Editing Plautus (section)

==References==
{{refbegin|2}}
*Anderson, W. S. ''Barbarian Play: Plautus' Roman Comedy'' (Toronto, 1993).
*Anderson, W.S. "The Roman Transformation of Greek Domestic Comedy," ''The Classical World'' 88.3 (1995), pp.&nbsp;171–180.
*Andrews, N.E. "Tragic Re-Presentation and the Semantics of Space in Plautus," ''[[Mnemosyne (journal)|Mnemosyne]]'' 57.4 (2004), pp.&nbsp;445–464.
*Arnott, W. G. "A Note on the Parallels between Menander's 'Dyskolos' and Plautus' 'Aulularia," ''Phoenix'' 18.3 (1964), pp.&nbsp;232–237.
*Baldwin, T.W. The Compositional Genetics of The Comedy of Errors. (Urbana 1965), pp.&nbsp;200–209.
* {{cite journal|journal=Didaskalia|title=The Delayed Feast: the Festival Context of Plautus' ''Pseudolus''|author1-first=Laura|author1-last=Banducci|volume=8|issue=30|year=2011|url=https://www.didaskalia.net/issues/8/30/}}
*Barber, C.L. "Shakespearian Comedy in the Comedy of Errors," ''College English'' 25.7(1964), pp.&nbsp;493–497.
*Beede, G.L. "Proverbial Expressions in Plautus," ''The Classical Journal'' 44.6(1949), pp.&nbsp;357–362.
*Bieber, M. ''The History of the Greek and Roman Theater''. (Princeton 1961.).
*Bradner, L. "The First Cambridge Production of Miles Gloriosus," ''Modern Language Notes'' 70.6 (1965), pp.&nbsp;400–403.
*Brown, PG. "Actors and Actor – Managers at Rome in the Time of Plautus and Terence," in ''Greek and Roman Actors: Aspects of an Ancient Profession''. Ed. P. Easterling and E. Hall. (Cambridge 2002.).
*Castellani, V. "Plautus Versus Komoidia: Popular Farce at Rome," in ''Farce'', Ed. J. Redmond (Cambridge and New York, 1988), pp.&nbsp;53–82.
*Christenson, D. ''Plautus' Amphitruo''. (Cambridge 2000).
*Christenson, D. "Grotesque Realism in Plautus' Amphitruo," ''Classical Journal'' 96.3 (2001), pp.&nbsp;243–60.
*Cole, H.W. "The Influence of Plautus and Terence Upon the Stonyhurst Pageants," ''Modern Language Notes'' 38 (1923), pp.&nbsp;393–399.
*Cole, S.V. "Plautus Up-to-Date." ''The Classical Journal'' 16 (1921), pp.&nbsp;399–409.
*Coleman, R.G.G. "Poetic Diction, Poetic Discourse and the Poetic Register," in ''Aspects of the Language of Latin Poetry''. Ed. J.N. Adams & R.G. Mayer. (Oxford and New York 1999), pp.&nbsp;21–96.
*Connors, C. "Monkey Business: Imitation, Authenticity, and Identity from Pithekoussai to Plautus," ''Classical Antiquity'' 23.2 (2004), pp.&nbsp;179–207.
*Conte, G.B. ''Latin Literature: A History''. (Baltimore 1994).
*Dorey, T.A. and Dudley, D.R. (eds.) ''Roman Drama'', (New York, 1965).
*Draper, J.W. "Falstaff and the Plautine Parasite," ''The Classical Journal'' 33 (1938), pp.&nbsp;390–401.
*Duckworth, G.E. "The Unnamed Characters in the Plays of Plautus," ''Classical Philology'' 33.2 (1938), pp.&nbsp;167–282.
*Echols, E.C. "The Quid-Greeting in Plautus and Terence," ''The Classical Journal'' 45.4(1950), pp.&nbsp;188–190.
*Fantham, E. "The Curculio of Plautus: An Illustration of Plautine Methods in Adaptation," ''The Classical Quarterly'' 15.1 (1965), pp.&nbsp;84–100.
