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=== Use in literary theory === Bourdieu's principle of habitus is interwoven with the concept of [[structuralism]] in [[literary theory]]. Peter Barry explains, "in the structuralist approach to literature there is a constant movement away from interpretation of the individual literary work and a parallel drive towards understanding the larger structures which contain them" (2009, p. 39). There is therefore a strong desire to understand the larger influencing factors which makes an individual literary work. As Bourdieu explains, habitus {{blockquote|... are structured structures, generative principles of distinct and distinctive practices - what the worker eats, and especially the way he eats it, the sport he practices and the way he practices it, his political opinions and the way he expresses them are systematically different from the industrial proprietor's corresponding activities - habitus are also structuring structures, different classifying schemes classification principles, different principles of vision and division, different tastes. Habitus make different differences; they implement distinctions between what is good and what is bad, what is right and what is wrong, between what is distinguished and what is vulgar, and so on, but they are not the same. Thus, for instance, the same behaviour or even the same good can appear distinguished to one person, pretentious to someone else, and cheap or showy to yet another.|Bourdieu, 1996}} As a result, habitus may be employed in literary theory in order to understand those larger, external structures which influence individual theories and works of literature.
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