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== References == {{Reflist|20em}} === Bibliography === {{refbegin|30em}} * {{wikicite|ref={{harvid|Adlington|2019}}|reference=Adlington, Robert. 2019. "Modernism: the people's music?". ''The Routledge Research Companion to Modernism in Music'', eds. and intro. {{ill|Björn Heile|et}} and Charles Wilson, 216–238. London: Routledge. {{ISBN|978-1-315-61329-1}} (ebk). {{ISBN|978-1-4724-7040-9}} (hbk).}} * {{wikicite|ref={{harvid|Allen-Russell|2023}}|reference=Allen-Russell, Ann van. 2023. "'Not like Pyrates': Borrowing, Copyright and Creativity in the Eighteenth Century". ''Music Borrowing and Copyright Law: A Genre-by-Genre Analysis'', eds. and intro. Enrico Bonadio and Chen Zhu, fwd. [[Paul J. Heald]], 191–208. Oxford: Bloomsbury. {{ISBN|978-1-50994-940-3}} (ePDF). {{ISBN|978-1-50994-939-7}} (ePub). {{ISBN|978-1-50994-938-0}} (hbk).}} * {{wikicite|ref={{harvid|Adamson|2003}}|reference=Adamson, Walter L. 2003. "Modernism in art, literature and political theory". ''The Cambridge History of Twentieth-Century Political Thought'', eds. and intro. Terence Ball and Richard Bellamy, 412–430. Cambridge: Cambridge University Press. {{ISBN|978-0-521-56354-3}}.}} * {{wikicite|ref={{harvid|Adorno|1984}}|reference=[[Theodor W. Adorno|Adorno, Theodor]]. 1984. ''Musikalische Schriften'', Vol. 5. ''Gesammelte Schriften'', Vol. 18. Suhrkamp Verlag {{ISBN|978-3-518-57696-0}}.}} * {{wikicite|ref={{harvid|Adorno|1999}}|reference=Adorno, Theodor. 1999. ''Sound Figures'', trans. Rodney Livingstone. Stanford: Stanford University Press. {{ISBN|978-0-8047-3558-2}}.}} * {{wikicite|ref={{harvid|Adorno|2004}}|reference=Adorno, Theodor. 2004. ''Aesthetic Theory''. Impacts Series. A&C Black. {{ISBN|978-0-8264-7691-3}}.}} * {{wikicite|ref={{harvid|Adorno and Berg|2005}}|reference=Adorno, Theodor W. and Alban Berg. 2005. ''Correspondence 1925–1935'', ed. Henri Lonitz, trans. Wieland Hoban. Cambridge, UK and Malden, MA: Polity Press. {{ISBN|978-0-7456-2336-8}}. (Trans. of ''Briefwechsel 1925–1935''. Frankfurt: Suhrkamp Verlag, 1997.)}} * {{wikicite|ref={{harvid|Ahrend and Münnich|2018}}|reference=Ahrend, Thomas and Stefan Münnich. 2018. "Anton Webern." In Oxford Bibliographies Online in Music. 2018. Oxford: Oxford University Press. {{doi|10.1093/obo/9780199757824-0238}} (accessed 1 Oct. 2023).}} * {{wikicite|ref={{harvid|Alegant|2010}}|reference=Alegant, Brian. 2010. ''The Twelve-tone Music of Luigi Dallapiccola''. Eastman Studies in Music, sen. ed. [[Ralph P. Locke]]. Rochester: University of Rochester Press. {{ISBN|978-1-58046-325-6}} (hbk).}} * {{wikicite|ref={{harvid|Andriessen|2002}}|reference=[[Louis Andriessen|Andriessen, Louis]]. 2002. "Lectures for Young Composers". ''The Music of Louis Andriessen'', ed. and pref. [[Maja Trochimczyk]], gen. intro. Joseph Auner, 131–160. Studies in Contemporary Music and Culture Series. New York: Routledge. {{ISBN|978-1-136-76966-5}}.}} * {{wikicite|ref={{harvid|Andriessen and Trochimczyk|2002}}|reference=Andriessen, Louis and Maja Trochimczyk. 2002. "Dialog 1: Learning". ''The Music of Louis Andriessen'', ed. and pref. Maja Trochimczyk, gen. intro. Joseph Auner, 3–30. Studies in Contemporary Music and Culture Series. New York: Routledge. {{ISBN|978-1-136-76966-5}}.}} * {{wikicite|ref={{harvid|Antokoletz|2014}}|reference=Antokoletz, Elliott. 