Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Dialogue
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
===Modern period=== Two French writers of eminence borrowed the title of Lucian's most famous collection; both [[Bernard le Bovier de Fontenelle|Fontenelle]] (1683) and [[François Fénelon|Fénelon]] (1712) prepared ''Dialogues des morts'' ("Dialogues of the Dead").{{sfn|Gosse|1911}} Contemporaneously, in 1688, the French philosopher [[Nicolas Malebranche]] published his ''Dialogues on [[Metaphysics]] and Religion'', thus contributing to the genre's revival in philosophic circles. In English non-dramatic literature the dialogue did not see extensive use until [[George Berkeley|Berkeley]] employed it, in 1713, for his treatise, ''[[Three Dialogues between Hylas and Philonous]]''.<ref name="gosse"/> His contemporary, the Scottish philosopher [[David Hume]] wrote ''Dialogues Concerning Natural Religion.'' A prominent 19th-century example of literary dialogue was [[Walter Savage Landor|Landor]]'s ''[[Imaginary Conversations]]'' (1821–1828).<ref>{{Cite book|chapter=Walter Savage Landor|title=English Prose of the Nineteenth Century|page=215|chapter-url=https://books.google.com/books?id=eWWX3INTw78C&pg=PA215|first1=Hardin|last1=Craig|first2=Joseph M.|last2=Thomas|year=1929}}</ref> In Germany, [[Christoph Martin Wieland|Wieland]] adopted this form for several important satirical works published between 1780 and 1799. In Spanish literature, the ''Dialogues'' of [[Juan de Valdés|Valdés]] (1528) and those on ''Painting'' (1633) by [[Vincenzo Carducci]] are celebrated. Italian writers of collections of dialogues, following Plato's example, include [[Torquato Tasso]] (1586), [[Galileo Galilei|Galileo]] (1632), [[Ferdinando Galiani|Galiani]] (1770), [[Giacomo Leopardi|Leopardi]] (1825), and a host of others.<ref name="gosse"/> In the 19th century, the French returned to the original application of dialogue. The inventions of "[[Sibylle Gabrielle Marie Antoinette Riqueti de Mirabeau|Gyp]]", of [[Henri Léon Emile Lavedan|Henri Lavedan]], and of others, which tell a mundane [[anecdote]] wittily and maliciously in conversation, would probably present a close analogy to the lost mimes of the early Sicilian poets. English writers including [[F. Anstey|Anstey Guthrie]] also adopted the form, but these dialogues seem to have found less of a popular following among the English than their counterparts written by French authors.<ref name="gosse"/> The [[Platonic dialogue]], as a distinct genre which features Socrates as a speaker and one or more interlocutors discussing some philosophical question, experienced something of a rebirth in the 20th century. Authors who have recently employed it include [[George Santayana]], in his eminent ''Dialogues in Limbo'' (1926, 2nd ed. 1948; this work also includes such historical figures as [[Alcibiades]], [[Aristippus]], [[Avicenna]], [[Democritus]], and [[Dionysius the Younger]] as speakers). Also [[Edith Stein]] and [[Iris Murdoch]] used the dialogue form. Stein imagined a dialogue between [[Edmund Husserl]] (phenomenologist) and [[Thomas Aquinas]] (metaphysical realist). {{Anchor|Murdoch}}Murdoch included not only Socrates and Alcibiades as interlocutors in her work ''Acastos: Two Platonic Dialogues'' (1986), but featured a young Plato himself as well.<ref>{{Cite book|title=Iris Murdoch and the Art of Imagining |first=Marije|last=Altorf |publisher=Bloomsbury Academic|year=2008 |isbn=9780826497574|url=https://books.google.com/books?id=02QhAQAAIAAJ|page=92 }}</ref> More recently [[Timothy Williamson]] wrote ''Tetralogue'', a philosophical exchange on a train between four people with radically different [[Epistemology|epistemological]] views. In the 20th century, philosophical treatments of dialogue emerged from thinkers including [[Mikhail Bakhtin]], [[Paulo Freire]], [[Martin Buber]], and [[David Bohm]]. Although diverging in many details, these thinkers have proposed a holistic concept of dialogue.<ref>{{Cite book|title=The Promise of Dialogue: The dialogic turn in the production and communication of knowledge|year=2011|url=https://books.google.com/books?id=b9ZwM1XEI4IC&pg=PA26|first=Louise|last=Phillips|isbn=9789027210296|pages=25–26|publisher=John Benjamins }}</ref> Educators such as Freire and [[Ramón Flecha]] have also developed a body of theory and techniques for using [[egalitarian dialogue]] as a pedagogical tool.<ref>{{Cite book|first=Ramón|last=Flecha|year=2000|title=Sharing Words: Theory and Practice of Dialogic Learning|location=Lanham, MD|publisher=Rowman and Littlefield}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Dialogue
(section)
Add topic