Editing Johannes Brahms (section)

== Further reading ==
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* <!-- {{wikicite|ref={{harvid|Adler|1984}}|reference= -->[[Guido Adler|Adler, Guido]]. 1933. "Weiheblatt zum 100. Geburtstag des Johannes Brahms: Wirken, Wesen, und Stellung. Mitgliedes unserer leitenden Kommission." ''Studien zur Musikwissenschaft (Wien)''. 20:6–27. Reprinted in 1933, "[https://iiif.lib.harvard.edu/manifests/view/drs:473503836$627i Johannes Brahms: Wirken, Wesen, und Stellung]. Gedenkblatt zum 100. Geburtstag gewidmet ihrem Mitgliede von der leitenden Kommission der ''[[Denkmäler der Tonkunst in Österreich]]''". Wien: Universal Edition. Trans. in 1933 by [[Oliver Strunk|W. Oliver Strunk]], "Johannes Brahms: His Achievement, His Personality, and His Position". ''[[The Musical Quarterly]]''. 19(2):113–142. {{doi|10.1093/mq/XIX.2.113}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Beaudoin|2024}}|reference= -->[[Richard Beaudoin|Beaudoin, Richard]]. 2024. ''Sounds as They Are: The Unwritten Music in Classical Recordings''. Oxford Studies in Music Theory, gen. ed. Steven Rings. Oxford: Oxford University Press. {{ISBN|978-0-19-765930-4}} (ebk). {{ISBN|978-0-19-765928-1}} (hbk). {{doi|10.1093/ oso/ 9780197659281.001.0001}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Brown|2003}}|reference= -->Brown, A. Peter. 2003. ''The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvořák, Mahler, and Selected Contemporaries''. Vol. 4, The Symphonic Repertoire. Bloomington: Indiana University Press. {{ISBN|978-0-253-33488-6}} (hbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Brown|1999}}|reference= -->Brown, Clive. 2000. ''Classical & Romantic Performing Practice 1750–1900'', fwd. [[Roger Norrington]]. Reprinted 2002, Oxford: Oxford University Press. {{ISBN|978-0-19-816165-3}} (hbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Burkholder|1984}}|reference= -->[[J. Peter Burkholder|Burkholder, J. Peter]]. 1984. "Brahms and Twentieth-Century Classical Music". ''[[19th-century Music]]''. 8(1):75–83. {{doi|10.2307/746255}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Dingle|2019}}|reference= -->Dingle, Christopher, ed. et al. 2019. ''The Cambridge History of Music Criticism''. The Cambridge History of Music. Cambridge: Cambridge University Press. {{ISBN|978-1-107-03789-2}} (hbk). {{doi|10.1017/9781139795425}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Fink|1993}}|reference= -->Fink, Robert. 1993. "[https://web.archive.org/web/20240330125605/https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-2-No.-1-Fink-Robert-Desire-Repression-Brahmss-First-Symphony.pdf Desire, Repression & Brahms's First Symphony]". ''repercussions''. 2(1):75–103. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Floros|2012}}|reference= -->[[Constantin Floros|Floros, Constantin]]. 2012. ''Humanism, Love and Music'', trans. Ernest Bernhardt-Kabisch from the original German. Frankfurt am Main: Peter Lang. {{ISBN|978-3-653-04219-1}} (ebk). {{ISBN|978-3-631-63044-0}} (hbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Frisch|1993}}|reference= -->Frisch, Walter. 1993. ''The Early Works of Arnold Schoenberg, 1893–1908''. Berkeley and Los Angeles: University of California Press. {{ISBN|978-0-520-07819-2}} (hbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Frisch|2005}}|reference= -->Frisch, Walter. 2005. ''German Modernism: Music and the Arts''. California Studies in 20th-Century Music, gen ed. [[Richard Taruskin]]. Berkeley, Los Angeles, and London: University of California Press. {{ISBN|978-0-520-24301-9}} (hbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Fuller Maitland|1911}}|reference= -->[[John Alexander Fuller Maitland|Fuller Maitland, John Alexander]]. 