Editing Carl Czerny (section)

===Teacher and composer===
{{For LMST|Carl|Czerny}}
[[File:CZERNY´S PUPIL LISZT PLAYS FOR BEETHOVEN.jpg|thumb|Czerny introduces his pupil Franz Liszt to Beethoven. Drawing by Rudolf Lipus (1893–1961).]]
At the age of fifteen, Czerny began a very successful teaching career. Basing his method on the teaching of Beethoven, [[Muzio Clementi]] and [[Johann Nepomuk Hummel]], Czerny taught up to twelve lessons a day in the homes of Viennese nobility.<ref>Walker (1989), p. 72.</ref> His 'star' pupils included [[Theodor Döhler]], [[Stephen Heller]], [[Anna Sick]],<ref>{{Cite book |last=Cohen |first=Aaron I. |url=https://books.google.com/books?id=5VsYAAAAIAAJ&q=strantz+louise |title=International Encyclopedia of Women Composers |date=1987 |publisher=Books & Music (USA) |isbn=978-0-9617485-2-4 |language=en}}</ref>  and [[Anna Caroline Oury|Ninette de Belleville]].<ref>Mitchell (1980), p. 139.</ref> In 1819, the father of [[Franz Liszt]] brought his son to Czerny, who recalled:<blockquote>He was a pale, sickly-looking child, who, while playing, swayed about on the stool as if drunk...His playing was... irregular, untidy, confused, and...he threw his fingers quite arbitrarily all over the keyboard.  But that notwithstanding, I was astonished at the talent Nature had bestowed upon him.<ref>Cited in Walker (1989), p. 67.</ref></blockquote> Liszt became Czerny's most famous pupil. He trained the child with the works of Mozart, Beethoven, Clementi, [[Ignaz Moscheles]] and [[Johann Sebastian Bach]]. The Liszt family lived in the same street in Vienna as Czerny, who was so impressed by the boy that he taught him free of charge. Liszt was later to repay this confidence by introducing the music of Czerny at many of his Paris recitals.<ref>Walker (1989), pp. 72–73.</ref> Shortly before Liszt's Vienna concert of 13 April 1823 (his final concert of that season), Czerny arranged, with some difficulty (as Beethoven increasingly disliked child prodigies) the introduction of Liszt to Beethoven. Beethoven was sufficiently impressed with the young Liszt to give him a kiss on the forehead.<ref>Walker (1989), pp. 83–84.</ref> Liszt remained close to Czerny, and in 1852 his ''[[Transcendental Études|Études d'exécution transcendante]]'' were published with a dedication to Czerny.<ref>Rowland (1998), p. 165.</ref>

Czerny left Vienna only to make trips to Italy, France (in 1837, when he was assisted by Liszt)<ref>Walker (1989), p. 73.</ref> and England. After 1840, Czerny devoted himself exclusively to composition. He wrote a large number of piano solo exercises for the development of the pianistic technique, designed to cover from the first lessons for children up to the needs of the most advanced virtuoso. (see [[List of compositions by Carl Czerny]]).