*Fontaine, M. ''Funny Words in Plautine Comedy''. Oxford: Oxford University Press, 2010.''[https://books.google.com/books?id=SFPUvjlSUIsC]''
* Fortson IV, Benjamin W. ''Language and rhythm in Plautus: Synchronic and diachronic studies'' (Berlin; New York: Walter de Gruyter, 2008) (Sozomena / Studies in the Recovery of Ancient Texts; 3).
*Goldberg, S.M. "Plautus on the Palatine," ''The Journal of Roman Studies'' 88 (1998), pp.&nbsp;1–20.
*Goldberg, S.M. "Act to Action in Plautus' Bacchides," ''Classical Philology'' 85.3 (1990), pp.&nbsp;191–201.
*{{not a typo|Halporn}}, J. "Roman Comedy and Greek Models," in ''Theater and Society in the Classical World,'' ed. Ruth Scodel (Ann Arbor, 1993), pp.&nbsp;191–213.
*Hammond, M., A.M. Mack, W. Moskalew. "Introduction: The Stage and Production," in ''Miles Gloriosus''. Ed. M. Hammond, A. Mack, W. Moskalew. (London and Cambridge 1997 repr.), pp.&nbsp;15–29.
*Hanson, J.A. ''Roman Theater – Temples'' (Princeton 1959).
*Harsh, P.W. "Position of Archaic Forms in the Verse of Plautus," ''Classical Philology'' 35.2(1940), pp.&nbsp;126–142.
*Harsh, P.W. "The Intriguing Slave in Greek Comedy," ''Transactions and Proceedings of the American Philological Association'' 86 (1955), pp.&nbsp;135 –142.
*Hodgman, A.W. "Adjectival Forms in Plautus," ''The Classical Review'' 16.9(1902), pp.&nbsp;446–452.
*Hodgman, A.W. "Adverbial Forms in Plautus," ''The Classical Review'' 17.6(1903), pp.&nbsp;296–303.
*Hodgman, A.W. "Noun Declension in Plautus," ''The Classical Review'' 16.6(1902), pp.&nbsp;294–305.
*Hodgman, A.W. "Verb Forms in Plautus (continued)," ''The Classical Quarterly'' 1.2(1907), pp.&nbsp;97–134.
*Hodgman, A.W. "Verb Forms in Plautus," ''The Classical Quarterly'' 1.1(1907), pp.&nbsp;42–52.
*Hoffmann, M.E. "Conversation Openings in the Comedies of Plautus," in ''Latin Linguistics and Linguistic Theory: Proceedings of the First International Colloquium on Latin Linguistics''. Ed. H. Pinkster. (Amsterdam 1981), pp.&nbsp;217–226.
*Hough, J.N. "The Development of Plautus' Art," ''Classical Philology'' 30.1(1935), pp.&nbsp;43–57.
*Hough, J.N. "The Reverse Comic Foil in Plautus," ''The American Philological Association'' 73 (1942), pp.&nbsp;108–118.
*Jocelyn, H.D. "Gods, Cult, and Cultic Language in Plautus' Epidicus," in ''Studien zu Plautus' Epidicus''. Ed. U. Auhagen. (Tübingen 2001), pp.&nbsp;261–296.
*Juniper, W.H. "Character Portrayals in Plautus," ''The Classical Journal'' 31 (1936), pp.&nbsp;276–288.
*Krauss, Amanda Neill ''[Untaming the Shrew: Marriage, Morality and Plautine Comedy]'' 2004 [https://web.archive.org/web/20120406122849/https://www.lib.utexas.edu/etd/d/2004/kraussa03348/kraussa03348.pdf] [http://dspace2.lib.utexas.edu/handle/2152/1396]{{Dead link|date=May 2020 |bot=InternetArchiveBot |fix-attempted=yes }}
*Lindsay, W.M. ''The Syntax of Plautus''. (London 2002 repr.).
