[Sorbonne (building)|Sorbonne]], in which the most illustrious French artists participated, [which] brought him great joy. It was a poignant spectacle, indeed: that of a man present at a concert of his own works and able to hear not a single note. He sat gazing before him pensively, and, in spite of everything, grateful and content."<ref name=landormy/>

[[File:Fauré hommage.jpg|thumb|left|upright=1.5|alt=interior of a large hall with a huge crowd|National ''hommage'' to Fauré, 1922. Fauré and [[Alexandre Millerand|President Millerand]] are in the box between the statues]]
Fauré suffered from poor health in his later years, brought on in part by heavy smoking. Despite this, he remained available to young composers, including members of [[Les Six]], most of whom were devoted to him.<ref name=landormy/>{{refn|[[Francis Poulenc|Poulenc]] was the exception among Les Six in disliking Fauré's music. Nectoux comments that this seems strange because of all the members of Les Six, Poulenc "is the nearest to Fauré in the limpid clarity and singing quality of his own writing, in his charm".<ref>Nectoux, p. 434</ref>|group= n}} Nectoux writes, "In old age he attained a kind of serenity, without losing any of his remarkable spiritual vitality, but rather removed from the sensualism and the passion of the works he wrote between 1875 and 1895."<ref name=grove/>

In his last months, Fauré struggled to complete his [[String Quartet (Fauré)|String Quartet]]. Twenty years earlier he had been the dedicatee of Ravel's String Quartet. Ravel and others urged Fauré to compose one of his own. He refused for many years, on the grounds that it was too difficult. When he finally decided to write it, he did so in trepidation, telling his wife, "I've started a Quartet for strings, without piano. This is a genre which Beethoven in particular made famous, and causes all those who are not Beethoven to be ''terrified'' of it."<ref>Jones, p. 202</ref> He worked on the piece for a year, finishing it on 11 September 1924, less than two months before he died, working long hours towards the end to complete it.<ref name=p3>[[Stéphan Perreau|Perreau]], p. 3</ref> The quartet was premiered after his death;<ref>Jones, p. 192</ref> he declined an offer to have it performed privately for him in his last days, as his hearing had deteriorated to the point where musical sounds were horribly distorted in his ear.<ref>Nectoux, p. 292</ref>

Fauré died in Paris from [[pneumonia]] on 4 November 1924 at the age of 79. He was given a state funeral at the Église de la Madeleine and is buried in the [[Passy Cemetery]] in Paris.<ref>Duchen, p. 212</ref>

After Fauré's death, the Conservatoire abandoned his radicalism and became resistant to new trends in music, with Fauré's own harmonic practice being held up as the farthest limit of modernity, beyond which students should not go.<ref name=nectoux469/> His successor, [[Henri Rabaud]], director of the Conservatoire from 1922 to 1941, declared "modernism is the enemy".<ref>Nichols, Roger. [https://www.bbc.co.uk/music/artists/7e4c5b76-d2e7-48f4-a46e-65d62c35288a "Henri Rabaud"], BBC Music, accessed 1 April 2012</ref> The generation of students born between the wars rejected this outdated premise, turning for inspiration to [[Béla Bartók|Bartók]], the [[Second Viennese School]], and the latest works of [[Igor Stravinsky|Stravinsky]].<ref name=nectoux469>Nectoux (1991), p. 469</ref>

In a centenary tribute in 1945, the musicologist Leslie Orrey wrote in ''The Musical Times'', "'More profound than Saint-Saëns, more varied than Lalo, more spontaneous than d'Indy, more classic than Debussy, Gabriel Fauré is the master ''par excellence'' of French music, the perfect mirror of our musical genius.' Perhaps, when English musicians get to know his work better, these words of Roger-Ducasse will seem, not over-praise, but no more than his due."<ref>
Orrey, Leslie.[https://www.jstor.org/stable/935506 "Gabriel Fauré, 1845–1924"], ''The Musical Times'', May 1945, pp. 137–139 {{subscription}}</ref>