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==Sources== * {{cite book |last1=Bertensson |first1=Sergei |title=Sergei Rachmaninoff : a lifetime in music |date=2001 |publisher=Indiana University Press |location=Bloomington |isbn=0-253-21421-1 |pages=164–170}} * {{cite book |last1=Bovermann |first1=Till |title=MUSICAL INSTRUMENTS IN THE 21ST CENTURY : identities, configurations. |date=2018 |publisher=Springer |isbn=978-981-10-9748-5 |pages=264–270}} * {{cite book |last1=Brodbeck |first1=David |title=Carlos Chávez and His World |url=https://doi.org/10.1515/9781400874200 |editor-last=Saavedra |editor-first=Leonora |chapter=Music and the Marketplace: On the Backstory of Carlos Chávez’s Violin Concerto |publisher=Princeton University Press |isbn=978-1-4008-7420-0 |page=84 |chapter-url=https://doi.org/10.1515/9781400874200-013 |date=2015 |doi=10.1515/9781400874200-013 }} * {{cite book |last1=Brown |first1=Clive |title=Louis Spohr, a critical biography |date=1984 |publisher=Cambridge University Press |location=Cambridge [Cambridgeshire] |isbn=978-0-521-23990-5 |pages=50–53}} * {{cite thesis |last1=Burns |first1=Kevin |title=Karel Husa's Concerto for Alto Saxophone and Concert Band: a Performer's Analysis. |type=DMA dissertation |date=2000 |publisher=Louisiana State University and Agricultural & Mechanical College |location=Louisiana |pages=1–69 |doi=10.31390/gradschool_disstheses.7245 |s2cid=194618582 |url=https://digitalcommons.lsu.edu/gradschool_disstheses/7245 |doi-access=free }} * {{cite journal |last1=Cuming |first1=Geoffrey |title=Haydn: Where to Begin |journal=Music & Letters |date=1949 |volume=30 |issue=4 |pages=364–375 |doi=10.1093/ml/XXX.4.364 |jstor=730678 |url=http://www.jstor.org/stable/730678 |issn=0027-4224}} * {{cite book |last1=Eggink |first1=J. |last2=Brown |first2=G.J. |title=2004 IEEE International Conference on Acoustics, Speech, and Signal Processing |chapter=Instrument recognition in accompanied sonatas and concertos |date=2004 |volume=4 |pages=iv–217–iv-220 |doi=10.1109/ICASSP.2004.1326802|isbn=0-7803-8484-9 |s2cid=13003660 }} * {{cite journal |last1=Erlebach |first1=Rupert |title=Style in Pianoforte Concerto Writing |journal=Music & Letters |date=1936 |volume=17 |issue=2 |pages=131–139 |doi=10.1093/ml/XVII.2.131 |jstor=728791 |url=https://www.jstor.org/stable/728791 |access-date=9 April 2021 |issn=0027-4224}} * {{cite journal |last1=Holman |first1=Peter |title=Serenades and Sammartini |journal=Early Music |date=2004 |volume=32 |issue=1 |pages=151–153 |jstor=3519434 |url=http://www.jstor.org/stable/3519434 |issn=0306-1078}} * {{cite book |last1=Hopkins |first1=Antony |title=The seven concertos of Beethoven |date=2019 |location=London |isbn=978-0-429-77369-3}} * {{cite journal |last1=Kearns |first1=Andrew |title=The Orchestral Serenade in eighteenth-Century Salzburg |journal=Journal of Musicological Research |date=1 January 1997 |volume=16 |issue=3 |pages=163–197 |doi=10.1080/01411899708574730 |url=https://doi.org/10.1080/01411899708574730 |issn=0141-1896}} * {{cite journal |last1=Kijas |first1=Anna E. |title="A Suitable Soloist for My Piano Concerto": Teresa Carreño as a Promoter of Edvard Grieg's Music |journal=Notes |date=2013 |volume=70 |issue=1 |pages=37–58 |doi=10.1353/not.2013.0121 |jstor=43672696 |s2cid=187606895 |url=https://www.jstor.org/stable/43672696 |issn=0027-4380}} * {{cite journal |last1=Kory |first1=Agnes |title=Boccherini and the Cello |journal=Early Music |date=November 2005 |volume=33 |issue=4 |page=750 |doi=10.1093/em/cah182 |jstor=3519618 |url=https://www.jstor.org/stable/3519618}} * {{cite book |last1=Lee |first1=Douglas A. |title=Masterworks of 20th-century music : the modern repertory of the symphony orchestra |date=2002 |publisher=Routledge |location=New York |isbn=978-0-415-93847-1 |pages=387–400 |edition=1}} * {{cite thesis |last1=Lihua |first1=Pu |title=Violin Technique in Jenő Hubay's Four Violin Concertos |url=http://hdl.handle.net/2142/99733 |type=Doctoral project paper |publisher=University of Illinois at Urbana-Champaign|language=en |date=2018 |hdl=2142/99733 |via=IDEALS}} * {{cite journal |last1=McClary |first1=Susan |title=A Musical Dialectic from the Enlightenment: Mozart's "Piano Concerto in G Major, K. 453", Movement 2 |journal=Cultural Critique |date=1986 |volume=1 |issue=4 |pages=129–169 |doi=10.2307/1354338 |jstor=1354338 |url=https://www.jstor.org/stable/1354338 |access-date=9 April 2021 |issn=0882-4371}} * {{cite journal |last1=Paumgartner |first1=Bernhard |title=Mozart's Oboe Concerto |journal=Tempo |date=2010 |issue=18 |pages=4–7 |doi=10.1017/S0040298200054565 |s2cid=144679576 |url=https://doi.org/10.1017/S0040298200054565 |language=en |issn=1478-2286}} * {{cite journal |last1=Peterson |first1=Stephen |last2=Galván |first2=Janet |last3=Stout |first3=Gordon |title=Concert: Commencement Eve |journal=All Concert & Recital Programs |date=13 May 2006 |volume=1 |issue=1 |pages=1–14 |url=https://digitalcommons.ithaca.edu/music_programs/4893 }} * {{cite book |last1=Robinson |first1=Harlow |title=Sergei Prokofiev : a biography |date=2002 |publisher=Northeastern University Press |location=Boston |isbn=1-55553-517-8 |pages=256–263}} * {{cite journal |last1=Sadler |first1=Graham |title=Rameau's Last Opera: Abaris, ou Les Boréades |journal=The Musical Times |date=1975 |volume=116 |issue=1586 |pages=327–329 |doi=10.2307/960326 |jstor=960326 |url=https://doi.org/10.2307/960326 |issn=0027-4666}} * {{cite book |last1 = Steinberg |first1 = Michael |author-link1 = Michael Steinberg (music critic) |date = 2000 |chapter = Johann Sebastian Bach |chapter-url = https://books.google.com/books?id=t8oXNX2tY8AC&pg=PA11 |title = The Concerto: A Listener's Guide |url = https://books.google.com/books?id=t8oXNX2tY8AC |publisher = Oxford University Press |pages = 11–19 |isbn = 0-19-513931-3 }} * {{cite book |last1=Stowell |first1=Robin |title=Beethoven: Violin Concerto |date=2009 |publisher=Cambridge University Press |location=New York |isbn=978-0-521-45159-8 |page=33 |doi=10.1017/CBO9780511605703 |url=https://doi.org/10.1017/CBO9780511605703 }} * {{cite book|last=Talbot|first=Michael|chapter=The Italian concerto in the Late seventeenth and early eighteenth centuries|chapter-url=https://books.google.com/books?id=zkS8a2drWVcC&pg=PR12 |title=The Cambridge Companion to the Concerto|series=[[Cambridge Companions to Music]]|date=27 October 2005|isbn=978-0-521-83483-4}} * {{cite web |url=https://www.gramophone.co.uk/review/haydn-keyboard-concertos-nos-3-4-11 |title=HAYDN Keyboard Concertos Nos 3, 4 & 11 |last=Threasher |first=David |publisher=gramophone.co.uk |date=May 2013 }} * {{EB1911 |noprescript=1 |wstitle=Concerto |last1=Tovey |first1=Donald Francis |author-link1=Donald Tovey |pages=825–826 }} * {{cite journal |last1=White |first1=Chappell |title=The Violin Concertos of Giornovichi |journal=The Musical Quarterly |date=1972 |volume=58 |issue=1 |page=30 |url=http://www.jstor.com/stable/741171 }} * {{cite book |last1 = White |first1 = John David |date = 1976 |title = The Analysis of Music |publisher = Prentice-Hall |page = 62 |isbn = 0-13-033233-X }} * {{cite book |last1 = Wolf |first1 = Eugene K. |author-link1 = :d:Q94825204 |date = 1986 |chapter = Concerto |chapter-url = https://archive.org/details/newharvarddictio00rand/page/186 |editor1-last = Randel |editor1-first = Don Michael |editor1-link = Don Michael Randel |editor2-last = Apel |editor2-first = Willi |editor2-link = Willi Apel |title = The New Harvard Dictionary of Music |url = https://archive.org/details/newharvarddictio00rand |publisher = Belknap Press of Harvard University Press |pages = 186–191 |isbn = 0674615255 }} * {{cite book |last1 = Wörner |first1 = Karl Heinrich |display-authors = etal |date = 1993 |editor1-last = Meierott |editor1-first = Lenz |editor1-link = :de:Lenz Meierott |title = Geschichte der Musik: ein Studien- und Nachschlagebuch |trans-title = History of Music: A Study and Reference Book |url = https://books.google.com/books?id=GKJbNkkZZOoC |language = de |edition = 8th |location = Göttingen |publisher = Vandenhoeck & Ruprecht |isbn = 3-525-27811-X }}
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