Editing Music theory (section)

==Further reading==
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* {{cite book |authorlink1=Willi Apel |last1=Apel |first1=Willi |first2=Ralph T. |last2=Daniel |year=1960 |title=The Harvard Brief Dictionary of Music |location=New York |publisher=Simon & Schuster Inc. |isbn=0-671-73747-3}}
* [[Aristoxenus]] (1902). ''Aristoxenou Harmonika stoicheia: The Harmonics of Aristoxenus'', Greek text edited with an English translation and notes by Henry Marcam. Oxford: The Clarendon Press.
* {{cite journal | last1=Bakkegard | first1=B. M. | last2=Morris | first2=E. A. | title=Seventh Century Flutes from Arizona | journal=Ethnomusicology | volume=5 | issue=3 | date=1961 | doi=10.2307/924518 | page=184| jstor=924518 }}
* Bakshi, Haresh (2005). ''101 Raga-s for the 21st Century and Beyond: A Music Lover's Guide to Hindustani Music''. Victoria, British Columbia: Trafford. {{ISBN|978-1412046770|978-1412231350}} (ebook).
* Baur, John (2014). ''Practical Music Theory''. Dubuque: Kendall-Hunt Publishing Company. {{ISBN|978-1-4652-1790-5}}
* Benade, Arthur H. (1960). ''Horns, Strings, and Harmony''. Science Study Series S 11. Garden City, New York: Doubleday
* [[Ian Bent|Bent, Ian D.]], and [[Anthony Pople]] (2001). "Analysis." ''[[The New Grove Dictionary of Music and Musicians]]'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan.
* Benward, Bruce, Barbara Garvey Jackson, and Bruce R. Jackson. (2000). ''Practical Beginning Theory: A Fundamentals Worktext'', 8th edition, Boston: McGraw-Hill. {{ISBN|0-697-34397-9}}. [First edition 1963]
* Benward, Bruce, and Marilyn Nadine Saker (2009). ''Music in Theory and Practice'', eighth edition, vol. 2. Boston: McGraw-Hill. {{ISBN|978-0-07-310188-0}}.
* Billmeier, Uschi (1999). ''Mamady Keïta: A Life for the Djembé – Traditional Rhythms of the Malinké'', fourth edition. Kirchhasel-Uhlstädt: Arun-Verlag. {{ISBN|978-3-935581-52-3}}.
* [[Benjamin Boretz|Boretz, Benjamin]] (1995). ''Meta-Variations: Studies in the Foundations of Musical Thought''. Red Hook, New York: Open Space.
* Both, Arnd Adje (2009). "Music Archaeology: Some Methodological and Theoretical Considerations". ''[[Yearbook for Traditional Music]]'' 41:1–11. {{JSTOR|25735475}}
* [[Albert Bregman|Bregman, Albert]] (1994). ''Auditory Scene Analysis: The Perceptual Organization of Sound''. Cambridge: MIT Press. {{ISBN|0-262-52195-4}}.
* [[Mark Brill|Brill, Mark]] (2012). "Music of the Ancient Maya: New Venues of Research". Paper presented at AMS-SW Conference Fall 2012. Texas State University{{Full citation needed|date=December 2014|reason=This appears to be published in a 'conference proceedings' of some sort, but the publication details need filling in.}}
* Brown, James Murray (1967). ''A Handbook of Musical Knowledge'', 2 vols. London: Trinity College of Music.
* {{Cite web |last=Cavanagh |first=Lynn |year=1999 |url=http://www.wam.hr/Arhiva/US/Cavanagh_440Hz.pdf |title=A Brief History of the Establishment of International Standard Pitch A=440 Hertz |url-status=dead |archive-url=https://web.archive.org/web/20090325223741/http://www.wam.hr/Arhiva/US/Cavanagh_440Hz.pdf |archive-date=25 March 2009 |ref=none}} (Accessed 1 May 2010)
* {{cite book |last1=Charry |first1=Eric |location=Chicago |title=Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa |date=2000 |publisher=University of Chicago Press |isbn=978-0-226-10161-3 |ref=none}}
* Cheong, Kong F. (2012). "A Description of the Ceramic Musical Instruments Excavated from the North Group of Pacbitun, Belize". In ''Pacbitun Regional Archaeological Project, Report on the 2011 Field Season'', edited by Terry G. Powis, 15–29. Belmopan, Belize: Institute of Archaeology.
