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==Synopsis== ===Act I=== [[Image:Rentt.JPG|thumb|250px|right|''Rent'' at David Nederlander Theatre in Manhattan, New York City]] On Christmas Eve in Manhattan's East Village, two roommates—Mark, a filmmaker, and Roger, a rock musician—struggle to stay warm and produce their art ("Tune Up #1"). Mark's mother leaves him a voicemail wishing him a Merry Christmas and trying to comfort him since his ex-girlfriend Maureen dumped him ("Voice Mail #1"). Their friend Tom Collins, a gay anarchist professor of computer-age philosophy at New York University, calls and plans to surprise them at their apartment, but is mugged before entering. At the same time, Mark and Roger's former roommate and friend Benny, who has since become their harsh new landlord, has reneged on an earlier agreement and now demands last year's rent, before shutting down their electrical power ("Tune Up #2"). However, Mark and Roger stubbornly resolve against paying the rent, which they were promised would not be a problem ("Rent"). Meanwhile, Angel, a [[cross-dressing]] street drummer (presently out of drag), finds Collins wounded in an alley and tends to him ("You Okay Honey?") - the two are immediately attracted to each other, each learning that the other is [[HIV positive]]. It is revealed that Roger also has HIV, which he contracted from his last girlfriend, who died by [[suicide]] after learning of her diagnosis, causing Roger to fall into depression. Mark leaves the loft while Roger stays home ("Tune Up #3"), trying to compose on his guitar without success; he wishes desperately to write one last song to be remembered by before he dies ("One Song Glory"). Their neighbor Mimi, an exotic dancer and drug addict, arrives at their apartment asking for help with lighting her candle, flirting with Roger in the process; however, he is clearly hesitant to return her affections ("Light My Candle"). Meanwhile, Joanne, a lawyer and Maureen's girlfriend, receives a voicemail from her parents ("Voice Mail #2"). At last, the missing Collins enters the apartment, presenting Angel, who is now in [[drag queen|full drag]]; she amusingly shares the money she earned from killing an affluent couple's dog by loudly playing nonstop for an hour ("Today 4 U"). Mark comes home, and Benny arrives, speaking of Maureen's upcoming protest against his plans to evict the [[homeless]] from a lot where he is hoping to build a cyber arts studio. Benny offers that, if they can successfully convince Maureen to cancel the protest, then Mark and Roger can officially remain rent-free tenants. However, the two rebuff Benny's offer and he leaves ("You'll See"). Mark leaves the loft again to go help Maureen with the sound equipment for the protest, unexpectedly meeting Joanne at the stage. Initially hesitant with each other, the two eventually bond over their shared distrust of Maureen's "gaslighting" and promiscuous behavior ("Tango: Maureen"). Mark then joins Collins and Angel to film their HIV support group meeting ("Life Support"), while Mimi attempts to seduce Roger alone in his apartment ("Out Tonight"). Extremely upset by Mimi's intrusion, he demands that she leave him alone and resists any romantic feelings he may harbor for her ("Another Day"). After Mimi leaves, Roger reflects on his fear of dying an undignified death from AIDS, while the Life Support group echoes his thoughts ("Will I"). Collins, Mark, and Angel protect a homeless woman from police harassment using Mark's camera, but she chastises them, believing their intent was for Mark to make a name for himself from her situation ("On the Street"). To lighten the mood, Collins talks about his dream of escaping New York City to open a restaurant in [[Santa Fe, New Mexico|Santa Fe]] ("Santa Fe"). Soon, Mark leaves to check up on Roger; while alone, Collins and Angel confess their love for each other ("I'll Cover You"). Joanne hectically prepares for Maureen's show, trying to balance the simultaneous multiple calls ("We're Okay"). Before the performance, Roger apologizes to Mimi, inviting her to come to the protest and the dinner party his friends are having afterwards. At the same time, police, vendors, and homeless people prepare for the protest ("Christmas Bells"). Maureen performs in an avant-garde, if not over-the-top, manner, basing her piece on "[[Hey Diddle Diddle]]" ("Over the Moon"). At the post-show party at the Life Café, Benny arrives, criticizing the protest and the group's [[Bohemianism|bohemian]] lifestyle while also revealing that his wife Alison's Akita, Evita, died due to Angel's actions; Mark and his group defiantly respond by celebrating their status ("[[La Vie Bohème]]"). Mimi and Roger each discover that the other is HIV-positive and hesitantly decide to continue their relationship ("I Should Tell You"). At the end of the Act, Joanne explains that Mark and Roger's building has been padlocked and a riot has broken out; Roger and Mimi, unaware of the violence, share their first kiss. The celebration continues ("La Vie Bohème B"). ===Act II=== [[Image:Cast of Rent performing "Seasons of Love" at Broadway on Broadway, 2005.jpg|thumb|400px|left|Cast of ''Rent'' performing "Seasons of Love" at ''Broadway on Broadway'', 2005]] The cast lines up to sing together before the plot