2014. ''A History of Twentieth-Century Music in a Theoretic–Analytical Context.'' New York: Routledge. {{ISBN|978-0-415-88187-6}} (hbk).}} * {{wikicite|ref={{harvid|Antokoletz and Susanni|2011}}|reference=Antokoletz, Elliott, and Paolo Susanni. 2011. ''Béla Bartók: A Research and Information Guide'', 3rd ed. New York, NY: Routledge. {{ISBN|978-0-203-88889-6}}.}} * {{wikicite|ref={{harvid|Arnold|2002}}|reference=Arnold, Ben (ed.). 2002. ''The Liszt Companion''. Jazz Companions Series. Westport, CT: Greenwood Press. {{ISBN|978-0-313-30689-1}} (accessed 9 Aug. 2014).}} * {{wikicite|ref={{harvid|Arnold Schönberg Center|n.d.}}|reference=Arnold Schönberg Center. n.d. "[http://schoenberg.at/index.php?option=com_content&view=article&id=217&Itemid=381&lang=de Concerto for Violin and Orchestra Op. 36]". ''Werk- und Quellendatenbank: Werke mit Opuszahlen (op. 26–50c)''. Vienna: Arnold Schönberg Center (accessed 9 Aug. 2014).}} * {{wikicite|ref={{harvid|Auner|1999}}|reference=Auner, Joseph. 1999. "The Second Viennese School as a Historical Concept." In ''Schoenberg, Berg, and Webern: A Companion to the Second Viennese School'', ed. Bryan R. Simms, 1–36. Westport and London: Greenwood Press. {{ISBN|978-0-313-29604-8}}.}} * {{wikicite|ref={{harvid|Auner|2003}}|reference=Auner, Joseph. 2003. ''A Schoenberg Reader''. New Haven: Yale University Press. {{ISBN|978-0-300-12712-6}}.}} * {{wikicite|ref={{harvid|Babbitt|2003}}|reference=[[Milton Babbitt|Babbitt, Milton]]. 2003. "The Composer as Specialist." In ''The Collected Essays of Milton Babbitt'', ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus, 48–54. Princeton and Oxford: Princeton University Press. {{ISBN|978-0-691-15540-1}}.}} * {{wikicite|ref={{harvid|Bailey Puffett|2001}}|reference=Bailey Puffett, Kathryn. 2001. "Webern, Anton". ''[[Grove Music Online]]'' (accessed 9 Oct. 2022).}} * {{wikicite|ref={{harvid|Bailey Puffett|1998}}|reference=Bailey Puffett, Kathryn. 1998. ''[https://archive.org/embed/lifeofwebern0000bail The Life of Webern]''. Musical Lives. Cambridge and New York: Cambridge University Press. {{ISBN|978-0-521-57336-8}} (cloth). {{ISBN|978-0-521-57566-9}} (pbk).}} * {{wikicite|ref={{harvid|Bailey Puffett|1997}}|reference=Bailey Puffett, Kathryn. 1997. "Berg's aphoristic pieces". ''[[Cambridge Companions to Music|The Cambridge Companion to Berg]]'', ed. Anthony Pople, 83–110. Cambridge and New York: Cambridge University Press. {{ISBN|978-1-139-82807-9}}.}} * {{wikicite|ref={{harvid|Bailey Puffett|1996}}|reference=Bailey Puffett, Kathryn. 1996. "Webern's Row Tables". ''Webern Studies'', ed. and intro. Kathryn Bailey Puffett, 170–228. Cambridge Composer Studies. Cambridge: Cambridge University Press. {{ISBN|978-0-521-47526-6}} (hbk).}} * {{wikicite|ref={{harvid|Bailey Puffett|1991}}|reference=Bailey Puffett, Kathryn. 1991. ''The Twelve-Note Music of Anton Webern: Old Forms in a New Language''. Music in the Twentieth Century. Cambridge and New York: Cambridge University Press. {{ISBN|978-0-521-39088-0}} (hbk). {{ISBN|978-0-521-54796-3}} (pbk).}} * {{wikicite|ref={{harvid|Bailey Puffett and Schingnitz|2020}}|reference=Bailey Puffett, Kathryn and Barbara Schingnitz. 2020. ''Three Men of Letters: Arnold Schönberg, Alban Berg and Anton Webern, 1906-1921'', pref. and trans. Kathryn Bailey Puffett and Barbara Schingnitz. Vienna: [[Hollitzer]]. {{ISBN|978-3-99012-777-3}}.}} * {{wikicite|ref={{harvid|Baragwanath|1999}}|reference=Baragwanath, Nicholas. 