* Chernoff, John (1981). ''African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms''. Chicago: University of Chicago Press. {{ISBN|978-0-226-10345-7}}.
* Civil, Miguel (2010). "The Lexical Texts in the Schøyen Collection". ''Cornell University Studies in Assyriology and Sumerology'' 12:203–214.
* [[Confucius]] (1999). ''The Analects of Confucius'', edited by [[Roger T. Ames]] and Henry Rosemont Jr.{{clarify|date=December 2014|reason=Surely this is in English—who translated it?}} Ballantine Books. {{ISBN|0345434072}}.
* Conrad, Nicholas J., Maria Malina, and Susanne C. Münzel (2009). "New Flutes Document the Earliest Musical Tradition in Southwestern Germany". ''[[Nature (journal)|Nature]]'' 460, no. 7256 (6 August): 737–740.
* [[Robert P. Crease|Crease, Robert P.]] (2011). ''World in the Balance: The Historic Quest for an Absolute System of Measurement''. New York, London: W. W. Norton.
* {{cite journal | last=Crickmore | first=Leon | title=A Musicological Interpretation of the Akkadan Term Siḫpu | journal=Journal of Cuneiform Studies | volume=64 | issue=1 | date=2012 | issn=0022-0256 | doi=10.5615/jcunestud.64.0057 | pages=57–64}}
* Chase, Wayne (2006). ''How Music REALLY Works!'', second edition. Vancouver, Canada: Roedy Black Publishing. {{ISBN|1-897311-55-9}} (book).
* [[Francesco d'Errico|d'Errico, Francesco]], [[Christopher Henshilwood]], Graeme Lawson, Marian Vanhaeren, Anne-Marie Tillier, Marie Soressi, Frederique Bresson, Bruno Maureille, April Nowell, Joseba Lakarra, Lucinda Backwell, Michele Julien (2003). "[http://www.eva.mpg.de/evolution/staff/soressi/pdf/Derrico-and-al2003_JWP.pdf Archaeological Evidence for the Emergence of Language, Symbolism, and Music – An Alternative Multidisciplinary Perspective]". ''Journal of World Prehistory'' 17, no. 1 (March): 1–70.
* Despopoulos, Agamemnon, and Stefan Silbernagl (2003). ''Color Atlas of Physiology'', fifth edition. New York and Stuttgart: Thieme. {{ISBN|3-13-545005-8}}.
* {{cite journal |last1=Dietrich |first1=Manfried |author1link=:de:Manfried Dietrich |first2=Oswald |last2=Loretz |author2-link=:de:Oswald Loretz |title=Kollationen zum Musiktext aus Ugarit |journal=Ugarit-Forschungen |date=1975 |volume=7 |pages=521–22 |ref=none}}
* Dunbar, Brian (2010). ''Practical Music Theory: A Guide to Music as Art, Language, and Life''. Rochester, MN: Factum Musicae. {{ISBN|978-0578062471}}.
* {{cite web |last1=Gross |first1=Clint |date=n.d. |title=Anasazi Flutes from the Broken Flute Cave |url=http://www.flutopedia.com/flute_types_north_america.htm |website=Flutopedia |publisher=Clint Gross |access-date=4 December 2014 |ref=none}}
* {{cite journal | last1=Solis | first1=R. S. | last2=Haas | first2=J. | last3=Creamer | first3=W. | title=Dating Caral, a preceramic site in the Supe Valley on the central coast of Peru | journal=Science | volume=292 | issue=5517 | date=2001-04-27 | issn=0036-8075 | pmid=11326098 | doi=10.1126/science.1059519 | pages=723–726| bibcode=2001Sci...292..723S }}
* Harnsberger, Lindsey C. (1997). "Articulation". ''Essential Dictionary of Music: Definitions, Composers, Theory, Instrument and Vocal Ranges'', second edition. The Essential Dictionary Series. Los Angeles: Alfred Publishing. {{ISBN|0-88284-728-7}}.
