Editing Anton Webern (section)

== Further reading ==
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* <!-- {{wikicite|ref={{harvid|Ahrend and Schmidt|2015}}|reference= -->Ahrend, Thomas, and [[Matthias Schmidt (musicologist)|Matthias Schmidt]] (eds.). 2015. ''[https://www.anton-webern.ch/index.php?id=34 Der junge Webern. Texte und Kontexte]''. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2b. Wien: Lafite. {{ISBN|978-3-85151-083-6}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Ahrend and Schmidt|2016}}|reference= -->Ahrend, Thomas, and Matthias Schmidt (eds.). 2016. ''[https://www.anton-webern.ch/index.php?id=34 Webern-Philologien]''. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 3. Wien: Lafite. {{ISBN|978-3-85151-084-3}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Bowie|2007}}|reference= -->[[Andrew Bowie (philosopher)|Bowie, Andrew]]. 2007. ''Music, Philosophy, and Modernity''. Modern European Philosophy Series, gen. ed. [[Robert B. Pippin]]. Cambridge: Cambridge University Press. {{ISBN|978-0-511-35443-4}} (ebk). {{ISBN|978-0-521-87734-3}} (hbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Cacciari|1996}}|reference= -->[[Massimo Cacciari|Cacciari, Massimo]]. 1996. ''Posthumous People: Vienna at the Turning Point'', trans. Rodger Friedman. Crossing Aesthetics Series, eds. [[Werner Hamacher]] and [[David E. Wellbery]]. Stanford: Stanford University Press. {{ISBN|978-0-8047-2709-9}} (hbk). {{ISBN|978-0-8047-2710-5}} (pbk). (Translation of ''Dallo Steinhof'', 1980, Milano: Adelphi.)<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Cavalotti, Obert and Schmusch|2019}}|reference= -->Cavallotti, Pietro, and Simon Obert, and Rainer Schmusch (eds.). 2019. ''[https://www.anton-webern.ch/index.php?id=34 Neue Perspektiven. Anton Webern und das Komponieren im 20. Jahrhundert]''. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 4. Wien: Lafite. {{ISBN|978-3-85151-098-0}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Cook|2013}}|reference= -->[[Nicholas Cook|Cook, Nicholas]]. 2013. ''Beyond the Score: Music as Performance''. Oxford: Oxford University Press. {{ISBN|978-0-19935-743-7}} (ebk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Distler|2000}}|reference= -->Distler, Jed. 2000. "[https://www.classicstoday.com/review/review-4726/ Complete Webern]". ''Classics Today'', Music Reviews Digest (9 Sept. 2000, web site accessed 19 Jan. 2023).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Ewen|1971}}|reference= -->Ewen, David. 1971. "Anton Webern (1883–1945)". ''Composers of Tomorrow's Music'', by David Ewen, 66–77. New York: Dodd, Mead & Co. {{ISBN|978-0-396-06286-8}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Forte|1998}}|reference= -->[[Allen Forte|Forte, Allen]]. 1998. ''The Atonal Music of Anton Webern''. New Haven: Yale University Press. {{ISBN|978-0-300-07352-2}}<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Galliari|2007}}|reference= -->Galliari, Alain. 2007. "Anton von Webern". Paris: Fayard. {{ISBN|978-2-213-63457-9}}.<!-- }} -->
* {{cite news|last=Griffiths|first=Paul|author-link=Paul Griffiths (writer)|date=27 August 2000|url=https://www.nytimes.com/2000/08/27/arts/music-a-complete-webern-with-new-works.html|title=A Complete Webern, with 'New' Works|newspaper=[[The New York Times]]|access-date=19 January 2023|ref=none}}
* <!-- {{wikicite|ref={{harvid|Kennicott|2000}}|reference= -->[[Philip Kennicott|Kennicott, Philip]]. 2000. "[https://www.washingtonpost.com/archive/lifestyle/style/2000/06/11/weberns-atonal-recall/34ec06b5-30b8-4d71-a9b6-384d4da62628/ Webern's Atonal Recall: Boulez Sets Record Straight on Composer]". 11 June 2000. ''The Washington Post'' (web site accessed 19 Jan. 2023).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Kröpfl and Obert|2015}}|reference= -->Kröpfl, Monika, and Simon Obert (eds.). 2015. ''[https://www.anton-webern.ch/index.php?id=34 Der junge Webern. Künstlerische Orientierungen in Wien nach 1900]''. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 2a. Wien: Lafite. {{ISBN|978-3-85151-082-9}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|McClary|1989}}|reference= -->[[Susan McClary|McClary, Susan]]. Spring 1989. "Terminal Prestige: The Case of Avant-Garde Music Composition". ''Cultural Critique'' ("Discursive Strategies and the Economy of Prestige"). 12:57–81.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Mead|1993}}|reference= -->Mead, Andrew. 1993. "Webern, Tradition, and 'Composing with Twelve Tones'". ''Music Theory Spectrum'' 15(2):173–204.<!-- }} --> {{doi|10.2307/745813}}