1999. "Alban Berg, Richard Wagner, and Leitmotivs of Symmetry." ''[[19th-century Music]]'' 23(1):62–83.}} * {{wikicite|ref={{harvid|Ballance|2023}}|reference=Ballance, Joshua. "[https://web.archive.org/web/20231116094959/https://ora.ox.ac.uk/objects/uuid:f15f3beb-db25-49d8-aac4-0cab6eee4786/download_file?file_format=application%2Fpdf&safe_filename=Ballance_2023_A_computational_corpus.pdf&type_of_work=Thesis A Computational Corpus Study of Harmony in the Music of Anton Webern]". PhD diss. Oxford: University of Oxford. 2023.}} * {{wikicite|ref={{harvid|Baranello|2021}}|reference=Baranello, Micaela. 2021. ''The Operetta Empire: Music Theater in Early Twentieth-Century Vienna''. Oakland: University of California Press. {{ISBN|978-0-520-97654-2}} (ebk). {{ISBN|978-0-520-37912-1}} (hbk).}} * {{wikicite|ref={{harvid|Barker|2004}}|reference=Barker, Paul. 2004. ''Composing for Voice: A Guide for Composers, Singers, and Teachers''. New York: Routledge. Reprinted 2014. {{ISBN|978-1-136-72337-7}}.}} * {{wikicite|ref={{harvid|Barthel-Calvet and Murray|2023}}|reference=Barthel-Calvet, Anne-Sylvie and Christopher Brent Murray. 2023. "Revisiting the Old Stories of New Music". Introduction: ''Revisiting the Historiography of Postwar Avant-Garde Music'', eds. Anne-Sylvie Barthel-Calvet and Christopher Brent Murray, 1–12. Oxford: Routledge. {{ISBN|978-1-315-10816-2}} (ebk). {{ISBN|978-1-138-09120-7}} (hbk). {{ISBN|978-1-032-31004-6}} (pbk). {{doi|10.4324/9781315108162-1}}.}} * {{wikicite|ref={{harvid|Batstone|2023}}|reference=Batstone, Leah. 2023. ''Mahler's [[Nietzsche]]: Politics and Philosophy in the ''{{lang|de|[[Des Knaben Wunderhorn (Mahler)|Wunderhorn]]}}'' Symphonies''. Woodbridge: Boydell. {{ISBN|978-1-83765-001-9}} (ePDF). {{ISBN|978-1-83765-001-9}} (hbk).}} * {{wikicite|ref={{harvid|Beller|2006}}|reference=Beller, Steven. 2006. 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New Brunswick and London: Transaction Publishers. {{ISBN|978-0-7658-0970-4}} (pbk).}} * {{wikicite|ref={{harvid|Berry|2008}}|reference=Berry, Mark. 2008. "Arnold Schoenberg's 'Biblical Way': From 'Die Jakobsleiter' to 'Moses und Aron'." ''[[Music & Letters]]'' 89(1):84–108.}} * {{wikicite|ref={{harvid|Berry|2014}}|reference=Berry, Mark. 2014. "Arnold Schoenberg's 'Biblical Way': Towards ''Moses und Aron''". In ''After Wagner: Histories of Modernist Music Drama from ''Parsifal'' to Nono'', 64–98. Woodbridge: Boydell. {{ISBN|978-1-84383-968-2}} (hbk). Revision of "Arnold Schoenberg's 'Biblical Way': From 'Die Jakobsleiter' to 'Moses und Aron'." ''Music & Letters'' 89(1):84–108.}} * {{wikicite|ref={{harvid|Berry|2019}}|reference=Berry, Mark. 2019. ''Arnold Schoenberg''. Critical Lives Series. London: [[Reaktion Books]]. {{ISBN|978-1-78914-087-3}} (pbk).}} * {{wikicite|ref={{harvid|Bolcom|2004}}|reference=[[William Bolcom|Bolcom, William]]. 2004. "The End of the Mannerist Century." In ''[[iarchive:pleasureofmodern0000unse|The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, Part I. Reception & Politics]],'' ed. Arved Mark Ashby, 46–53. Rochester: University of Rochester Press. {{ISBN|978-1-58046-143-6}}.}} * {{wikicite|ref={{harvid|Bolcom|2016}}|reference=Bolcom, William. 2016. "[https://web.archive.org/web/20220515070416/https://williambolcom.com/blogs/in-the-media/posts/the-end-of-the-mannerist-century The End of the Mannerist Century, Appendix: Correspondence between Anthony Stadlen (nephew of Peter Stadlen) and William Bolcom, Feb. 2012]". William Bolcom's blog (3 March 2016, accessed 18 Jan. 2023).