*Lloyd, R. F. "Two Prologues: Menander and Plautus," ''The American Journal of Philology'' 84.2 (1963), pp.&nbsp;146–161.
*Lowe, J. C. B. "The Virgo Callida of Plautus, Persa," ''The Classical Quarterly'' 39.2(1989), pp.&nbsp;390–399
*Lowe, J.C.B. "Aspects of Plautus' Originality in the Asinaria," ''The Classical Quarterly'' 42 (1992), pp.&nbsp;152–175.
*MacCary, W. T.; Willcock, M. M. (1976) ''[https://books.google.com/books?id=rQuCrzn3-f8C Plautus' Casina]''. Cambridge University Press {{ISBN|0-521-29022-8}}
*Marples, M. "Plautus," ''Greece & Rome'' 8.22 (1938), pp.&nbsp;1–7.
*McCarthy, K. ''Slaves, Masters, and the Art of Authority in Plautine Comedy''. (Princeton 2000).
*Moore, T. J. ''Theater of Plautus: Playing to the Audience''. (Austin 1998).
*Moore, T.J. "Palliata Togata: Plautus, Curculio 462-86," ''The American Journal of Philology'' 112.3 (1991), pp.&nbsp;343–362.
*Moore, T.J. "Seats and Social Status in the Plautine Theater," ''The Classical Journal'' 90.2 (1995), pp.&nbsp;113–123.
*Nyman, M.A. "Where Does Latin Sum Come From?," ''Language'' 53.1(1977), pp.&nbsp;39–60.
*Owens, W. M. "The Third Deception in Bacchides: Fides and Plautus' Originality," ''The American Journal of Philology'' 115 (1994), pp.&nbsp;381–407.
*Packman, Z.M. "Feminine Role Designations in the Comedies of Plautus," ''The American Journal of Philology'' 120.2 (1999), pp.&nbsp;245–258.
*Prescott, H.W. "Criteria of Originality in Plautus," ''Transactions and Proceedings of the American Philological Association'' 63 (1932), pp.&nbsp;103–125.
*Rosivach, V.J. "Plautine Stage Settings," ''Transactions and Proceedings of the American Philological Association'' 101 (1970), pp.&nbsp;445–461.
*Rudd, N. ''The Classical Tradition in Operation''. (Toronto 1994), pp.&nbsp;32–60.
*Ryder, K.C. "The 'Senex Amator' in Plautus," ''Greece & Rome'' 31.2 (1984), pp.&nbsp;181–189.
*Seaman, W.M. "The Understanding of Greek by Plautus' Audience," ''Classical Journal'' 50 (1954), pp.&nbsp;115–119.
*Sedgwick, W.B. "The History of a Latin Comedy," ''The Review of English Studies'' 3.11 (1927), 346–349.
*Segal, E. ''Roman Laughter: The Comedy of Plautus''. (Cambridge 1968).
*Slater, N.W. ''Plautus In Performance: The Theatre of the Mind''. (Princeton 1985).
*Stace, C. "The Slaves of Plautus," ''Greece & Rome'' 15 (1968), pp.&nbsp;64–77.
*Sutton, D. F. ''Ancient Comedy: The War of the Generations'' (New York 1993).
*Waite, S. "Word Position in Plautus: Interplay of Verse Ictus and Word Stress," in ''The Computer in Literary and Linguistic Studies''. Ed. A. Jones & R.F. Churchhouse. (Cardiff 1976), pp.&nbsp;92–105.
*Watt, H. A. "Plautus and Shakespeare: Further Comments on Menaechmi and The Comedy of Errors." ''The Classical Journal'' 20 (1925), pp.&nbsp;401–407.
*Wiles, D. "Recent Critical Approaches to Plautus," in Farce. Ed. J. Redmond. (Cambridge 1988), pp.&nbsp;261–272.
*Wymer, R. "Shakespeare and the Mystery Cycles," ''English Literary Renaissance'' 34.3 (2004), pp.&nbsp;265–285.
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