Jump to content
Main menu
Main menu
move to sidebar
hide
Navigation
Main page
Recent changes
Random page
Help about MediaWiki
Special pages
Niidae Wiki
Search
Search
Appearance
Create account
Log in
Personal tools
Create account
Log in
Pages for logged out editors
learn more
Contributions
Talk
Editing
Dalida
(section)
Page
Discussion
English
Read
Edit
View history
Tools
Tools
move to sidebar
hide
Actions
Read
Edit
View history
General
What links here
Related changes
Page information
Appearance
move to sidebar
hide
Warning:
You are not logged in. Your IP address will be publicly visible if you make any edits. If you
log in
or
create an account
, your edits will be attributed to your username, along with other benefits.
Anti-spam check. Do
not
fill this in!
=== Relocation to Paris and decisive 421 dice game === On 25 December 1954, Dalila left Egypt for Paris.<ref>{{cite web|url=http://www.linternaute.com/paris/sortir/dossier/dalida-une-vie/2.shtml|title=Dalida, une vie parisienne -|website=www.linternaute.com}}</ref> Her first residence was a room in an apartment belonging to Gastyne's friend, the impresario Vidal. She met with a number of directors and auditioned for movie roles, but failed each time. Vidal relocated her to a smaller apartment, where her first neighbour was the actor [[Alain Delon]] (who at this time was still unknown to the wider public), with whom she had a brief relationship.<ref>{{Cite web|url=https://www.purepeople.com/article/alain-delon-met-en-lumiere-son-histoire-d-amour-avec-dalida_a78336/1|title=Alain Delon met en lumière son histoire d'amour avec... Dalida !|website=Purepeople.com|access-date=21 August 2021}}</ref> Dalila's difficulty in finding acting work throughout 1955 led her to try singing. Vidal introduced her to Roland Berger, a friend and professor who agreed to give her singing lessons seven days per week for a low fee. He was strict and used to yell, with Dalila responding even more loudly.<ref>{{Cite web|url=https://www.thenationalnews.com/arts/looking-back-at-the-troubled-life-of-legendary-egyptian-born-crossover-star-dalida-1.2038|title=Looking back at the troubled life of legendary Egyptian-born crossover star Dalida|website=The National|date=4 February 2017|access-date=21 August 2021}}</ref> Their lessons sometimes ended with her slamming the door, but she always returned the next day. Seeing her progress, Berger arranged for her to perform in the cabaret {{lang|fr|Le Drap d'Or|i=no}} on [[Champs-Élysées]], where she was spotted by Jacques Paoli, the director of another cabaret, {{lang|fr|La Villa d'Este|i=no}}.<ref name="autogenerated2">{{cite web|url=http://www.ina.fr/video/I05044917/dalida-a-propos-de-ses-debuts-video.html |title=Dalida à propos de ses débuts – Vidéo |language=fr|publisher=Ina.fr |date=9 October 1966 |access-date=13 August 2018}}</ref> Paoli engaged her for a series of performances that proved to be popular, and Dalila received her first attention from the public in France, among whom was [[Bruno Coquatrix]], the director of [[Olympia (Paris)|Olympia]], who invited her to perform in his singing contest {{lang|fr|Les Numéros 1 de demain}}. Coquatrix later said: "[H]er voice is full of colour and volume, and has all that men love: gentleness, sensuality and eroticism." Dalila was also spotted by author and screenwriter Alfred Marchand, who advised to change her name to Dalida, since her pseudonym too closely resembled [[Delilah|the Biblical character]] as depicted in the movie ''[[Samson and Delilah (1949 film)|Samson and Delilah]]''. She immediately followed the advice.<ref>{{cite web|url=https://www.vsd.fr/loisirs/culture-10-choses-a-savoir-sur-dalida-19553|title=Culture 10 choses à savoir sur Dalida – Vsd|access-date=9 May 2018|archive-date=12 June 2018|archive-url=https://web.archive.org/web/20180612210738/https://www.vsd.fr/loisirs/culture-10-choses-a-savoir-sur-dalida-19553|url-status=dead}}</ref> On 9 April 1956, Dalida participated in the singing contest {{lang|fr|Les Numéros 1 de demain}}, performing "{{lang|fr|Etrangère au Paradis|i=no}}". Prior to the competition, [[Eddie Barclay]], the owner of the largest record label in France, [[Barclay (record label)|Barclay]], and {{ill|Lucien Morisse|fr|vertical-align=sup}}, the artistic director of the newly established radio station [[Europe 1|Europe n°1]], met in Bar Romain (now {{lang|fr|Petit Olympia|i=no}}) and discussed what to do that evening. Barclay wanted to watch a film, whereas Morisse wanted to attend the singing competition, which was being held at Olympia Hall, then the largest venue in Paris. They settled their disagreement by playing 421, a dice game, which Morisse won.<ref>{{cite web|url=http://musique.rfi.fr/artiste/chanson/dalida|title=Dalida – Biographie, discographie et fiche artiste|website=RFI Musique|date=3 March 2011|language=fr-FR|access-date=8 May 2018}}</ref> Together with their friend Coquatrix, they were greatly impressed after Dalida won the contest, and arranged a meeting with her. This event was later revisited in [[biopic]]s and books, and became regarded as fateful for Dalida's career. The three men went on to play a large part in launching her career.<ref name="linternaute.com">{{cite web|url=http://www.linternaute.com/biographie/dalida/|title=Biographie Dalida|website=www.linternaute.com|date=2 May 2022 }}</ref>
Summary:
Please note that all contributions to Niidae Wiki may be edited, altered, or removed by other contributors. If you do not want your writing to be edited mercilessly, then do not submit it here.
You are also promising us that you wrote this yourself, or copied it from a public domain or similar free resource (see
Encyclopedia:Copyrights
for details).
Do not submit copyrighted work without permission!
Cancel
Editing help
(opens in new window)
Search
Search
Editing
Dalida
(section)
Add topic