}} * {{wikicite|ref={{harvid|Bols|2020}}|reference=Bols, Ingrid M. 2020. "[https://web.archive.org/web/20240210202400/https://theses.gla.ac.uk/82165/7/2020BolsPhD.pdf Programming choices and national culture: the repertoires and canons of French and British Symphony Orchestras (1967–2019)]". PhD diss. Glasgow: University of Glasgow. {{doi|10.5525/gla.thesis.82165}}.}} * {{wikicite|ref={{harvid|Born|1995}}|reference=[[Georgina Born|Born, Georgina]]. 1995. ''Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde''. Berkeley: University of California Press. {{ISBN| 978-0-520-08507-7}} (hbk).}} * {{wikicite|ref={{harvid|Boss|2015}}|reference=Boss, Jack. 2015. "[https://web.archive.org/web/20240523045639/https://mtosmt.org/issues/mto.15.21.3/mto.15.21.3.boss.html 'Away With Motivic Working?' Not So Fast: Motivic Processes in Schoenberg's Op. 11, No. 3]". ''[[Music Theory Online]]'' 21(3).}} * {{wikicite|ref={{harvid|Botstein|2010}}|reference=Botstein, Leon. 2010. "Alban Berg and the Memory of Modernism." In ''Alban Berg and His World'', ed. Christopher Hailey, 299–344. Princeton: Princeton University Press. {{ISBN|978-0-691-14855-7}} (hbk). {{ISBN|978-0-691-14856-4}} (pbk).}} * {{wikicite|ref={{harvid|Brand and Hailey|1987}}|reference=Brand, Juliane and Christopher Hailey. 1987. Translators' Preface. ''[https://archive.org/details/bergschoenbergco0000berg The Berg–Schoenberg Correspondence: Selected Letters]'' [with [[annotation]]s], eds. and intros. Donald Harris, Juliane Brand, and Christopher Hailey, xviii–xxiv. London: The Macmillan Press Ltd. {{ISBN|978-1-349-09829-3}} (ebk). {{ISBN|978-1-349-09831-6}} (hbk).}} * {{wikicite|ref={{harvid|Bregegere|2014}}|reference=Bregegere, Andre. 2014. "L'harmonie revée: An Analysis of Henri Pousseur's ''Votre Faust'' and ''Les litanies d'Icare''". PhD diss. New York: City University of New York.}} * {{wikicite|ref={{harvid|Bremser|1999}}|reference=Bremser, Martha. 1999. ''Fifty Contemporary Choreographers'', intro. [[Deborah Jowitt]]. London and New York: Routledge. First edition. {{ISBN|978-0-203-97797-2}} (ebook). {{ISBN|978-0-415-10363-3}} (hbk). {{ISBN|978-0-415-10364-0}} (pbk).}} * {{wikicite|ref={{harvid|Brinkmann|2000}}|reference=[[Reinhold Brinkmann|Brinkmann, Reinhold]]. 2000. "Schoenberg's Quartets and the Viennese Tradition." In ''[https://archive.org/details/musicofmyfutures0000unse/ Music of My Future: The Schoenberg Quartets and Trio]'', eds. Reinhold Brinkmann and [[Christoph Wolff]], 9-12. Cambridge: Harvard University Press. {{ISBN|978-0-9640317-1-5}}.}} * {{wikicite|ref={{harvid|Broué|1971}}|reference=[[Pierre Broué|Broué, Pierre]]. 1971. ''The German Revolution 1917–1923'', trans. John Archer, eds. [[Ian Birchall]] and [[Brian Pearce]], intro. [[Eric D. Weitz]]. Vol. 5, [[Historical Materialism]] Series. Reprinted, Chicago: [[Haymarket Books]]. 2006. {{ISBN|978-1-931859-32-5}} (pbk).}} * {{wikicite|ref={{harvid|Brown|2014}}|reference=Brown, Julie. 2014. ''Schoenberg and Redemption''. New Perspectives in Music History and Criticism Series, gen. eds. [[Jeffrey Kallberg]], [[Anthony Newcomb]], and [[American Musicological Society#List of presidents|Ruth Solie]]. Cambridge: Cambridge University Press. {{ISBN|978-0-521-55035-2}} (hbk).}} * {{wikicite|ref={{harvid|Brown|2011}}|reference=Brown, Julie. 