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==References== * Guignery, Vanessa (2006). ''The Fiction of Julian Barnes. A reader's guide to essential criticism''. Basingstoke: Palgrave Macmillan. * Henke, Christoph (2003). "Remembering Selves, Constructing Selves: Memory and Identity in Contemporary British Fiction". ''Journal for the Study of British Cultures'' '''10(1)''', 77β100. * "He's turned towards Python". (30 August 1998). [https://www.theguardian.com/books/1998/aug/30/fiction.julianbarnes ''The Observer'']. * Holmes, Frederick M. (2009). ''Julian Barnes''. Basingstoke: Palgrave Macmillan. * Korte, Barbara (2002). "Julian Barnes' ''England, England'': Tourism as a Critique of Postmodernism". In H. Berghoff, C. Harvie, B. Korte, & R. Schneider (Eds.), ''The Making of Modern Tourism: The Cultural History of the British Experience, 1600β2000'', pp. 285β303. Houndmills: Palgrave Macmillan. * Mergenthal, Silvia (2003). ''A Fast-Forward Version of England. Constructions of Englishness in Contemporary Fiction''. Heidelberg: Winter. * NΓΌnning, Vera (2001). "The Invention of Cultural Traditions: The Construction and Deconstruction of Englishness and Authenticity in Julian Barnes' ''England, England''". 1β28. The article is [https://web.archive.org/web/20121021001316/http://www.julianbarnes.com/docs/nunning.pdf available] on Julian Barnes' website.
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