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==Further reading== *[[Ernst Gombrich]], "Aims and Limits of Iconology." In ''Symbolic Images'' (Studies in the Art of the Renaissance, 2). London: Phaidon, 1972, pp. 1β25. *Keith Moxey, "Panofsky's Concept of ''Iconology'' and the Problem of Interpretation in the History of Art." ''New Literary History'', Vol. 17, No. 2: Interpretation and Culture (Winter 1986), pp. 265β274. *Timothy Erwin, "Modern Iconology, Postmodern Iconologies". In David B. Downing and Susan Bazargan, eds., ''Image and Ideology in Modern/Postmodern Discourse''. New York 1991, pp. 309β320. *[[Michael Hatt]] and [[Charlotte Klonk]], "Iconography - iconology: Erwin Panofsky". In ''Art History: A Critical Introduction to Its Methods''. Manchester University Press, 2006, pp. 96β119. *Paul Taylor, "Introduction." In ''Iconography without Texts''. London: Warburg Institute, 2008, pp. 1β10. *Andreas Beyer (Hrsg.): Die Lesbarkeit der Kunst: Zur Geistes-Gegenwart der Ikonologie. Wagenbach, Berlin 1992, {{ISBN|978-3-8031-5137-7}}. *Andreas Beyer: 78 Jahre danach - Bemerkungen zur Geistes-Gegenwart der Ikonologie. In: Lena Bader, Johannes Grave, Markus Rath (Eds.): Die Kunst - zur Sprache gebracht. Wagenbach, Berlin 2017, pp. 135β145, {{ISBN|978-3-8031-2784-6}}
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