Editing Franz Marc (section)

==Style==
[[Image:Franz Marc 005.jpg|thumb|right|Die großen blauen Pferde, ''[[Blue Horses|The Large Blue Horses]]'' (1911)]]
Marc made some sixty prints in [[woodcut]] and [[lithography]]. Most of his mature work portrays animals,<ref name="coop">{{cite book |last=Cooper |first=Philip |title=Cubism |location=London |publisher=Phaidon |year=1995 |page=98 |isbn=0714832502 }}</ref> usually in natural settings. His work is characterized by bright primary color, an almost cubist portrayal of animals, stark simplicity and a profound sense of emotion. Even in his own time, his work attracted notice in influential circles. Marc gave an emotional meaning or purpose to the colors he used in his work: blue was used to portray masculinity and spirituality, yellow represented feminine joy, and red encased the sound of violence.

One of Marc's best-known paintings is ''Tierschicksale'' (''Animal Destinies'' or ''[[Fate of the Animals]]''), which hangs in the [[Kunstmuseum Basel]]. Marc had completed the work in 1913, when "the tension of impending cataclysm had pervaded society", as one art historian noted.<ref name="kleiner">{{cite book|last=Kleiner|first=Fred S.|title=Gardner's Art Through the Ages|title-link=Gardner's Art Through the Ages|year=2008|page=916 <!-- Edition not identified -->}}</ref> On the back of the canvas, Marc wrote, "Und Alles Sein ist flammend Leid" ("And all being is flaming agony").<ref name="kleiner" /><ref name="roo94">{{cite book|last=Rookmaaker|first=Hendrik Roelof|title=Modern Art and the Death of a Culture|year=1994|page=136|author-link=Hans Rookmaaker}}</ref> Serving in World War I, Marc wrote to his wife about the painting, "[it] is like a premonition of this war{{snd}}horrible and shattering. I can hardly conceive that I painted it."<ref>{{cite book |last1=Kleiner |first1=Fred |title=Gardner's Art Through the Ages Vol II |date=2015 |publisher=Cengage |isbn=9781285839394 |page=888 |edition=15th}}</ref>