Editing Postmodern music (section)

==References==
{{reflist|15em}}

===Sources===
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* {{wikicite|ref={{harvid|Adorno|2002}}|reference=[[Theodor W. Adorno|Adorno, Theodor W.]] 2002. "On The Fetish-Character in Music and the Regression of Listening". In his ''Essays on Music'', selected, with introductions, commentary, and notes by Richard Leppert; new translations by Susan H. Gillespie. Berkeley, 288–317. Los Angeles, and London: University of California Press. {{ISBN|0-520-22672-0}}.}}
* {{wikicite|ref={{harvid|Albright|2004}}|reference=Albright, Daniel. 2004. ''Modernism and Music: An Anthology of Sources''. University of Chicago Press. {{ISBN|0-226-01267-0}}.}}
* {{cite book |last1=Beard |first1=David |last2=Gloag |first2=Kenneth |date=2005 |title=Musicology: The Key Concepts |location=New York City |publisher=Routledge |isbn=978-0415316927}}
* {{cite journal|last=Day|first=Rebecca|title='There Is No Such Thing as an Interdisciplinary Relationship': A Žižekian Critique of Postmodern Music Analysis|journal=International Journal of Žižek Studies|volume=11|number=3|date=September 2017|pages=53–74|url=http://zizekstudies.org/index.php/IJZS/article/view/1026}}
* {{wikicite|ref={{harvid|Fisher|2009}}|reference=Fisher, Mark. 2009. ''Capitalist Realism: Is There No Alternative?'' Winchester, UK, and Washington, DC: Zero Books. {{ISBN|978-1-84694-317-1}}.}}
* {{cite book|last=Harvey|first=David|author-link=David Harvey|year=1990|title=The Condition of Postmodernity|location=Oxford|publisher=Basil Blackwell|isbn=0-631-16292-5}}
* {{wikicite|ref={{harvid|Jameson|1991}}|reference=Jameson, Fredric. 1991. ''Postmodernism, or, the Cultural Logic of Late Capitalism''. Durham: Duke University Press. {{ISBN|0-8223-0929-7}} (cloth); {{ISBN|0-8223-1090-2}} (pbk).}}
* {{wikicite|ref={{harvid|Karolyi|1994}}|reference=[[Ottó Károlyi|Karolyi, Otto]]. 1994. ''Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies''. Rutherford, Madison, Teaneck: Farleigh Dickinson University Press; London and Toronto: Associated University Presses. {{ISBN|0-8386-3532-6}}.}}
* {{wikicite|ref={{harvid|Kramer|2002}}|reference=[[Jonathan Kramer|Kramer, Jonathan]]. 2002. "The Nature and Origins of Musical Postmodernism." In ''Postmodern Music/Postmodern Thought'', edited by Judy Lochhead and Joseph Aunder, 13–26. New York: Routledge. {{ISBN|0-8153-3820-1}} Reprinted from ''Current Musicology'' no. 66 (Spring 1999): 7–20.}}
* {{cite book|last=Meyer|first=Leonard B.|author-link=Leonard B. Meyer|year=1994|title=Music, the Arts, and Ideas: Patterns and Predictions in Twentieth-Century Culture|edition=2nd|location=Chicago and London|publisher=University of Chicago Press|isbn=0-226-52143-5}}
* {{wikicite|ref={{harvid|Rosenau|1992}}|reference=Rosenau, Pauline Marie. 1992. ''Post-Modernism and the Social Sciences: Insights, Inroads, and Intrusions''. Princeton: Princeton University Press. {{ISBN|0-691-08619-2}} (cloth); {{ISBN|0-691-02347-6}} (pbk).}}
* {{wikicite|ref={{harvid|Sullivan|1995}}|reference=Sullivan, Henry W. 1995. ''The Beatles with Lacan: Rock 'n' Roll as Requiem for the Modern Age''. Sociocriticism: Literature, Society and History Series 4. New York: Lang. {{ISBN|0-8204-2183-9}}.}}
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