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== Films == * The 1971 ''Sekigun – PFLP. Sekai Sensō Sengen'', ''Red Army – PFLP: Declaration of World War'', shot on location in Lebanon, produced by [[Kōji Wakamatsu]]. Patricia Steinhoff translates its title ''Manifesto for World Revolution'' which makes perhaps more sense. A propaganda film for the Red Army sympathisers in Japan. One of the people showing the film around Japan with the producer was Mieko Toyama, a close friend of Fusako Shigenobu, who was murdered in the winter training camp massacre. * A 1999 documentary by Rabih El-Amine ''Ahmad the Japanese, Lod-Roumié-Tokyo'' tells Okamoto's story from the perspective of five major personalities that knew him in Beirut. * The 2009 Malaysian TV drama series ''Suatu Ketika... Soldadu Merah'' (Once Upon A Time... Red Soldier) is based on the [[1975 AIA building hostage crisis|1975 Kuala Lumpur attack]] of the Japanese Red Army.<ref>[https://web.archive.org/web/20100706080903/http://ecentral.my/news/story.asp?file=%2F2010%2F7%2F4%2Ftvnradio%2F6579409&sec=tvnradio ''Hostage Drama'']</ref> * In 2010, [[Fusako Shigenobu]] and [[Masao Adachi]] were featured in the documentary ''[[Children of the Revolution (documentary)|Children of the Revolution]]'', which tells the story of Shigenobu and the Japanese Red Army through the eyes of [[Mei Shigenobu]]. * In the 2010 French-German TV Film [[Carlos (TV miniseries)|''Carlos'']], members of the Japanese Red Army feature when they stormed the French Embassy in The Hague and associating with the PFLP and the German Revolutionary Cells. * The 2011 Bangladeshi film [http://www.artinfo.com/news/story/760433/complicating-the-history-of-the-left ''The Young Man Was, Part 1: United Red Army''] by visual artist [[Naeem Mohaiemen]] is about the 1977 hijacking of JAL 472 and the subsequent consequences inside Bangladesh. * A 2012 documentary by [[Philippe Grandrieux]] and Nicole Brenez ''[[Masao Adachi]]. Portrait – First episode of the collection The Beauty May Have Strengthened Our Resoluteness'', shot on location in Tokyo, tells the daily life of Adachi and his reminiscences.
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