Editing Post-Impressionism (section)

==Post-Impression in specific countries==
''The Advent of Modernism: Post-impressionism and North American Art, 1900-1918'' by Peter Morrin, Judith Zilczer, and [[William C. Agee]], the catalogue for an exhibition at the [[High Museum of Art]], Atlanta in 1986, gave a major overview of Post-Impressionism in [[North America]].

===Canada===
'''Canadian Post-Impressionism''' is an offshoot of Post-Impressionism.<ref name="Murray |2001 ">{{cite book |last1=Murray |first1=Joan |title=The Birth of the Modern: Post-Impressionism in Canadian Art |date=2001 |publisher=Robert McLaughlin Gallery |location=Oshawa|page=16|url=http://library.gallery.ca/search~S1?/amurray%2C+joan/amurray+joan/1%2C1%2C152%2CB/frameset&FF=amurray+joan+1943&24%2C%2C152 |access-date=25 July 2022}}</ref> In 1913, the Art Association of Montreal's Spring show included the work of [[Randolph Hewton]], [[A. Y. Jackson]] and [[John Goodwin Lyman|John Lyman]]: it was reviewed with sharp criticism by the ''Montreal Daily Witness'' and the ''Montreal Daily Star''.{{sfn|Murray |2001|pp=15-16}} Post-Impressionism was extended to include a painting by Lyman, who had studied with [[Matisse]].<ref>{{cite journal |last1=Lyman |first1=John |title=Adieux, Matisse |journal=Canadian Art |volume=12 |issue=2 (Winter 1955) |pages=44–46|url=https://search.library.utoronto.ca/details?362422&uuid=6d478491-9546-4796-affe-38705b1ad9aa |access-date=2021-01-29}}</ref>{{sfn|Murray |2001|pp=143-144}} Lyman wrote in defence of the term and defined it. He referred to the British show which he described as a great exhibition of modern art.{{sfn|Murray |2001|p=16}}

====Canadian artists and exhibitions====
A wide and diverse variety of artists are called by this name in Canada. Among them are [[James Wilson Morrice]],{{sfn|Murray |2001|p=117ff}} [[John Goodwin Lyman|John Lyman]],{{sfn|Murray |2001|pp=83-84, 143-144}} [[David Milne (artist)|David Milne]],{{sfn|Murray |2001|p=111ff}} and [[Tom Thomson]],{{sfn|Murray |2001|p=133ff}} members of the [[Group of Seven (artists)|Group of Seven]],{{sfn|Murray |2001|pp=61ff, 78ff,81ff etc.}} and [[Emily Carr]].{{sfn|Murray |2001|p=50ff}} In 2001, the [[Robert McLaughlin Gallery]] in Oshawa organized the travelling exhibition ''The Birth of the Modern: Post-Impressionism in Canada, 1900-1920''.