Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Steel-string acoustic guitar
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Assembly === {{For|more details on the construction of acoustic guitars|Guitar#Construction}} The steel-string acoustic guitar evolved from the gut-string Romantic guitar, and because steel strings have higher tension, heavier construction is required overall. One innovation is a metal bar called a [[guitar#Truss rod|truss rod]], which is incorporated into the neck to strengthen it and provide adjustable counter-tension to the stress of the strings. Typically, a steel-string acoustic guitar is built with a larger soundbox than a standard classical guitar. A critical structural and tonal component of an acoustic guitar is the [[Guitar bracing|bracing]], a systems of struts glued to the inside of the back and top. Steel-string guitars use different bracing systems from classical guitars, typically using X-bracing instead of fan bracing. (Another simpler system, called ladder bracing, where the braces are all placed across the width of the instrument, is used on all types of flat-top guitars on the back.) Innovations in bracing design have emerged, notably the A-brace developed by British luthier Roger Bucknall of Fylde Guitars. Most [[luthier]]s and experienced players agree that a good solid top (as opposed to laminated or [[plywood]]) is the most important factor in the tone of the guitar. Solid backs and sides can also contribute to a pleasant sound, although laminated sides and backs are acceptable alternatives, commonly found in mid-level guitars (in the range of US$300β$1000). From the 1960s through the 1980s, "by far the most significant developments in the design and construction of acoustic guitars" were made by the [[Ovation Guitar Company]].<ref name="Denyer 1992">{{Cite book | title = The guitar handbook | first = Ralph | last = Denyer | others = Special contributors [[Isaac Guillory]] and <!-- NOT [[Alastair Crawford]] -->Alastair M. Crawford; [[Robert Fripp]] (foreword) | pages = 48 | chapter=Ovation guitars (Acoustic guitars) | isbn = 0-330-32750-X | location = London and Sydney | publisher = Pan Books | edition= Fully revised and updated | year = 1992 }}</ref> It introduced a composite ''roundback'' bowl, which replaced the square back and sides of traditional guitars; because of its engineering design, Ovation guitars could be amplified without producing the obnoxious feedback that had plagued acoustic guitars before. Ovation also pioneered with electronics, such as [[Pickup (music technology)|pickup]] systems and electronic tuners.<ref name="Denyer 1992"/><ref>* {{cite news|date=1 October 2004|title=Ovation's encore: How a host of product refinements have rekindled growth at Kaman Music's flagship guitar division|series=The Guitar Market|newspaper=[[The Music Trades]]|access-date=1 May 2012|url=http://www.highbeam.com/doc/1G1-124136480.html|archive-date=28 February 2011|archive-url=https://web.archive.org/web/20110228012553/http://www.highbeam.com/doc/1G1-124136480.html|url-status=dead}} * {{cite book|last=Carter|first=Walter|year=1996|title=The history of the Ovation guitar|editor-first=Jon|editor-last=Eiche|publisher=[[Hal Leonard Corporation]]|series=Musical Instruments Series|location=Milwaukee, Wisconsin|isbn=978-0-7935-5876-6|edition=first|pages=1β128|id=HL00330187<!-- Hal Leonard -->}} * {{Cite news|url=https://select.nytimes.com/gst/abstract.html?res=F60D15FA3A580C7B8CDDAB0994DE494D81 <!-- alternate link: http://www.nytimes.com/1996/12/08/nyregion/from-the-ratcheting-of-helicopters-to-a-guitar-s-hum.html?pagewanted=all&src=pm -->|title=From the ratcheting of helicopters to a guitar's hum|first=Valerie|last=Cruice|newspaper=[[The New York Times]]|date=December 8, 1996}} * {{cite news|date=30β31 May 1999|last=Marks|first=Brenda|title=Connecticut firm makes guitars, helicopter blades from same fiberglass|publisher=Knight Ridder/Tribune Business News|location=New Hartford, Conn.|newspaper=[[Waterbury Republican-American]]|access-date=24 April 2012|url=http://www.highbeam.com/doc/1G1-54758412.html|archive-date=23 February 2016|archive-url=https://web.archive.org/web/20160223133014/https://www.highbeam.com/doc/1G1-54758412.html|url-status=dead}}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Steel-string acoustic guitar
(section)
Add topic