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====Rhythm==== [[File:Randy Weston.jpg|thumb|upright|Randy Weston]] The first [[jazz standard]] composed by a non-Latino to use an overt African {{music|time|12|8}} cross-rhythm was [[Wayne Shorter]]'s "[[Footprints (composition)|Footprints]]" (1967).<ref>"Footprints" ''Miles Smiles'' (Miles Davis). Columbia CD (1967).</ref> On the version recorded on ''Miles Smiles'' by [[Miles Davis]], the bass switches to a {{music|time|4|4}} [[tresillo (rhythm)|tresillo]] figure at 2:20. "Footprints" is not, however, a [[Latin jazz]] tune: African rhythmic structures are accessed directly by [[Ron Carter]] (bass) and [[Tony Williams (drummer)|Tony Williams]] (drums) via the rhythmic sensibilities of [[Swing (jazz performance style)|swing]]. Throughout the piece, the four beats, whether sounded or not, are maintained as the temporal referent. The following example shows the {{music|time|12|8}} and {{music|time|4|4}} forms of the bass line. The slashed noteheads indicate the main [[beat music|beats]] (not bass notes), where one ordinarily taps their foot to "keep time". : <score lang="lilypond"> { \relative c, << \new Staff << \new voice { \clef bass \time 12/8 \key c \minor \set Score.tempoHideNote = ##t \tempo 4 = 100 \stemDown \override NoteHead.style = #'cross \repeat volta 2 { es4. es es es } } \new voice { \set Score.tempoHideNote = ##t \tempo 4 = 100 \time 12/8 \stemUp \repeat volta 2 { c'4 g'8~ g c4 es4.~ es4 g,8 } \bar ":|." } >> \new Staff << \new voice { \clef bass \time 12/8 \key c \minor \set Staff.timeSignatureFraction = 4/4 \scaleDurations 3/2 { \set Score.tempoHideNote = ##t \tempo 8 = 100 \stemDown \override NoteHead.style = #'cross \repeat volta 2 { es,4 es es es } } } \new voice \relative c' { \time 12/8 \set Staff.timeSignatureFraction = 4/4 \scaleDurations 3/2 { \set Score.tempoHideNote = ##t \tempo 4 = 100 \stemUp \repeat volta 2 { c,8. g'16~ g8 c es4~ es8. g,16 } \bar ":|." } } >> >> } </score>
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