Editing Gerald Finzi (section)

==Works==
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{{See also|List of compositions by Gerald Finzi}}
Finzi’s output includes nine song cycles, six of them on the poems of Thomas Hardy. The first of these, ''[[By Footpath and Stile]]'' (1922), is for voice and string quartet; the others, including ''A Young Man’s Exhortation'' and ''[[Earth and Air and Rain]]'', for voice and piano. Among his other songs, the settings of [[William Shakespeare|Shakespeare]] poems in the cycle ''[[Let Us Garlands Bring (Finzi)|Let Us Garlands Bring]]'' (1942) are the best known. He also wrote incidental music to Shakespeare’s ''[[Love’s Labour’s Lost]]'' (1946). For voice and orchestra he composed the above-mentioned ''Dies natalis'', and the pacifist ''Farewell to Arms'' (1944).

Finzi’s choral music includes the popular anthems ''[[Lo, the full, final sacrifice]]'' and ''God is gone up'' as well as unaccompanied partsongs, but he also wrote larger-scale choral works such as ''For St. Cecilia'' (text by [[Edmund Blunden]]), ''[[Intimations of Immortality (Finzi)|Intimations of Immortality]]'' ([[William Wordsworth]]) and the Christmas scene ''In terra pax'' ([[Robert Bridges]] and the [[Gospel of Luke]]), all from the last ten years of his life.

The number of Finzi’s purely instrumental works is small even though he took great pains over them in the early part of his career. He began what is believed to have been intended as a piano concerto. This was never finished or given a title, but after his death his publisher gave two of the individual movements names and published them as the separate works ''Eclogue'' and ''Grand Fantasia and Toccata''. The latter demonstrates Finzi’s admiration for [[Johann Sebastian Bach]] as well as the Swiss-American composer [[Ernest Bloch]]. He also completed a violin concerto which was performed in London under the baton of Vaughan Williams, but was not satisfied with it and withdrew the two outer movements; the surviving middle movement is called ''Introit''. This concerto thus received only its second performance in 1999 and its first recording is now on Chandos. Finzi's Clarinet Concerto and his Cello Concerto are possibly his most famous and frequently performed instrumental works, with recordings of these works done by clarinetist John Denman and a young [[Yo-Yo Ma]].

Of Finzi's few chamber works, only the ''Five Bagatelles'' for clarinet and piano, published in 1945, have survived in the regular repertoire. The Prelude and Fugue for string trio (1938) is his only piece for string chamber ensemble. It was written as a tribute to R O Morris, and shares the austere and melancholy mood of his teacher's music.<ref>[http://www.musicweb-international.com/classrev/2021/May/Kings-alchemist-WHR067.htm 'British String Trios', reviewed at ''MusicWeb International'']</ref>

Finzi had a long-standing friendship with the composer [[Howard Ferguson (composer)|Howard Ferguson]] who, as well as offering advice on his works during his life, helped with the editing of several of Finzi's posthumous works.