Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Graffiti
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Medieval === The only known source of the [[Safaitic]] language, an [[Old Arabic|ancient form of Arabic]], is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern [[Syria]], eastern [[Jordan]] and northern [[Saudi Arabia]]. Safaitic dates from the first century BC to the fourth century AD.<ref>{{Cite web |last=dan |title=Ancient Arabia: Languages and Cultures—Safaitic Database Online |url=http://krc2.orient.ox.ac.uk/aalc/index.php/en/safaitic-database-online |url-status=dead |archive-url=https://web.archive.org/web/20180220033117/http://krc2.orient.ox.ac.uk/aalc/index.php/en/safaitic-database-online |archive-date=20 February 2018 |access-date=19 February 2018 |website=krc2.orient.ox.ac.uk |language=en-gb}}</ref><ref>{{Cite web |last=dan |title=The Online Corpus of the Inscriptions of Ancient North Arabia—Safaitic |url=http://krc.orient.ox.ac.uk/ociana/index.php/safaitic |url-status=dead |archive-url=https://web.archive.org/web/20180220033208/http://krc.orient.ox.ac.uk/ociana/index.php/safaitic |archive-date=20 February 2018 |access-date=19 February 2018 |website=krc.orient.ox.ac.uk |language=en-gb}}</ref> Ancient tourists visiting the 5th-century citadel at [[Sigiriya]] in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries.<ref>{{Cite book |last1=Kljun |first1=Matjaž |last2=Pucihar |first2=Klen Čopič |title=Human-Computer Interaction – INTERACT 2015 |chapter="I Was Here": Enabling Tourists to Leave Digital Graffiti or Marks on Historic Landmarks |date=2015 |editor-last=Abascal |editor-first=Julio |editor2-last=Barbosa |editor2-first=Simone |editor3-last=Fetter |editor3-first=Mirko |editor4-last=Gross |editor4-first=Tom |editor5-last=Palanque |editor5-first=Philippe |editor6-last=Winckler |editor6-first=Marco |chapter-url=https://link.springer.com/chapter/10.1007/978-3-319-22723-8_45 |series=Lecture Notes in Computer Science |volume=9299 |language=en |location=Cham |publisher=Springer International Publishing |pages=490–494 |doi=10.1007/978-3-319-22723-8_45 |isbn=978-3-319-22723-8 |issn = 0302-9743 }}</ref> Most of the graffiti refer to the frescoes of semi-nude females found there. Among the ancient political graffiti examples were [[Arab]] satirist poems. Yazid al-Himyari, an [[Umayyad]] Arab and [[Persian language|Persian]] poet, was most known for writing his political poetry on the walls between [[Sistan|Sajistan]] and [[Basra]], manifesting a strong hatred towards the [[Umayyad]] regime and its ''[[wali]]s'', and people used to read and circulate them very widely.<ref>Hussein Mroueh (1986) حسين مروّة، '''تراثنا كيف نعرفه'''، مؤسسة الأبحاث العربية، بيروت، [Our Heritage, How Do We Know It], ''Arab Research Foundation'', Beirut</ref> Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls.<ref name=green>{{cite web|url=http://www.green-man-of-cercles.org/articles/builders_marks.pdf |archive-url=https://web.archive.org/web/20070810164425/http://www.green-man-of-cercles.org/articles/builders_marks.pdf |archive-date=2007-08-10 |url-status=live |title=Tacherons on Romanesque churches}}</ref> When [[Renaissance]] artists such as [[Pinturicchio]], [[Raphael]], [[Michelangelo]], [[Domenico Ghirlandaio|Ghirlandaio]], or [[Filippino Lippi]] descended into the ruins of Nero's [[Domus Aurea]], they carved or painted their names and returned to initiate the ''[[Grotesque|grottesche]]'' style of decoration.<ref name="archeology">British Archaeology, June 1999</ref><ref name="atlantic">{{cite magazine|url=https://www.theatlantic.com/issues/97apr/rome.htm |title=Underground Rome |magazine=[[The Atlantic Monthly]] |date=April 1997}}</ref> <gallery mode="packed" caption="Ancient graffiti"> File:Graffiti 4.JPG|Graffiti from the {{ill|Museum of Ancient Graffiti|fr|Maison du graffiti ancien}}, France File:Jesus graffito.jpg|Satirical [[Alexamenos graffito]], possibly the earliest known [[Depiction of Jesus|representation of Jesus]] File:AncientgrafS.jpg|Graffiti, [[Church of the Holy Sepulchre]], [[Jerusalem]] File:Hagia-sofia-viking.jpg|[[Vikings|Viking]] mercenary graffiti at the [[Hagia Sophia]] in [[Istanbul]], Turkey File:Sigiriya-graffiti.jpg|Graffiti on the [[Sigiriya#Mirror wall|Mirror Wall]], [[Sigiriya]], [[Sri Lanka]] </gallery>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Graffiti
(section)
Add topic