of the second act begins, affirming that one should measure life "in love" ("[[Seasons of Love]]"). On New Year's Eve, Mark, Mimi, Roger, Maureen, Joanne, Collins and Angel gather to break back into Mark and Roger's apartment which they have been locked out of. ("Happy New Year"). Once Mark, Joanne and Maureen break in through the window, a voicemail reveals that Mark's footage of the riot has earned him a job offering at a [[Tabloid journalism|tabloid]] news company called Buzzline ("Voice Mail #3"). The others finally break through the door just as Benny arrives, saying he wants to call a truce and revealing that Mimi, a former girlfriend of his, convinced him to change his mind. Mimi denies rekindling her relationship with Benny, but Roger is upset, and although they apologize to each other, Mimi goes to her drug dealer for a fix ("Happy New Year B"). Around Valentine's Day, Mark tells the audience that Roger and Mimi have been living together, Collins and Angel are nowhere to be found, and Maureen and Joanne are preparing another protest; during rehearsal, Maureen criticizes Joanne's [[controlling behavior]], while Joanne criticizes Maureen's promiscuity. They break up dramatically following an ultimatum ("[[Take Me or Leave Me]]"). Time progresses to spring ("Seasons of Love B"), where Roger and Mimi's relationship is strained by Mimi's escalating [[heroin]] usage and Roger's lasting jealousy and suspicion of Benny. Each alone, Roger and Mimi sing of love and loneliness, telling each other how they feel, as they watch Collins nurse Angel, whose health is declining due to AIDS ("Without You"). By the end of the summer, Mark continues to receive calls offering a corporate job at Buzzline ("Voice Mail #4"). A dance is performed representing all the couples' sex lives ("Contact"). At the climax of the number, the two former couples break up, and Angel suddenly dies in Collins' arms. At the funeral, the friends briefly come together to share their memories, with Collins being the last to reminisce ("I'll Cover You [Reprise]"). Mark expresses his fear of being the sole survivor when his friends eventually die of AIDS, and he finally accepts the corporate job offer ("Halloween"). Roger reveals that he is leaving for Santa Fe, which sparks an argument about commitment between him and Mimi, while Maureen and Joanne argue. Collins arrives and admonishes the entire group for fighting on the day of Angel's funeral, causing Maureen and Joanne to reconcile, but not Mimi and Roger. The group share a sad moment, knowing that between deaths and leaving, their close-knit friendships will become undone. Everyone leaves except Mark and Roger, where Mark tries to convince Roger to stay in New York. Roger, unable to handle Mimi's declining health, becomes furious with Mark and leaves. Mimi returns to say goodbye, overhearing everything Roger had said and, terrified, agrees to go to rehab, which Benny pays for ("Goodbye Love"). Collins is forcibly removed from the church for being unable to pay for Angel's funeral; Benny shows compassion by paying and offering Mark and Collins drinks. Collins accepts, causing the latter and Benny to rekindle their old friendship, but Mark turns down the offer due to work commitments. Some time later, both Mark and Roger simultaneously reach an artistic [[Epiphany (feeling)|epiphany]], as Roger finds his song in Mimi and Mark finds his film in Angel's memory; Roger decides to return to New York in time for Christmas, while Mark quits his job to devote his efforts to working on his own film ("What You Own"). The characters' parents, concerned and confused about their respective situations, leave several worried messages on their answering machines ("Voice Mail #5"). On Christmas Eve, exactly one year having passed, Mark prepares to screen his now-completed film to his friends. Roger has written his song, but apparently, Mimi is missing, and no one has seen her. Benny's wife, discovering Benny's past relationship with Mimi, has pulled him out of the East Village. The power suddenly blows and Collins enters with handfuls of cash, revealing that he reprogrammed an [[Automated teller machine|ATM]] at a grocery store to provide money to anybody with the code 'ANGEL'. Maureen and Joanne abruptly enter carrying Mimi, who had been homeless and is now weak and close to death. She begins to fade, telling Roger that she loves him ("Finale"). Roger tells her to hold on as he plays her the song he wrote for her, revealing the depth of his feelings for her ("Your Eyes"). Mimi appears to die, but abruptly awakens, claiming to have been heading into a [[near-death experience|white light]] before a vision of Angel appeared, telling her to go back and stay with Roger. The remaining friends gather together in a final moment of shared happiness and resolve to enjoy whatever time they have left with each other, affirming that there is "no day but today" ("Finale B").<ref name="Rent: No Day but Today">{{cite book | title=Rent (''no day but today'')| last=Larson| first=Jonathan| author-link=Jonathan Larson |author2=McDonnell, Evelyn |author3=Silberger, Katherine |year=1997| pages=188–189| publisher=HarperEntertainment / HarperCollins| location=New York, New York| isbn=0-688-15437-9 }}</ref>
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