Editing Harpsichord (section)

==Case==
The wooden case holds in position all of the important structural members: pinblock, soundboard, hitchpins, keyboard, and the jack action. It usually includes a solid bottom, and also internal bracing to maintain its form without warping under the tension of the strings. Cases vary greatly in weight and sturdiness: Italian harpsichords are often of light construction; heavier construction is found in the later Flemish instruments and those derived from them.

[[File:FalseInnerOuterHarpsichord.jpg|thumb|left|A false inner–outer harpsichord from the [[Deutsches Museum]] in [[Munich]]. The false inner case begins to the right of the keyboard, and continues backward only far enough to provide a slot to support the jack rail.]]
The case also gives the harpsichord its external appearance and protects the instrument. A large harpsichord is, in a sense, a piece of furniture, as it stands alone on legs and may be styled in the manner of other furniture of its place and period. Early Italian instruments, on the other hand, were so light in construction that they were treated rather like a violin: kept for storage in a protective outer case, and played after taking it out of its case and placing it on a table.<ref name="Hubbard19">{{Harvnb|Hubbard|1967|p=19}}</ref> Such tables were often quite high – until the late 18th century people usually played standing up.<ref name=Hubbard19 /> Eventually, harpsichords came to be built with just a single case, though an intermediate stage also existed: the ''false inner–outer'', which for purely aesthetic reasons was built to look as if the outer case contained an inner one, in the old style.<ref>{{Harvnb|Hubbard|1967|p=20}}</ref> Even after harpsichords became self-encased objects, they often were supported by separate stands, and some modern harpsichords have separate legs for improved portability.

Many harpsichords have a lid that can be raised, a cover for the keyboard, and a [[music stand]] for holding sheet music and scores.

Harpsichords have been decorated in a great many different ways: with plain buff paint (e.g. some Flemish instruments), with paper printed with patterns, with leather or velvet coverings, with [[chinoiserie]], or occasionally with highly elaborate painted artwork.<ref>{{Harvnb|Hubbard|1967}}, various locations</ref>{{Clarify|reason=Only occasionally? From my cursory research (limited as it may be), this seems to be common practice for the instrument.|date=September 2024}}