1911. ''[https://archive.org/details/cu31924022172716 Brahms]''. The New Library of Music Series, gen ed. [[Ernest Newman]]. New York: John Lane Co. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Grimes|2019}}|reference= -->Grimes, Nicole. 2019. ''The Poetics of Loss in Nineteenth-Century German Culture''. Cambridge: Cambridge University Press. {{ISBN|978-1-108-47449-8}} (hbk). {{doi|10.1017/9781108589758}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Grimes|2012}}|reference= -->Grimes, Nicole. 2012. "[https://escholarship.org/uc/item/6km380kg The Schoenberg/Brahms Critical Tradition Reconsidered]". ''[[Music Analysis (journal)|Music Analysis]]'' 31(2):127–175. {{doi|10.1111/j.1468-2249.2012.00342.x}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Grimes, Donovan, Marx, et al.|2013}}|reference= -->Grimes, Nicole, Siobhán Donovan, and Wolfgang Marx, eds. et al. 2013. ''Rethinking Hanslick: Music, Formalism, and Expression''. Vol. 97, Eastman Studies in Music Series, senior ed. [[Ralph P. Locke]]. Rochester: University of Rochester. {{ISBN|978-1-58046-432-1}} (hbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Hadow|1895}}|reference= -->[[William Henry Hadow|Hadow, William Henry]]. 1895. ''[https://archive.org/details/studiesinmodernm0000hado Frederick Chopin, Antonin Dvořák, and Johannes Brahms]''. Vol. 2, Studies in Modern Music. London: Seeley and Co. Reprinted, London: Kennikat Press, 1970. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Hancock|1977}}|reference= -->Hancock, Virginia. 1983. ''[https://archive.org/details/brahmsschoralcom0000hanc Brahms's choral compositions and his library of early music]''. Studies in Musicology Series (76), gen ed. {{ill|George Buelow|pt}}. Ann Arbor: UMI Research Press. Reprint of DMA thesis. Portland: University of Oregon. 1977.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Hart, Brown, et al.|2023}}|reference= -->Hart, Brian, A. Peter Brown, eds. et al. 2023. ''The Symphony in the Americas''. Vol. 5, The Symphonic Repertoire, founding ed. A. Peter Brown. Bloomington: Indiana University Press. {{ISBN|978-0-253-06754-8}} (ebk). {{ISBN|978-0-253-06753-1}} (hbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Hefling et al.|2004}}|reference= -->{{ill|Stephen Hefling|lt=Hefling, Stephen E.|de|Stephen Hefling|display=1}}, ed. et al. 2004. ''Nineteenth-Century Chamber Music''. Routledge Studies in Musical Genres, gen. ed. R. Larry Todd. Reprinted (New York: Schirmer Books, 1998). New York and London: Routledge. {{ISBN|978-0-415-96650-4}} (pbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Krummacher|1994}}|reference= -->[[Friedhelm Krummacher|Krummacher, Friedhelm]]. 1994. "Reception and Analysis: On the Brahms Quartets, Op. 51, Nos. 1 and 2". ''19th-century Music''. 18(1):24–45. {{doi|10.2307/746600}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Loges, Hamilton, et al.|2019}}|reference= -->Loges, Natasha and Katy Hamilton, eds. et al. 2019. ''Brahms in Context''. Cambridge: Cambridge University Press. {{ISBN|978-1-107-16341-6}} (hbk). {{doi|10.1017/9781316681374}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Musgrave|1979}}|reference= -->Musgrave, Michael. 1979. "[https://web.archive.org/web/20240623204656/https://kclpure.kcl.ac.uk/ws/portalfiles/portal/2929467/466685.pdf Schoenberg and Brahms: A study of Schoenberg's response to Brahms's music as revealed in his didactic writings and selected early compositions]". PhD thesis. London: King's College. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Notley|1993}}|reference= -->Notley, Margaret. 