Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Ouida
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
==Influence== The British composer [[Frederic Hymen Cowen]] and his librettists [[Gilbert Arthur à Beckett]], H. A. Rudall, and [[Frederic Edward Weatherly]] acquired the rights to Ouida's 1875 novel ''Signa'' to create an opera for [[Richard D'Oyly Carte]]'s [[Royal English Opera House]] to succeed [[Arthur Sullivan]]'s ''[[Ivanhoe (opera)|Ivanhoe]]'' in 1891. Between Cowen not being ready with his work and the collapse of Carte's venture, Cowen eventually took his finished opera ''[[Signa (opera)|Signa]]'' to Italy with an Italian translation of the original English text by G.A. Mazzucato. After many delays and production troubles, Cowen's ''Signa'' was first performed in a reduced three-act version at the [[Teatro Dal Verme]], [[Milan]] on 12 November 1893. After further revision and much cutting, it was later given in a two-act version at [[Covent Garden]], [[London]] on 30 June 1894, at which point Cowen wondered if there was any sense left in the opera at all. Ouida's impression of the work is unknown. [[Image:OUIDA memorial.jpg|thumb|Ouida Memorial, formerly a drinking fountain, in [[Bury St Edmunds]], Suffolk]] Later, [[Pietro Mascagni]] bought the rights for her story "Two Little Wooden Shoes", intending to adapt it for an opera. His friend [[Giacomo Puccini]] became interested in the story and began a court action, claiming that because Ouida was in debt, the rights to her works should be put up for public auction to raise funds for creditors. He won the court challenge and persuaded his publisher Ricordi to bid for the story. After Ricordi won, Puccini lost interest and never composed the opera. Mascagni later composed one based on the story, under the title ''[[Lodoletta]]''.<ref>{{Cite book|title=Pietro Mascagni and His Operas|last=Mallach|first=Alan|publisher=Northeastern University Press|year=2002|isbn=9781555535247|location=Boston Massachusetts|pages=211}}</ref> Spiritualist [[Helen Peters Nosworthy]] was wearing a locket containing Ouida's portrait and signature that seemed to spell out ouija during a 1890 [[seance]] in which Nosworthy asked a talking board to name itself and it responded O-U-I-J-A. Nosworthy and brother-in-law [[Elijah Bond]] were granted a patent for the [[ouija board]] the following year.<ref>{{cite web|url=https://lithub.com/out-of-the-shadows-on-the-forgotten-mothers-of-the-occult/|title=Out of the Shadows: On the Forgotten Mothers of the Occult|website=[[LitHub]]|first=Lisa|last=Kröger|author2=Melanie R. Anderson|date=31 October 2022|access-date=7 October 2023}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Ouida
(section)
Add topic