Editing The Fountainhead (section)

===Peter Keating===
In contrast to the individualistic Roark, Peter Keating is a [[Conformity|conformist]] who bases his choices on what others want. Introduced to the reader as Roark's classmate in architecture school, two years ahead of him, Keating does not really want to be an architect. He loves painting, but his mother steers him toward architecture instead.<ref name="Smith290">Smith, Tara. "Unborrowed Vision: Independence and Egoism in ''The Fountainhead''". In {{harvnb|Mayhew|2006|p=290}}</ref> In this, as in all his decisions, Keating does what others expect rather than follow his personal interests. He becomes a [[social climber]], focused on improving his career and social standing using a combination of personal manipulation and conformity to popular styles.<ref name="Smith290"/><ref name = "Sciabarra">{{harvnb|Sciabarra|1995|pp=107, 109}}</ref><ref name="Gladstein41">{{harvnb|Gladstein|1999|p=41}}</ref> He follows a similar path in his private life: he chooses a loveless marriage to Dominique instead of marrying the woman he loves{{mdash}}who lacks Dominique's beauty and social connections. By middle age, Keating's career is in decline and he is unhappy with his path, but it is too late for him to change.<ref name="Gladstein62">{{harvnb|Gladstein|1999|p=62}}</ref><ref>{{harvnb|Den Uyl|1999|p=50}}</ref>

Rand did not use a specific architect as a model for Keating.<ref>Berliner, Michael S. "Howard Roark and Frank Lloyd Wright". In {{harvnb|Mayhew|2006|p=56}}</ref> Her inspiration for the character came from a neighbor she knew while working in Hollywood in the early 1930s. Rand asked this young woman to explain her goals in life. The woman's response was focused on social comparisons: The neighbor wanted her material possessions and social standing to equal or exceed those of other people. Rand created Keating as an archetype of this motivation, which she saw as the opposite of self-interest.<ref>{{harvnb|Heller|2009|p=109}}</ref>