* <!-- {{wikicite|ref={{harvid|Meyer|1989}}|reference=Meyer, Leonard B. 1989. ''Style and Music: Theory, History, and Ideology.'' Studies in the Criticism and Theory of Music. Philadelphia: University of Pennsylvania Press. Reprinted, Chicago: University of Chicago Press. 1996. {{ISBN|978-0-226-52152-7}} (pbk).}} -->
* <!-- {{wikicite|ref={{harvid|Moldenhauer|1966}}|reference= -->Moldenhauer, Hans. 1966. ''[https://archive.org/details/antonvonwebernpe0000unse Anton von Webern Perspectives]''. Ed. Demar Irvine, with an introductory interview with Igor Stravinsky. Seattle: University of Washington Press.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Noller|1990}}|reference= -->Noller, Joachim. 1990. "Bedeutungsstrukturen: zu Anton Weberns 'alpinen' Programmen". ''[[Neue Zeitschrift für Musik]]'' 151(9):12–18.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Obert|2012}}|reference= -->Obert, Simon (ed.). 2012. ''[https://www.anton-webern.ch/index.php?id=34 Wechselnde Erscheinung. Sechs Perspektiven auf Anton Weberns sechste Bagatelle]''. Webern-Studien. Beihefte der Anton Webern Gesamtausgabe 1. Wien: Lafite. {{ISBN|978-3-85151-080-5}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Perle|1991}}|reference= -->[[George Perle|Perle, George]]. 1991. ''Serial Composition and Atonality: An Introduction to the Music of Schoenberg, Berg and Webern''. Sixth ed. Berkeley and Los Angeles: University of California Press.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Pousseur|1964}}|reference= -->[[Henri Pousseur|Pousseur, Henri]]. 1964. "Music, Form and Practice (an Attempt to Reconcile Some Contradictions)". Trans. Margaret Shenfield. ''[[Die Reihe]]'' 6 (English ed. 1964, German ed. 1960):77–93. Reprint from original in ''Revue belge de Musicologie'' / ''Belgisch Tijdschrift voor Muziekwetenschap'' 13 (1959).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Rockwell|1983}}|reference= -->[[John Rockwell|Rockwell, John]]. 1983. ''All American Music: Composition in the Late Twentieth Century''. New York: Alfred Knopf. Reprinted New York: Da Capo Press, 1997. {{ISBN|978-0-306-80750-3}}, {{ISBN|978-0-306-80750-3}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Sutherland|2000}}|reference= -->Sutherland, Roger. 2000. "Boulez's Webern." ''Tempo'' 213:52–53. {{doi|10.1017/S0040298200007889}}.<!-- }} -->
* Tsang, Lee. 2002. "''The Atonal Music of Anton Webern'' (1998) by Allen Forte". ''[[Music Analysis (journal)|Music Analysis]]'' 21(3): 417–427.
* <!-- {{wikicite|ref={{harvid|Taruskin|2009a}}|reference= -->[[Richard Taruskin|Taruskin, Richard]]. 2009. ''Music in the Nineteenth Century''. The Oxford History of Western Music, Vol. 3. Revised edition. Oxford: Oxford University Press. {{ISBN|978-0-19-538483-3}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Wedler|2021}}|reference=Wedler, Sebastian. 2021. "The End(s) of Musical Romanticism". ''The Cambridge Companion to Music and Romanticism'', ed. Benedict Taylor, 343–357. Cambridge: Cambridge University Press {{ISBN|978-1-10-864734-2}} (ebk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Wedler|2025}}|reference=Wedler, Sebastian. 2025. ''Anton Webern at the Dawn of Modernism''. Music in Context Series, gen. ed. Benedict Taylor. Cambridge: Cambridge University Press. {{ISBN|978-1-00-945369-1}} (hbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Wildgans|1966}}|reference= -->[[Friedrich Wildgans|Wildgans, Friedrich]]. 1966. ''Anton Webern''. Trans. Edith Temple Roberts and Humphrey Searle. Intro. and notes by Humphrey Searle. New York: October House.<!-- }} -->
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