Editing Imagism (section)

==After Imagism==

In 1929, [[Walter Lowenfels]] jokingly suggested that Aldington should produce a new Imagist anthology.<ref>Aldington (1984), p. 103</ref> Aldington, by now a successful novelist, took up the suggestion and enlisted the help of Ford and H.D. The result was the ''Imagist Anthology 1930'', edited by Aldington and including all the contributors to the four earlier anthologies with the exception of Lowell, who had died, Cannell, who had disappeared, and Pound, who declined. The appearance of this anthology initiated a critical discussion of the place of the Imagists in the history of 20th-century poetry.<ref>Geiger (1956), pp. 139–147</ref>

Of the poets who were published in the various Imagist anthologies, Joyce, Lawrence and Aldington are now primarily remembered and read as novelists. Marianne Moore, who was at most a fringe member of the group, carved out a unique poetic style of her own that retained an Imagist concern with compression of language. [[William Carlos Williams]] developed his poetic along distinctly American lines with his variable [[metrical foot|foot]] and a diction he claimed was taken "from the mouths of Polish mothers".<ref>Bercovitch; Patell (1994), p. 35</ref> Both Pound and H.D. turned to long form poetry, but retained the hard edge to their language as an Imagist legacy. Most of the other members of the group are largely forgotten outside the context of Imagism.<ref>Geiger (1956), p. 139</ref>