Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Warp Records
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== ''Artificial Intelligence'' and intelligent dance music === [[File:Aphex Twin 2.jpg|thumb|[[Richard D. James]] (Aphex Twin) has been described as the most important Warp artist.]] In 1992, Warp released ''[[Artificial Intelligence (compilation album)|Artificial Intelligence]]'', a compilation of tracks by artists such as [[Aphex Twin]] (under the name Dice Man), [[Autechre]], [[B12 (band)|B12]] (Musicology), [[Plaid (band)|Plaid]], [[The Black Dog (band)|the Black Dog]] (AO) and [[Richie Hawtin]] (Fuse).<ref name="Birke-2007" /> Unlike other electronic music of the time, the music was intended to be listened to at home rather than in clubs.<ref name="Birke-2007" /><ref name="Trask-1993" /> ''[[The Guardian]]'' wrote that it "announced techno as music for the mind as well as the feet".<ref name="Cardew-2017">{{cite news |last=Cardew |first=Ben |date=3 July 2017 |title=Machines of loving grace: how ''Artificial Intelligence'' helped techno grow up |url=https://www.theguardian.com/music/2017/jul/03/artificial-intelligence-compilation-album-warp-records-idm-intelligent-dance-music |access-date=13 April 2025 |work=[[The Guardian]] |issn=0261-3077}}</ref> Though Warp proposed the term "electronic listening music", ''Artificial Intelligence'' popularised a genre that instead became known as electronica or [[intelligent dance music]] (IDM).<ref name="Anniss-2019" /><ref name="Cardew-2017" /><ref name="Richardson-2005">{{cite web |last=Richardson |first=Mark |date=25 August 2005 |title=Various Artists: ''Artificial Intelligence'' / ''Artificial Intelligence II'' |url=https://pitchfork.com/reviews/albums/11714-artificial-intelligence-artificial-intelligence-ii/ |access-date=17 April 2025 |website=[[Pitchfork (website)|Pitchfork]] }}</ref> Though the IDM term was criticised as denigrating other forms of dance music, it endured.<ref name="Davies-2018">{{cite web |last=Davies |first=Sam |date=1 August 2018 |title=The IDM List gave intelligent dance music its name and geeky legacy |url=https://www.vice.com/en/article/idm-list-25-year-anniversary-warp-hyperreal-2018/ |access-date=18 April 2025 |website=[[Vice (website)|Vice]] }}</ref><ref name="Cardew-2017" /> ''Artificial Intelligence'' is credited for introducing electronic music to rock listeners, particularly in the US,<ref name="Simpson-2009" /> and helped launch the careers of Aphex Twin, Autechre and Hawtin.<ref name="Cardew-2017" /> Warp continued to prioritise albums, with releases by acts including Aphex Twin, Kirk, [[Squarepusher]], [[Seefeel]], the Black Dog, Autechre, Sabres of Paradise and B12.<ref name="Anniss-2019" /><ref>{{cite news |last=Amin |first=Tayyab |date=31 January 2020 |title=Squarepusher: Be Up a Hello review β devilish, danceable return |url=https://www.theguardian.com/music/2020/jan/31/squarepusher-be-up-a-hello-review-warp-records |access-date=27 April 2025 |work=[[The Guardian]] |issn=0261-3077}}</ref> Warp released ''[[Artificial Intelligence II]]'' in 1994, accompanied by an hour-long music video, ''Warp Motion'', created by the Sheffield artist Phil Wolstenholme and released on [[VHS]] and [[LaserDisc]]. ''Resident Advisor'' described the video as "a pioneering attempt to mix music and cutting-edge 3D computer animation".<ref name="Anniss-2019" />[[File:Mira Calix.jpg|thumb|261x261px|The Warp press officer, Chantal Passamonte (pictured in 2016), also released music as [[Mira Calix]].]]''[[The Independent]]'' described Aphex Twin as Warp's most important artist, creating its "creative commercial core", as [[the Smiths]] had done for [[Rough Trade Records|Rough Trade]] and [[Arctic Monkeys]] later did for [[Domino Recording Company|Domino]].<ref name="The Independent" /> Though Aphex Twin also released work through [[Rephlex Records]], Warp released his most successful releases, ''[[Richard D. James Album]]'' (1996) and the singles "[[Come to Daddy (song)|Come to Daddy]]" (1997) and "[[Windowlicker]]" (1999).<ref name="The Independent" /> In 1996, Chantal Passamonte, who also worked as Warp's press officer, became the first female Warp artist with her debut EP, ''Ilanga'', released under the name [[Mira Calix]].<ref name="Anniss-2019" /> Passamonte was critical of the gender imbalance, but said it came from "a lack of women putting themselves forward and a lack of opportunity" rather than hostility at Warp.<ref name="Davies-2018" /> In 1998, Warp signed the electronic duo [[Boards of Canada]], whose debut album, [[Music Has the Right to Children|''Music Has the Right'' ''to Children'']], released that year, became a defining album in British music.<ref name="Birke-2007" />
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Warp Records
(section)
Add topic