Editing Bill Bissett (section)

==Further reading==
*Bayard, Caroline. (1986). "Bill Bissett: Subversion et poesie concrete." Etudes Litteraires vol. 19 no. 2, 81-108.
*Coupal, Michel. (1993). "Quelques aspects de l'identite culturelle canadienne dans l'oeuvre de Bill Bissett." Annales du Centre de Recherches sur l'Amerique No. 18, 47-54, 360. {{ISSN|0399-0443}}
*David, Jack. (1977). "Visual Poetry in Canada: Birney, Bissett, and bp." Studies in Canadian Literature vol. 2, 252-66.
*Early, Len. (1976). "Bill Bissett: Poetics, Politics & Vision." Essays on Canadian Writing vol. 4, 4-24.
*Enright, Robert. (1997). "Composition by feeled the visual art of bill bissett." Capilano Review series 2 no. 23, 105-7.
*[[Maylon, Carol]]. (1997). "we ar always on th 401: the use of fiction in bissett's poems." Capilano Review series 2 vol. 23, 113-6.
*Pew, Jeff, and Roxborough, Stephen (editors). (2006). ''radiant danse uv being: A Poetic Portrait of bill bissett''. Nightwood Editions. {{ISBN|0-88971-210-7}}
*Precosky, Don. (1990). "Bill Bissett: Controversies and Definitions." Canadian Poetry: Studies, Documents, Reviews vol. 27, 15-29.
*Precosky, Don. (1994). "Self selected/selected self: bill bissett's Beyond Even Faithful Legends." Canadian Poetry: Studies, Documents, Reviews vol. 34, 57-78.
*Twigg, Allan.  "bissett, bill" on [[BC Bookworld]].
*Wershler-Henry, Darren. (1997). "Vertical excess: what fuckan theory and bill bissett's concrete poetics." Capilano Review series 2 no. 23, 117-24.
* John Barton and Billeh Nickerson (editors). ''Seminal: The Anthology of Canada's Gay Male Poets''. Arsenal Pulp Press. {{ISBN|978-1-55152-217-3}}