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===1920s Berlin=== {{main|1920s Berlin}} {{see also|Roaring twenties|Weimar culture}} This "''fertile culture''" of [[Berlin]] extended onwards until [[Adolf Hitler]] rose to power in early 1933 and stamped out any and all resistance to the [[Nazi Party]]. Likewise, the German far-right decried Berlin as a haven of degeneracy. A new culture had developed in and around Berlin throughout the previous decade, including architecture and design ([[Bauhaus]], 1919–33), a variety of literature ([[Alfred Döblin|Döblin]], ''[[Berlin Alexanderplatz]]'', 1929), film ([[Fritz Lang|Lang]], ''[[Metropolis (1927 film)|Metropolis]]'', 1927, [[Marlene Dietrich|Dietrich]], ''[[The Blue Angel|Der blaue Engel]]'', 1930), painting ([[George Grosz|Grosz]]), and music ([[Bertolt Brecht|Brecht]] and [[Kurt Weill|Weill]], ''[[The Threepenny Opera]]'', 1928), criticism ([[Walter Benjamin|Benjamin]]), philosophy/psychology ([[Carl Jung|Jung]]), and fashion.{{Citation needed|date=April 2008}} This culture was considered decadent and disruptive by [[Right-wing politics|rightists]].<ref>Kirkus UK review of Laqueur, Walter ''Weimar: A Cultural History, 1918–1933.''</ref> [[Cinema of Germany|Film]] was making huge technical and artistic strides during this period of time in Berlin, and gave rise to the influential movement called [[German expressionist cinema|German Expressionism]]. "[[Talkies]]", the sound films, were also becoming more popular with the general public across Europe, and Berlin was producing very many of them. Berlin in the 1920s also proved to be a haven for English-language writers such as [[W. H. Auden]], [[Stephen Spender]] and [[Christopher Isherwood]], who wrote a series of 'Berlin novels', inspiring the play ''[[I Am a Camera]]'', which was later adapted into a musical, ''[[Cabaret (musical)|Cabaret]]'', and an [[Academy Award]] winning [[Cabaret (1972 film)|film of the same name]]. Spender's semi-autobiographical novel ''[[The Temple (Stephen Spender)|The Temple]]'' evokes the attitude and atmosphere of the place at the time.
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