* {{cite book | last=Hewitt | first=Michael | title=Music Theory for Computer Musicians | publisher=Course Technology Ptr | publication-place=Boston, MA | date=2008 | isbn=978-1-59863-503-4 | oclc=185033110}}
* {{cite book |last=Houtsma |first=Adrianus JM. |chapter=Pitch perception| editor-last=Moore | editor-first=B.C.J. | title=Hearing | publisher=Elsevier Science | series=Handbook of Perception and Cognition |edition=Second| year=1995 | isbn=978-0-08-053386-5 | chapter-url=https://books.google.com/books?id=OywDx9pxCMYC&pg=PA267  | pages=267–295}}
* Huang, Xiang-peng (黄翔鹏) (1989). "Wuyang Jiahu gudi de ceyin yanjiu (舞阳贾湖骨笛的测音研究)" [Pitch Measurement Studies of Bone Flutes from Jiahu of Wuyang County]. ''Wenwu'' (文物) [Cultural Relics], no.&nbsp;1:15–17. Reprinted in 黄翔鹏文存 [Collected Essays of Huang Xiang-Peng], 2 vols, edited by Zhongguo Yishu Yanjiuyuan Yinyue Yanjiusuo (中国艺术研究院音乐研究所), 557–560. Ji'nan, China: Shandong Wenyi Chubanshe, 2007. {{ISBN|978-7-5329-2669-5}}.
* Hung, Eric (2012). "[http://www.muscan.org/en/news/job-postings/184-job-western-university-music-theory Western University, Don Wright Faculty of Music: Tenure-Track Appointment in Music Theory]". Toronto: MusCan.
* {{cite journal | last1=Jackendoff | first1=Ray |authorlink1=Ray Jackendoff| last2=Lerdahl | first2=Fred |authorlink2=Fred Lerdahl| title=Generative Music Theory and Its Relation to Psychology | journal=Journal of Music Theory | publisher=[Duke University Press, Yale University Department of Music] | volume=25 | issue=1 | year=1981 | issn=0022-2909 | jstor=843466 | pages=45–90 | url=http://www.jstor.org/stable/843466 }}
* Josephs, Jess L. (1967). ''The Physics of Musical Sound''. Princeton, Toronto, and London: D. Van Nostrand Company.
* [[Stefan Kostka|Kostka, Stefan]], and Dorothy Payne (2004). ''Tonal Harmony'', fifth edition. New York: McGraw-Hill.
* [[Gerhard Kubik|Kubik, Gerhard]] (1998). ''Kalimba—Nsansi—Mbira. Lamellophone in Afrika''. Berlin: Museum fur Volkerkunde. {{ISBN|3886094391}}.
* [[Emmanuel Laroche|Laroche, Emmanuel]] (1955). ''Le palais royal d' Ugarit 3: Textes accadiens et hourrites des archives est, ouest et centrales''. Paris: C. Klincksieck
* Lawn, Richard J., and Jeffrey L. Hellmer (1996). ''Jazz Theory and Practice''. [n.p.]: Alfred Publishing Co. {{ISBN|0-88284-722-8}}.
* Lee, Yuan-Yuan, and Sin-Yan Shen (1999). ''Chinese Musical Instruments''. Chinese Music Monograph Series. Chicago: Chinese Music Society of North America Press. {{ISBN|1880464039}}.
* [[Fred Lerdahl|Lerdahl, Fred]] (2001). ''Tonal Pitch Space''. Oxford: Oxford University Press.
* Lloyd, Llewellyn S., and Hugh Boyle (1978). ''Intervals, Scales and Temperaments''. New York: St. Martin's Press. {{ISBN|0-312-42533-3}}.
* Lu, Liancheng (2005). "The Eastern Zhou and the Growth of Regionalism". In ''The Formation of Chinese Civilization'', edited by [[Sarah Allan]], 203–248. New Haven and London: Yale University Press. {{ISBN|978-0-300-09382-7}}.
* [[Alfred Mann (musicologist)|Mann, Alfred]], J. Kenneth Wilson, and Peter Urquhart. n.d. "Canon (i)." ''[[Grove Music Online]]''. Oxford Music Online (Accessed 2 January 2011) {{subscription required}}.