2011. "Understanding Schoenberg as Christ". ''The Oxford Handbook of the New Cultural History of Music'', ed. Jane F. Fulcher, 117–162. Oxford: Oxford University Press. {{ISBN|978-0-199-35409-2}}.}} * {{wikicite|ref={{harvid|Brown|1998}}|reference=Brown, Julie. 1998. "[Review:] Anne C. Shreffler's ''Webern and the Lyric Impulse: Songs and Fragments on Poems of Georg Trakl'' and Kathryn Bailey's ''Webern Studies''". ''Music and Letters'' 79(1):144–150. {{doi|10.1093/ml/79.1.144}}.}} * {{wikicite|ref={{harvid|Broyles|2004}}|reference=Broyles, Michael. 2004. ''Mavericks and Other Traditions in American Music''. 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''[https://web.archive.org/web/20210414083237/https://portal2.ntua.edu.tw/~gspa/Stephanie-webpage/personal_intro/Webern's%20Reception%20in%20the%20Post-War%20Era.htm Webern's Reception in the Post-War Era]''. Self-published on author's web page (accessed 4 July 2018).}} * {{wikicite|ref={{harvid|Christensen|1979}}|reference=Christensen, Jean Marie. 1979. "Arnold Schoenberg's Oratorio ''Die Jakobsleiter''." PhD diss. Los Angeles: University of California Los Angeles.}} * {{wikicite|ref={{harvid|Clark|2001}}|reference=Clark, Duncan. 2001. "Anton Webern." In ''Classical Music: The Rough Guide'', ed. Joe Staines, 572–575. Rough Guides. London: Rough Guides Ltd. {{ISBN|978-1-85828-721-8}}.}} * {{wikicite|ref={{harvid|Clements|2022}}|reference=Clements, Andrew. 2022. "[https://web.archive.org/web/20220924162315/https://www.theguardian.com/music/2022/jan/06/the-complete-music-of-anton-webern-review-hugely-influential-recordings-of-jewel-like-works The Complete Music of Anton Webern review – hugely influential recordings of jewel-like works]". The Guardian.com (6 Jan., accessed 18 Sept. 2022).}} * {{wikicite|ref={{harvid|Cook and Pople|2004}}|reference=[[Nicholas Cook|Cook, Nicholas]] and [[Anthony Pople]], eds. 2004. "The Cambridge History of Twentieth-Century Music". The Cambridge History of Music. Cambridge: Cambridge University Press. {{ISBN|978-0-52166-256-7}}.}} * {{wikicite|ref={{harvid|Cook|2017}}|reference=[[Nicholas Cook|Cook, Nicholas]]. 2017. "Inventing Tradition: Webern's Piano Variations in Early Recordings". ''[[Music Analysis (journal)|Music Analysis]]'' 36:163–215. {{doi|10.1111/musa.12094}}.}} * {{wikicite|ref={{harvid|Cox|2011}}|reference=[[Franklin Cox|Cox, Franklin]]. 2011. [https://web.archive.org/web/20221219215709/http://www.searchnewmusic.org/cox_review.pdf "Review: Richard Taruskin's ''The Oxford History of Western Music'', Part 1"]. ''SEARCH: Journal for New Music and Culture'', 9 (Winter 2012)}} * {{wikicite|ref={{harvid|Crawford and Crawford|1989}}|reference=Crawford, John C. and Dorothy L. Crawford. 1993. ''[https://archive.org/details/expressionismint0000craw Expressionism in Twentieth-Century Music]''. Bloomington: Indiana University Press. {{ISBN|978-0-25-331473-4}} (hbk).}} * {{wikicite|ref={{harvid|Crawford and Khuner|1996}}|reference=Crawford, Caroline and [[Felix Khuner]]. 1996. ''[https://web.archive.org/web/20240414224447/https://digitalassets.lib.berkeley.edu/rohoia/ucb/text/violinistsjourn00khunrich.pdf Felix Khuner: A Violinist's Journey from Vienna's Kolisch Quartet to the San Francisco Symphony and Opera Orchestras]'', intro. Tom Heimberg. [[Regional Oral History Office]], [[The Bancroft Library]]. 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