1993. "Brahms as Liberal: Genre, Style, and Politics in Late Nineteenth-Century Vienna". ''19th-century Music''. 17(2):107–123. {{doi|10.2307/746329}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Pederson|1993}}|reference= -->Pederson, Sana. 1993. "[https://web.archive.org/web/20240423060224/https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-2-No.-2-Pederson-Sanna-On-the-Task-of-the-Music-Historian.pdf On the Task of the Music Historian: The Myth of the Symphony after Beethoven]". ''repercussions''. 2(2):5–30. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Rink|2024}}|reference= -->{{ill|John Rink|lt=Rink, John|fr|John Rink|display=1}}. 2024. ''Music in Profile: Twelve Performance Studies''. Oxford: Oxford University Press. {{ISBN|978-0-19-756542-1}} (ebk). {{ISBN|978-0-19-756539-1}} (hbk). {{ISBN|978-0-19-756540-7}} (pbk). {{doi|10.1093/oso/9780197565391.001.0001}}.<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Scherzinger with Hoad|1997}}|reference= -->Scherzinger, Martin with Neville Hoad. 1997. "[https://web.archive.org/web/20240330123122/https://www.ocf.berkeley.edu/~repercus/wp-content/uploads/2011/07/repercussions-Vol.-6-No.-2-Scherzinger-Martin-with-Neville-Hoad-Anton-Webern-and-the-Concept-of-Symmetical-Inversion.pdf Anton Webern and the Concept of Symmetrical Inversion: A Reconsideration on the Terrain of Gender]". ''repercussions''. 6(2):63–147. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Schoenberg|1990}}|reference= -->[[Arnold Schoenberg|Schoenberg, Arnold]]. 1990. [https://archive.org/details/SchoenbergArnoldStructuralFunctionsOfHarmony ''Structural Functions of Harmony''], ed. [[Leonard Stein]]. Reprint from revised edition with corrections, 1969. First published 1954. London and Boston: Faber and Faber. {{ISBN|978-0-571-13000-9}} (pbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Schubert|1994}}|reference= -->[[Giselher Schubert|Schubert, Giselher]]. 1994. "Themes and Double Themes: The Problem of the Symphonic in Brahms". ''19th-century Music''. 18(1):10–23. {{doi|10.2307/746599}}. <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Taruskin|1995}}|reference= -->[[Richard Taruskin|Taruskin, Richard]]. 1995. ''Text and Act: Essays on Music and Performance''. New York and Oxford: Oxford University Press. {{ISBN|978-0-19-509437-4}} (hbk). {{ISBN|978-0-19-509458-9}} (pbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Taruskin|2009}}|reference= -->Taruskin, Richard. 2009. ''Music in the Early Twentieth Century''. The Oxford History of Western Music, Vol. 4. Rev. edition. Oxford: Oxford University Press. {{ISBN|978-0-19-538484-0}} (pbk). <!-- }} -->
* <!-- {{wikicite|ref={{harvid|Taruskin|2020}}|reference= -->Taruskin, Richard. 2020. ''Cursed Questions: On Music and Its Social Practices''. Oakland: University of California Press. {{ISBN|978-0-520-97545-3}} (ebk). {{ISBN|978-0-520-34428-0}} (hbk). {{ISBN|978-0-520-34429-7}} (pbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Todd et al.|2004}}|reference= -->Todd, R. Larry, ed. et al. 2004. ''Nineteenth-Century Piano Music''. Routledge Studies in Musical Genres, gen. ed. R. Larry Todd. Second edition. Reissued (New York: Schirmer Books, 1990). Digitally reprinted in 2006. New York and London: Routledge. {{ISBN|978-0-19-765930-4}} (ebk). {{ISBN|978-0-415-96890-4}} (pbk).<!-- }} -->
* <!-- {{wikicite|ref={{harvid|Vaillancourt|1993}}|reference= -->Vaillancourt, Michael. 1993. "Brahms's 'Sinfonie-Serenade' and the Politics of Genre". ''[[The Journal of Musicology]]''. 26(3):379–403. {{doi|10.1525/jm.2009.26.3.379
}}. <!-- }} -->
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