* {{cite book |last=Mazzola |first=Guerino |title=Gruppen und Kategorien in der Musik: Entwurf einer mathematischen Musiktheorie |url=https://books.google.com/books?id=ktPuAAAAMAAJ |access-date=26 February 2012 |year=1985 |publisher=Heldermann |isbn=978-3-88538-210-2 |ref=none}}
* {{cite book |last1=Mazzola |first1=Guerino |author2=Daniel Muzzulini |title=Geometrie der Töne: Elemente der mathematischen Musiktheorie |url=https://books.google.com/books?id=LOkDNQAACAAJ |access-date=26 February 2012 |year=1990 |publisher=Birkhäuser |isbn=978-3-7643-2353-0 |ref=none}}
* {{cite book |last1=Mazzola |first1=Guerino |author2=Stefan Göller |author3=Stefan Müller |title=The Topos of Music: Geometric Logic of Concepts, Theory, and Performance, Vol. 1 |url=https://books.google.com/books?id=6I9U9-Rls8oC |access-date=26 February 2012 |year=2002 |location=Basel, Boston, and Berlin |publisher=Birkhäuser |isbn=978-3-7643-5731-3 |ref=none}}
* {{cite book |last=Muni |first=Bharata |author-link=Bharata Muni |title=[[Natya Shastra]] |date=1951 |publisher=Asiatic Society of Bengal |location=Calcutta |ref=none}} ([https://archive.org/stream/NatyaShastra/natya_shastra_translation_volume_2_-_bharat_muni#page/n19/mode/2up Text at archive.org])
* Miguel, Roig-Francoli (2011). ''Harmony in Context'', Second edition, McGraw-Hill Higher Education. {{ISBN|0073137944}}.
* {{cite journal | last1=Mirelman | first1=Sam | last2=Krispijn | first2=Theo J. H. | title=The Old Babylonian tuning text UET VI/3 899 | journal=Iraq | publisher=Cambridge University Press (CUP) | volume=71 | year=2009 | issn=0021-0889 | doi=10.1017/s0021088900000735 | pages=43–52| url=https://eprints.soas.ac.uk/30430/2/old_babylonian_tuning_text_uet_vi3_899_1.pdf }}
* Nave, R. (n.d.). "[http://hyperphysics.phy-astr.gsu.edu/hbase/sound/maxsens.html Frequencies for Maximum Sensitivity of Human Hearing]", Hyperphysics website, Georgia State University (accessed 5 December 2014).
* [[Steve Olson|Olson, Steve]] (2011). "[http://paw.princeton.edu/issues/2011/02/09/pages/6550/index.xml A Grand Unified Theory of Music]". ''Princeton Alumni Weekly'' 111, no. 7 (9 February) (Online edition accessed 25 September 2012).
* {{Cite book |last=Olson |first=Harry F. |author-link=Harry F. Olson |year=1967 |title=Music, Physics and Engineering |place=New York |publisher=Dover Publications |isbn=978-0-486-21769-7 |url=https://archive.org/details/musicphysicsengi0000olso |url-access=registration |ref=none}}
* Owen, Harold (2000). ''Music Theory Resource Book''. Oxford University Press. {{ISBN|0-19-511539-2}}.
* [[Ptolemy]] (1999). ''Harmonics'', translation and commentary by Jon Solomon. Mnemosyne, bibliotheca classica Batava: Supplementum 203. Leiden and Boston: Brill Academic Publications. {{ISBN|9004115919}}.
* [[Don Michael Randel|Randel, Don Michael]] (ed.) (2003). ''The Harvard Dictionary of Music'', fourth edition, 260–262. Cambridge: The Belknap Press for Harvard University Press. {{ISBN|978-0674011632}} {{Full citation needed|date=December 2014|reason=It is customary to cite dictionaries by article title. What is the subject found on pages 260–262?}}
* {{cite journal |last1=Ross |first1=John |title=First City in the New World? |journal=[[Smithsonian (magazine)|Smithsonian]] |date=August 2002 |volume=33 |issue=5 |pages=56–63 |ref=none}}
* {{cite journal |editor1-last=Schaeffer |editor1-first=Claude |editor2-last=Nougayrol |editor2-first=Jean |title=Documents en langue houritte provenent de Ras Shamra |journal=Ugaritica 5: Nouveaux Textes Accadiens, Hourrites et Ugaritiques des Archives et Bibliothèques Privées d'Ugarit |pages=462–496 |publisher=Bibliothèque archéologique et historique / Institut français d'archéologie de Beyrouth 80 |location=Paris |date=n.d. |ref=none}}
* [[Carl Seashore|Seashore, Carl]] (1933). ''Approaches to the Science of Music and Speech''. Iowa City: The university.
