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=== 1850s dress style === [[File:1850's Dress.jpg|alt=Necklines plunged further, needing a chemisette to be worn underneath. Sleeves widened at the elbow, while bodices ended at the natural waistline. Skirts widened and were further emphasised by the addition of flounces.|left|thumb|1850s dress]] [[File:Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie MET DT717.jpg|thumb|upright|''[[The Princesse de Broglie]]'', 1851-53|alt=Princess Albert de Broglie wears a blue silk evening gown with delicate lace and ribbon trim. Her hair is covered with a sheer frill trimmed with matching blue ribbon knots. She wears a necklace, tasseled earrings and bracelets on each wrist.]] [[File:1856 Cage Crinoline.jpg|alt=1st patented cage crinoline.Fullness of the skirt is even further emphasised.|thumb|1856 cage crinoline]] A similar silhouette remained in the 1850s, while certain elements of garments changed. Necklines of day dresses dropped even lower into a V-shape, causing a need to cover the bust area with a chemisette. In contrast, evening dresses featured a [[Collar (clothing)|Bertha]], which completely exposed the shoulder area instead. Bodices began to extend over the hips, while the sleeves opened further and increased in fullness. The volume and width of the skirt continued to increase, especially during 1853, when rows of flounces were added. Nevertheless, in 1856, skirts expanded even further; creating a dome shape, due to the invention of the first [[Cage crinoline|artificial cage crinoline]]. The purpose of the crinoline was to create an artificial hourglass silhouette by accentuating the hips, and fashioning an illusion of a small waist; along with the corset. The cage crinoline was constructed by joining thin metal strips together to form a circular structure that could solely support the large width of the skirt. This was made possible by technology which allowed iron to be turned into steel, which could then be drawn into fine wires.<ref name=":3" /> Although often ridiculed by journalists and cartoonists of the time as the crinoline swelled in size, this innovation freed women from the heavy weight of petticoats and was a much more hygienic option.<ref name=":4" /> Meanwhile, the invention of synthetic dyes added new colours to garments and women experimented with gaudy and bright colours. Technological innovation of 1860s provided women with freedom and choices.<ref name=":3" />
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