* {{cite book | last=Seashore | first=C.E. | title=Psychology of Music | publisher=Dover Publications | series=Dover books on music | year=1967 | isbn=978-0-486-21851-9 | url=https://books.google.com/books?id=p9gUknYfpjYC }}
* {{cite book |last1=Shiloah |first1=Amnon |title=Music in the World of Islam: A Socio-Cultural Study |date=2003 |location=Detroit |publisher=Wayne State University Press |isbn=978-0814329702 |ref=none}}
* Sorce, Richard (1995). ''Music Theory for the Music Professional''. [N.p.]: Ardsley House. {{ISBN|1-880157-20-9}}.
* Stevens, S. S., J. Volkmann, and E. B. Newman (1937). "A Scale for the Measurement of the Psychological Magnitude Pitch". ''[[Journal of the Acoustical Society of America]]'' 8, no. 3:185–190.
* [[Richard Taruskin|Taruskin, Richard]] (2009). ''Music from the Earliest Notations to the Sixteenth Century: The [[Oxford History of Western Music]].'' Oxford University Press {{ISBN|0195384814}}.
* Taylor, Eric (1989). ''AB Guide to Music Theory, Part 1''. London: Associated Board of the Royal Schools of Music. {{ISBN|1-85472-446-0}}.
* Taylor, Eric (1991). ''AB Guide to Music Theory, Part 2''. London: Associated Board of the Royal Schools of Music. {{ISBN|1-85472-447-9}}.
* Thrasher, Alan (2000). ''Chinese Musical Instruments''. London and New York: Oxford University Press. {{ISBN|0-19-590777-9}}.
* [[Hugh Tracey|Tracey, Hugh]] (1969). "The Mbira Class of African Instruments in Rhodesia". ''African Music Society Journal'' 4, no.&nbsp;3:78–95.
* [[Dmitri Tymoczko|Tymoczko, Dmitri]] (2011). ''A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice''. Oxford Studies in Music Theory. Oxford and New York: Oxford University Press. {{ISBN|978-0195336672}}.
* [[Martin Litchfield West|West, Martin Litchfield]] (1994). "The Babylonian Musical Notation and the Hurrian Melodic Texts". ''[[Music & Letters]]'' 75, no. 2 (May): 161–179
* Wu, Zhao (吴钊) (1991). "Jiahu guiling gudi yu Zhongguo yinyue wenming zhi yuan (贾湖龟铃骨笛与中国音乐文明之源)" [The relation of Jiahu bone flutes and turtle shell shakers to the origin of Chinese music]. ''Wenwu'' (文物) [Cultural Relics], no.&nbsp;3: 50–55.
* Wu, Zhongzian, and Karin Taylor Wu (2014). ''Heavenly Stems and Earthly Branches: Tian Gan Dizhi, The Heart of Chinese Wisdom Traditions''. London and Philadelphia: Singing Dragon (Jessica Kingsley Publishers).
* Yamaguchi, Masaya (2006). ''The Complete Thesaurus of Musical Scales'', revised edition. New York: Masaya Music Services. {{ISBN|0-9676353-0-6}}.
* {{cite journal | last1=Zhang | first1=Juzhong | last2=Harbottle | first2=Garman | last3=Wang | first3=Changsui | last4=Kong | first4=Zhaochen | title=Oldest playable musical instruments found at Jiahu early Neolithic site in China | journal=Nature | publisher=Springer Science and Business Media LLC | volume=401 | issue=6751 | date=1999-09-23 | issn=0028-0836 | doi=10.1038/43865 | pages=366–368 | pmid=16862110 |url=http://www.nature.com/nature/journal/v401/n6751/pdf/401366a0.pdf}}
* {{cite journal | last1=Juzhong | first1=Zhang | last2=Kuen | first2=Lee Yun | title=The Magic Flutes. | journal=Natural History | publisher=American Museum of natural history | volume=114 | issue=7 | date=2005 | issn=0028-0712 | pages=43–47 }}
* {{cite journal | last1=Zhang | first1=Juzhong | last2=Xiao | first2=Xinghua | last3=Lee | first3=Yun Kuen | title=The early development of music. Analysis of the Jiahu bone flutes | journal=Antiquity | publisher=Cambridge University Press (CUP) | volume=78 | issue=302 | year=2004 | issn=0003-598X | doi=10.1017/s0003598x00113432 | pages=769–778 |url=https://www.cambridge.org/core/services/aop-cambridge-core/content/view/B3F09EEC1AFB5D16C96C0DF8301BC877/S0003598X00113432a.pdf/the-early-development-of-music-analysis-of-the-jiahu-bone-flutes.pdf}}
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